Hello Folks! I’ll be at The New York Comic Con this weekend, because I haven’t missed one yet. Will I get to do a “LOCKDOWN!” post? Only time will tell. Anyhow, if you’re looking for me this weekend I’ll be all-over the “trade” programming for publishers/retailers/etc. Here’s where to find me:

Thursday, April 17th:

ICv2 Graphic Novel Conference 2008
1PM-5PM, Registration Required

I’m going to be attending the ICv2 Graphic Novel Conference again this year, though I won’t be on any panels I probably won’t be too difficult to find (“Who’s that guy asking all of the uncomfortable questions?”). It’s pricey to attend ($200) but if you’re involved in the business side of the industry, it’s likely worth the $$ for your professional development. I think it’s still possible to register on-site as well.

Friday, April 18th:

I’m actually not going to be on Age Appropriate Content for Kids and Teen Comics 12:00 PM-1:00 PM anymore, because of a scheduling conflict. I was just introducing that one anyway, the two librarians involved are the real draw. Instead, I’ll be at:

Buying and Shelving Graphic Novels For Kids in Bookstores & Comic Book Stores
Room 1E07
Should there be a kids comics section in your bookstore/comic bookstore? What should be in it? How should you market it?

This is actually a pretty fun subject, if your definition of fun is working out all the ways to encourage younger generations to read comics and graphic novels. I’m on the panel with some real heavy-hitters too, including Kristen McLean, Executive Director of The Association of Booksellers for Children, and Jessica Stockton, Events Coordinator for McNally Robinson Booksellers in NYC. I’ll likely learn as much info as I impart, but it should be pretty cool.

Emerging Trends in Manga Retailing
2:00 PM – 3:00 PM
Room 1E16
With 33 manga titles a week planned for 2008, it’s tougher than ever for retailers to manage their manga sections. Join this panel of retailers as they discuss what’s working, what’s not, and where they see the market going this year.

This is going to be a fun panel too, because all of us participating have very, very different ideas about stocking, display, etc. Much more for direct market retailers than anyone else, any retailer who’s ever asked me a manga question should probably come out to this one. That “33 manga titles a week” is just an average. We’ve already had weeks with 60+ new manga this year…

After that, I’ll likely be around the con floor or in the press room. If you need to get a hold of me, just e-mail, I should be checking pretty regularly.

See you in New York!

- Christopher

I can’t believe I just thought “Wow, only 21 new manga. Looks like a light week!”.

- Chris
*Note: Not actually first though, I’ve been up since 4am, but it’s my first coherent thought.

I’ve got the most severe case of writer’s block at the moment, which is why posting has been so sporadic. Many apologies. I was going to churn out a linkblog post but I think I just tripped over the only thing that needs linking at the moment. I give you Chris Mautner’s interview with Raw and Toon Books founder Francoise Mouly:

Mautner: That’s interesting considering how companies like Scholastic now have their own comic book line.

Mouly: Actually Scholastic is a case in point. I went to see them in 2003 and offered Toon Books to them. The range of what I was offering at the time also included Bone because I had talked to Jeff [Smith] about doing Toon Books and wanted to show [Scholastic] a comic that’s perfect for the eight-nine year olds. And they had turned Bone down as not something that they wanted to do. Then they looked at my proposal and the response came back, “Oh that’s great, it’s beautiful. We’ll reconsider, we’ll take Bone because we know we can do something with that. But the rest, eh. Too much work.” So a lot of what you’re seeing now is the direct result of the efforts we made.

That interaction I must say was incredibly unpleasant because it also came with “Oh, and by the way you should ask Jeff Smith for a cut.” No thank you, he’s our friend. “If you really want to work for us,” says the head of Scholastic, “You could help us do the comic book version of Shrek 2.” (laughs)

Mautner: And of course you jumped at that.

Mouly: You have Art Spiegelman and Francoise Mouly in your office and they’re begging to be in your employ so of course you find them the perfect thing. The comic book adaptation of the movie which is a sequel of an adaptation of a book by a cartoonist? Yes, of course, we’re going to jump on that.

That’s Gold, Jerry.

Apologies in advance to my friends at Scholastic, but OMG.

- Christopher

Trevor Brown is an artist that is quite well-known in comics and illustration circles. A favourite of the Juxtapoz Magazine crowd. One of his paintings has been completely ripped off by a band called Crystal Castles, and they’re printing it on their T-Shirts (and quite possibly an album cover) and making a profit off of it. THey’ve not ceased to do so even after being asked by Trevor Brown. Conversations with their management are surreal. They tried to get Brown to sign a truly odious and unfair contract in return for payment… that never materialized. Their behaviour is frankly pretty unbelievable. Here’s hoping that the internet can step in and secure some justice for this artist where decency and doing-the-right-thing have failed.

Check it out on Trevor Brown’s blog:

Their new CD just got released. I bet this would be a pretty interesting angle for a story, should someone be writing about that CD.

- Chris


Go check out the full test for Studio Ghibli director Yoshifumi Kondo’s take on an animated Little Nemo in Slumberland. It’s amazing:

And if you want to see a higher quality video (that mysteriously has about a minute of footage cut out of it…) check out:

It’s pretty darned cool.

Edit: I decided to do a little more digging about this film clip, and found out something interesting. According to, one of the best fan-sites around (and devoted entirely to Studio Ghibli):

“Little Nemo” was an American/Japanese joint project, and [Hayao] Miyazaki and [Isao] Takahata were involved in the pre-production stage during 1982 and 1983. However, due to creative differences with the American producers, both quit the project. It was finally made into a movie with different staff members and released in 1989…

The film is currently out of print though it was apparently released on DVD in 2005… It was originally released on laser disc, and as a bonus, the laser disc includes two early animation tests for the film…

There is a rumor that two pilot films in the Japanese “Nemo” LD box set were done by Miyazaki and Takahata, but they were actually done by Yoshifumi KONDOU and Osamu DEZAKI, respectively.

So it seems likely that this clip is from the Japanese LD release… I wonder if the test by Osamu Dezaki is available online as well? I’ve done a cursory search, but no luck.

Anyhow, all of this information and more can be found over at CartoonBrew, the apparent originator in this round of discussion about the work.

- Chris

  1. Last week’s wrap-up of Superman & The Golden Age Legion in Action Comics was really, surprisingly enjoyable and probably the best comic Geoff Johns has ever written. I can now actually recommend a Geoff Johns comic. Who’da thunk it?
  2. On the Secret Retailer Forum, I’d been watching and not one retailer out of the hundreds that participate there was asking for more copies of Secret Invasion #1. Apparently no one at all sold out. And yet… due to “demand” Marvel is releasing a second printing a week later. I’m curious where the demand was… I couldn’t see any. Does anyone believe that story anymore?
  3. Hibbs kicks Wizard in the teeth and deservedly so. Go read it.
  4. I have no problem at all selling manga, specific manga, to non-manga readers at the comics shop. Stuff that would otherwise fit their tastes of course… But I will never sell a manga to a “superhero” reader, because I don’t think they’re interested in the medium of comics so much as the superhero content via any delivery system. Maybe this is obvious, but the sales of recently-completed series’ Death Note, Dragon Head, and Drifting Classroom to a wide array of people who would say or have said that they “hate manga” really put that into perspective for me.
  5. I’m personally aware that producing regular single issues and competing in the direct market is not “the way” for alternative and art comix, but at the same time I miss having weeks where every single new comic on the stands wasn’t a superhero/fantasy/zombie genre book. No more Love & Rockets, no more Eightball, and a minimum of a year between issues of everything else… I think that except for Young Liars #2 and Ganges this week*, every other comic book is a mainstream/direct market/fantastical element sort of thing, and that’s just a little disappointing…?

- Chris
*: I totally forgot about Criminal #2, which I just read, and was fan-fucking-tastic. Best book of the week. Faith in comics: Maintained!


I was out wandering the various Asian malls that make up Toronto and surrounding areas, and was reminded by this poster just how awesome Junko Mizuno is. Mizuno is a mangaka whose work has sporadically been published in English, primarily as part of the defunct Pulp line by Viz. Her three fairy-tale inspired graphic novels, Cinderalla, Hansel & Gretel, and Princess Mermaid mix her trademark cute-grotesque style of art with an end-of-the-millennium Japanese cultural mania and inject them into classic and seemingly comforting tails. In addition to the triumverate of colour fairy-tale manga, Mizuno has also had two black and white manga translated into English; Pure Trance and The Life of Momongo (which appeared in the out of print anthology Secret Comics Japan). Pure Trance is probably Mizuno’s masterpiece, a sprawling and depraved journey through the end of the world and the breakdown of society, as viewed through a sort of Kabuki-cho-Powerpuff-Girl lens, though Momongo is probably my favourite for its distillation of Mizuno’s themes and style down to a short, sharp story.


As you can see above, that top illustration is just a small part of this larger poster, the art of which inspired these plush toys from the PostPet line… I didn’t end up buying the toys, sadly, though I could’ve got the pair for $40! Maybe they’d have thrown in the poster too? Anyway, if anyone loves me as much as $40, now you know what I’d like for my birthday.

Back to our subject… Mizuno has always been a solid illustrator, and recently she’s been moving more and more into the illustration/high-end vinyl toy/fine art world, much to comics’ loss (though there are still many volumes of her work that remain untranslated… I’ve got 3 myself!). In addition to these plush toys, there’ve been a ton of great vinyl adaptations of her work and you can see more at her blog (linked below). An outstanding collection of Mizuno’s illustration is on display in the Mizuno art book Hell Babies, as notable for all of the great illustration it contains as it is for its superlative presentation; puffy, sparkly vinyl covers house die-cut rounded pages and multiple paper stocks. Published in North America by Last Gasp, Hell Babies is out of print at the moment but fret not! A new edition of Hell Babies was released in Japan last year with an additional 16 pages, and I’ve been led to believe we’ll see an English edition sooner than we think…


Of course, for those of who can’t wait, The Japanese edition is currently in stock at The Beguiling, thanks to a trip to Japan… It’s pretty awesome, and looks lovely as part of my little Junko Mizuno collection. If you want one drop us a line at mail at beguiling dot com, but they should be available everywhere by the end of the year.


Oo! Look! Extra pages with the shiny paper! How can you resist?

For more information on Junko Mizuno, here’re a few links:

jaPRESS (Mizuno’s North American Agents):
Junko Mizuno @ Wikipedia:
Junko Mizuno @ Viz:
Junko Mizuno Website (Under Construction):
Junko Mizuno’s Blog:

- Christopher

I’ve never posted this sort of list before but I figured it’s kind of interesting to see what our numbers are like versus what the numbers are like for the rest of the industry. I’d say that, in general the big trends tend to hit us the same way, though you can see the benefits of hand-selling and engaged and happy clerks making their presence felt around the middle of the list.

It’s also worth noting that All Star Superman #10 from a few weeks ago would have charted just on a standard best-seller list, as would Dragon Head Volume 10 and a few other graphic novels… and it was a sort of a light-week for graphic novels. I felt that this list was a little more interesting though…enjoy. I’d love to hear comments or see similar lists from my retailing friends…

Top 20 Best-Selling New Comics at The Beguiling Last Week
buffy-13.jpg1. Buffy The Vampire Slayer #13
2. Secret Invasion #1
3. Kick-Ass #2
4. Angel After The Fall #6
5. Action Comics #863
6. Casanova #13
7. Amazing Spider-Man #555
8. Omega The Unknown #7
9. The Boys #17
10. Countdown to Final Crisis #4
11. Detective Comics #843
12. Anna Mercury #1 (Multiple Covers)
13. Dark Tower: The Long Road Home #2
14. The Twelve #4
15. Young X-Men #1
16. Trials of Shazam #12
17. Abe Sapien: The Drowning #3
18. Jonah Hex #30
19. Walking Dead #48
20. Project Superpowers #2

- Christopher