Joseph by Nicolas RobelJoseph
By Nicolas Robel
64 pages, 5.5 x 7.5 inches, Partial Color
$9.95
978-1-897299-31-9
 
JOSEPH is another fantastical tale from surrealist master Nicholas Robel. A little boy with enormous hands and an overactive imagination copes with indifferent parents, teasing schoolmates and troubling dreams. Returning to themes explored in Fallen Angel—his first book from D+Q’s Petit Livres series—Robel captures the wonders and traumas of childhood in a short narrative that is as emotionally sincere as it is cryptic, while deftly melding the corporeal with the imaginary in his signature simple yet highly evocative style. Robel’s first book, Fallen Angel, is offered here as well.

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Walt & Skeezix Vol 3Walt & Skeezix 1925-1926
Frank King. Design by Chris Ware.
400 pages, 9.5 x 7 inches/partial color/ Hardcover book.
$29.95
978-1-897299-09-8

In this third volume of the much-praised Walt & Skeezix reprint series,the domestic side of Gasoline Alley receives full play. An old flame comes to visit Walt, with an eye towards marriage. Meanwhile, Walt pines for Mrs. Blossom, the neighbourhood widow. Out of these entanglements, a long engagement and wedding ensue.  As with earlier volumes, this book will have a 80-page introduction featuring many private photographs of the cartoonist Frank King and his family. The introduction delves into the marketing of Gasoline Alley in the 1920s and 1930s, with many dolls and toys taken from the personal collection of Chris Ware, the series designer and award-winning cartoonist.

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Look for Offered Again Items behind the cut.

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Keep reading…


Hi there folks. These are the comics that are scheduled to ship to The Beguiling Books & Art in Toronto, Canada this week. These books may not show up at all retailers at the same time, but if you see a title here it’s probably at least worth asking your local retailer about…

… wow, another big week. I mean, the fact that we’re getting 2500 books for Free Comic Book Day (plus a bunch of Comics Festival’s) certainly doesn’t hurt, but there’s a ton of books of every shape and size coming this week too. Once again I find myself short on time, so with any luck I’ll get back on here this weekend and update this section to include some of my picks for the week.

- Chris (click the link to see the books that are shipping)

Keep reading…


Really well, actually!

We had a turnout of about 40 people I think? We sold an absolute ton of books too, which was nice. Bryan’s talk was mostly drawn from Alice in Sunderland, meant to be heard by an audience who hadn’t yet read the book. Despite having already read it, I enjoyed it, and the book too. Afterwards Bryan was quite gracious and signed book after book for all who’d attended, though I don’t think he was sketching…? You can check out a further review of the event by Bob from the Four Realities Blog, as it looks like he had a good time as well.

Also of note, while Mr. Talbot was in town he gave an interview to SPACE (Canada’s answer to the Sci-Fi network, for those of you not in the know). SPACE head honcho Mark Askwith wrote to let me know that the interview is now online! Head over to http://www.spacecast.com/hypaspace.aspx and just look for Bryan Talbot’s name in the right-hand column.

What’s an event-report without pictures? Thanks to customer Andrew Specht for taking these for us.

Mark Askwith and Bryan Talbot
Space’s Mark Askwith chats with Bryan Talbot during the short interview session that followed the lecture.

Bryan Talbot and Christopher Butcher
Me thanking Mr. Talbot, and announcing The Beguiling’s plans for Free Comic Book Day and our Scott McCloud event.

Talbot and his signing line...
A small part of the line of folks waiting for Mr. Talbot’s signature.

Bryan Talbot talks to a few of his fans.
Bryan Talbot chats with a couple of his fans.

Lorna Toolis, Bryan Talbot, and Peter Birkemoe.
Lorna Toolis from The Merill Collection, Bryan Talbot, and The Beguiling’s owner Peter Birkemoe.

Thanks to The Merill Collection at The Lillian H. Smith branch of the Toronto Public Library for hosting the event, and to Bryan and Mary Talbot for being wonderful guests.

- Christopher
(Photos Copyright 2007, Andrew Specht)


Not me, of course, but take a trip around the internet lately and you’ll find that the poor, put-upon fanboy is being subjected to higher-than-normal ammounts of cock by the unfeeling bastards in charge of the comics industry. How’s that for the antithesis of the typical complaints about homosexuality and even male sexuality in comics?

It all started with Don MacPherson, talking about the images below:

jsa7.jpgpackage.jpg

“One has to give DC Comics credit, though, for sexualizing characters of both genders in its newest solicitations. Just check out the Alex Ross-painted cover image for Justice Society of America #7, slated for release in July. It depicts the newest member of the title team, Citizen Steel, a young man carrying on his family’s heroic tradition after he was altered by liquid metal excreted by a Nazi super-villain.

“That strange steel elixir has transformed him into an invulnerable super-hero, a man of steel. And if one looks closely, it’s not just his fists and flesh that are hard as a rock. Perhaps his red, white and blue costume has led him to believe he’s a postal carrier, because he’s looking down at a package… one he seems more than ready to deliver.

“Groovy… it’s a special delivery… for the ladies. Or perhaps this is DC’s subtle attempt to test of the waters in the yaoi fanbase.”
- Don Macpherson

Oh Don, you’re right, because whyever would a dude wanna look at another dude’s package? I mean, that’s solely the domain of ladies and yaoi fans, who are also mostly ladies.

So what starts off as a pretty ignorant comment in a well-meaning article by Don about the sexification of Catwoman et al. snowballs into Brian Cronin making a jack-ass of himself over at the CBR blogs. Take it away, Brian:

“So, just when I was about to expand DC Comic cover snark this month to include a discussion of two horrible horrible horrible horrible statues that DC solicited this week, Don MacPherson had to alert me to a piece he wrote on those two statues at his neat site… Don also made a catch that, admittedly, I do not think I would have noticed, regarding the JSA cover solicited for July…

“Notice anything creepily unusual? Look closer (as Don so ably does for us).

“How freaking creepy is THAT? My pal Jake said to me, “I think there are two equally creepy options – 1. Ross intentionally, on his own accord, drew a big bulge in the guy’s pants or 2. The model Ross had for Citizen Steel had a big bulge, and Ross decided to paint it in.”

“Pretty darn creepy.”
- Brian Cronin

Where do I start with that? First and foremost, there’s a reason that “Comics Should Be Good” isn’t linked from my site, and the above is a good indicator of why. Second, that’s what “Queer Fear” is, in case you were wondering. Brian and his ‘buddy’ Jake are ‘creeped out’ by a bulge in another guy’s pants (artistic or otherwise). The idea that an artist chose to give a character an impressively-rendered package is actually frightening to these fellas, and the idea that his model might’ve had a good-sized package in real life? And Alex Ross decided NOT to neuter him for some insane reason? Equally as creepy.

Men In Underwear 1The best, best part, is the comments section at Cronin’s post. Wherin a bunch of fanboys come to Brian Cronin’s defense over finding cock terrifying. My favourite bit is where “Jake” says:

“What weirded me out about it wasn’t that a bulge existed, but what must have been Ross’s thought process. It was his clear devotion to accurately reproducing what an erect penis would look like in a superhero costume. Either he planned on giving Citizen Steel a boner, or whoever his model that he painted from had one, and he made damn sure he captured a good likeness.”

Jake, buddy, on behalf of all of us who have made hobby out of studying the bulges in guys’ pants, let me state—for the record—that that is not what a good-sized cock looks like when it is erect, in form-fitting material. It isn’t even an artistic approximation therof. That’s just a good-sized soft cock looks like. I’m… I’m very sorry that you can’t tell the difference between the two. I’m afraid I’m going to have to recommend some remedial work for you in this subject. I recommend starting with the underwear section of InternationalMale.com for an hour a day until you can tell the difference.

While Brian Cronin appears to have decided his post doesn’t need defending (I’d submit that it’s, instead, indefensible) Don Macpherson is not one to take criticism lightly, and his defence of his original column continues in the comments section at Comics Should Be Good, and even spills over into the comments section at the Newsarama Blog. In response to a critic, Don offers up “You make it sound as though Ross has no choice but to include a bulge just because there’s one apparent on the model.” Did I mention that said critic is irate homosexual Dorian Wright from PomoBarney? No? It is:

“So, Don, is it the very idea of a bulge that you’re objecting to, then? Because, yes, if Ross is accurately attempting to portray the model, and say what you will about his art, he does appear to be meticulous in attempting to make it as realistic as possible, than he probably should show a bit of package if the model is. But most importantly, SO WHAT? It’s not as if Ross has lovingly detailed the outline of the shaft through the clothing. All he’s done is paint the shadows and highlights in such a way as to suggest that his model wasn’t a Ken doll. Honestly, from some of these reactions, you’d think comic fans were uncomfortable with the suggestion that men have genitals.”
- Dorian Wright

Image Copyright 2007, International Male.It’s always fun to see Dorian be bitchy, and here he’s fully justified. He’s playing politic here too, and not just out and out claiming that lots and lots of comics fans are entirely uncomfortable with the suggestion that men have genitals. They are. To be fair, it’s not just comics fans, lots of dudes are completely and utterly uncomfortable with their sexuality, but Comic Fans are pretty special in that regard, and comics characters have long been so artisticly dickless as to be concave where their genitals should be it’s not surprising that they’re a little on edge. As a commenter at Newsarama points out, the artistic focus of the piece is clearly the face and chest of the character, not the cock, but certain posters just seem mesmerised by Citizen Steele’s package (that’s his real name, by the way). Why is that, do we think? I’m sure the folks who have a problem with it—the commenters that find it ‘creepy’ or scary—would argue that you simply can’t avoid looking at it, it’s so prominent! I’d like to offer another theory.

Go check out this out. It’s a report on a study about “eyetracking” or seeing how people interact with the internet. It uses a set of goggles to measure where the eye is fixating on a page, and then turns that into visual data. It ranges from bright red, where the eye lingers for a longer period of time, to blue, where the eye barely scans. But yeah, let’s skip to the relevant part. Here’s me quoting a big chunk from the site.

–>Quoted from http://www.ojr.org/ojr/stories/070312ruel/

When photos do contain people related to the task at hand, or the content users are exploring, they do get fixations. However, gender makes a distinct difference on what parts of the photo are stared at the longest. Take a look at the hotspot below.

Although both men and women look at the image of George Brett when directed to find out information about his sport and position, men tend to focus on private anatomy as well as the face. For the women, the face is the only place they viewed.

men-v-women.gif
This image of George Brett was part of a larger page with his biographical information. All users tested looked the image, but there was a distinct difference in focus between men and women.

Coyne adds that this difference doesn’t just occur with images of people. Men tend to fixate more on areas of private anatomy on animals as well, as evidenced when users were directed to browse the American Kennel Club site.

<--End Quote. (Bolded emphasis above is mine)

It’s not Alex Ross’ fault, gentlemen. You just can’t help staring at the cock. Even when you’re afraid of it.

- Christopher
Note: I’m sorry that this had to be my first post of substance in days.
Edited to add: Pictures of dudes with big packages, for ‘comparisson’.


Hi there folks. These are the comics that are scheduled to ship to The Beguiling Books & Art in Toronto, Canada this week. These books may not show up at all retailers at the same time, but if you see a title here it’s probably at least worth asking your local retailer about……it’s a considerably smaller week than last time. There’s some good stuff out this week as well, but I can’t really spend too long writing right now. I’ll come back to it later.

- Chris (list behind the cut)

Keep reading…


My friend Rich Stevens (creator of Diesel Sweeties) posted some really sage words of advice over at his LiveJournal this week, about “The How and Why of Making Webcomics“, but it’s really about finding the drive and strength for any artistic pursuit. Rich is one of the 5 or 6 people making his living from being a webcomicker, and as such I find his opinions on the subject tend to carry a lot of weight.

He’s come up with seven… well, he probably wouldn’t call them “rules” but let’s say seven pieces of advice for folks that want to produce webcomics (or any kind of art). They’re good rules, in my humble opinion, and at the link he actually backs them up with examples and… you know, stuff. Sorry, my head’s not in the game today, but the info at the link is really good. Go check it out.

“You’re here for the audience. People should be able to count on your being there for them when you say you’re going to be there. Life is annoying, uncertain and full of problems. Comic strips exist to give comfort, make people think and generally help them get through their day/week/geological epoch.

“Stick to your schedule and do your best. Your audience will quietly appreciate you and help you out when you need it. If you work out some personal issues and make yourself feel better for creating something, all the better.”

- Richard Stevens

- Chris
 


Comics Festival - Photograph of printed copy.

Oh, oh man. It looks awesome. Two covers, 26 contributors, 32 pages of awesome comics.

Look for it at only the very best comic book stores on Saturday, May 5th 2007. Ask for it by name. In fact, ask for it now to make sure they’ll have it, because if not, that will give you plenty of other time to find a store that will.

Just Saying.

- Chris


Alice in SunderlandA Conversation with Bryan Talbot
In support of his new graphic novel ALICE IN SUNDERLAND

Monday, April 16th, 2007, 6PM
The Merril Collection (Lillian H. Smith Library, 239 College St.)
Free to attend.

Hosted by SPACE’s Mark Askwith

Bryan Talbot is coming to Toronto! The creator of One Bad Rat, Luther Arkwright, and the artist of The Sandman Special #1: The Song of Orpheus is touring North America in support of his massive new graphic novel, Alice In Sunderland.

Talbot will be doing a presentation from the work, and will be interviewed on stage by Mark Askwith from the SPACE channel.

We’re very excited to see such an esteemed creator visiting us all the way from the U.K., so save the date and make sure to come out for this rare appearance. Both The Tale of One Bad Rat and the brand-new Alice In Sunderland are available for sale at The Beguiling now!

- Christopher