I completely ran out of time to finish liveblogging, but managed to squeak the previews order under the wire. I’ll actually finish it out sometime today, but it might be later in the evening because new comics day will be nuts. SO MUCH STUFF is out.
Sorry folks, see you soon!
4:01pm: The most depressing part of breaking up this review of the Previews is that part 2 invariably starts with WIZARD every time, and it’s always such a crap-fest. This month their advertisement is possibly the worst ever, with a bad airbrush delete tool used to clip a wearwolf photograph, a blurry cosplay photo mocking the poor woman posing (wonder if they got a signed release on that shot…?), and a full page illustration of the Buffy cast that says “EXCLUSIVE COVER BY J. SCOTT CAMPBELL” over a piece of art clearly by Jo Chen, that they don’t credit. And they put the “EXCLUSIVE COVER BY…” blurb right over her signature.
Honestly. Fucking amateur hour.
4:06pm: Oh, good. Toyfare’s gay-baiting on the next page.
4:07pm: Page 185 features an advertisement by The Xeric Foundation (ad space donated by Diamond Comics) promoting their May 2009 grant recipients, including Canadian auto-bio author Adam Bourret. This is a very good thing that they do, thanks Xeric Foundation… and sorry to Peter Laird whom I gravely (but accidentally) insulted last week.
4:13pm: On page 188 we have “Dread & Superficiality: Woody Allen As Comic Strip” I shit you not. Apparently there was a Woody Allen comic strip tht ran for EIGHT YEARS in newspapers. That… that is shocking to me. Written and illustrated by Stuart Hample, this Abrams Comicarts collection collects 220 best-of strips, and retails for $35.00 in HC.
4:21pm: Oh, also on page 188, Terry Moore’s got a third trade paperback collection of ECHO, which has continued to pick up readers in both formats. $15.95, 104 page, from Abstract Studios.
4:21pm: SLG Publishing (still listed as “Slave Labor Graphics” in the catalogue) has a trio of interesting releases in October. The second issue of CAPTAIN BLOOD drops, and I actually really dug the first one. Nice art, pirate story (a plus), based on a real story. I know “action adventure comic book” isn’t the first thing that comes to mind from SLG, but I dug it. WINCHESTER #1 is a spooky story set in the Winchester House, which I’d never heard of before they started promoing this book but is pretty fascinating. And Jamaica Dyer’s WEIRD FISHES is about weird kids and growing up, and collects her webcomic (available here).
4:36pm: The always entertaining Antarctic Press section on pages 194-195. So, it looks like it’s sliiiiightly better than usual, with some actual effort put into making these pages less hideous. For example, they’re putting the the cover of the book and the text describing the book on the same colour background, for readability! That’s pretty bold considering their last few months of solicitations. Granted, they still don’t seem to know how gutters or margins work, and the page still has a slap-dash feeling that would make a real designer vomit in his mouth a little, but: Definite improvement, Antarctic Press! Keep up the… work!
5:14pm: I had no idea a second collection of HATTER M: LOOKING GLASS WARS was on its way. Adapted from the popular novel series and now with art from a fella named Sami Makkonen. That’ll sell well I think, the first one certainly did and it wasn’t all just Templesmith fans (the artist on the first volume). Page 208 from Automatic Pictures Publishing, $14.95 for the 200 page SC and $24.99 for the HC.
Also on page 208, the Xeric winning anthology GHOST COMICS from Bare Bones Studios, featuring stories by Jeffrey Brown, Zack Sally, and Lucy Knisely. $10, 176 pages. Oh, and the interesting-looking ODUSSEUS THE REBEL by Steven Grant and Scott Bieser. An adaptation of the Odysseus myth, it certainly looks more interesting than Marvel’s recent attempt, and hey, the whole thing actually ran online at the Big Head Press website. Who doesn’t like Greek myth? Let’s give it a go. 184 pages, $12.95.
Long-time readers of the blog will likely remember my infatuation with Anders Nilsen’s astounding graphic novel Dogs & Water, a gripping but dreamlike rumination on the nature of war and loss. It’s one of my favourite graphic novels, and it really opened my eyes to Nilsen’s work… I’ve been a big fan ever since, and his most recent effort is no exception.
Nilsen has organized 46 Million, a protest/fundraiser in support of developing some sort of legitimate healthcare for the 46 million American citizens without it. Currently besieged by folks who seem to believe that democracy means enforcing your views by carrying loaded weaponry to debates, Anders has collected more than 50 items to be auctioned in support of his cause–mostly original comics art and illustration from the likes of Chris Ware, Lynda Barry, Ivan Brunetti, Lille Carre, Jeffrey Brown, Dan Clowes, Genevieve Castree, and Nilsen himself. There are some truly beautiful and rare pieces available, like the Anders painting up top, and bids are currently in a reasonable range. 100% of the proceeds are going to be donated to advocacy organizations working for public healthcare.
You can see all of the e-bay items up for option under username oxrius, or by searching “46 Million” at ebay.com. Or you can just click here.
So on Friday night, Kathryn Immonen posted the following on her Twitter:
“can someone explain to me how two of the ignatz jurors can also be nominees themselves? #honestquestion” – kathrynimmonen
…and that is an honest question. I hadn’t really thought about it, but the implication did set my teeth on edge. I have strong opinions about awards in comics, and my response, “My guess is they just have no rules or guidelines about nominating work?” was born out of a history of industry reach-arounds. Well, my bad.
According to the Ignatz website, the way in which books are nominated at The Ignatz Awards is unlike any other awarding body in comics: The Jurors are anonymous, and can’t nominate their own work. From the Ignatz website:
1. All Jurors are to remain anonymous, including within the Ignatz Jury, until the ballot is announced to the public. This is to insure that no one can be accused of having their votes influenced in any way. It also protects the Jurors from people campaigning for a nomination.
4. Jurors are prohibited from nominating their own work. However, since Jurors are not informed of the identities of the other Jury members, there is no prohibition from one Juror’s work being nominated for an award by his or her fellow Jurors.
According to Greg McElhatton, Ignatz Awards Coordinator“Ed Brubaker set the awards up in this fashion in part so that artists can serve without having to withdraw their names from contention, and if the jurors weren’t anonymous from each other, then they absolutely would have to. We… have active, creative people helping define the ballot.”
I had no idea Ed Brubaker set up the Ignatz Awards rules?
I also had no idea that jurors Lille Carre and Vanessa Davis, both of whom were nominated for awards this year, couldn’t have nominated themselves… Which leads me to believe that the jurors really dug their work (myself included…!).
I think it’s unfortunate that the folks I get my news from didn’t make a point of mentioning how the awards nominations are arrived at in posting the nominations and jurors. But then again a lot of comics journalism consists of reposting press releases, and if I were the Ignatz Awards, I might include a succinct statement in the little PR that spells that out, to make sure my jurors stay above reproach in the public eye.
But yeah, I fucked up, and I have to say I’m glad to see that the Ignatz’ are on the up and up, particularly because a lot of great work got nominated this year and the more attention great work gets, the better.
The 2009 Ignatz Awards will be handed out at The Small Press Expo, http://spxpo.com, on Saturday, September 26th. The complete press release from The Ignatz Awards is behind the cut, below.
You know, I’ve seen comments that ask how someone can “liveblog” a static object. I get it, I’m a pedant too. Instead, you should probably consider this me liveblogging my reaction to The August 2009 Previews Catalogue for items shipping in October 2009. You see, I’m a comic book retailer for The Beguiling in Toronto, Canada. And my Diamond Comics order–ordered through the Previews Catalogue–is due tomorrow at 11pm. And like most months, I haven’t even cracked the catalogue yet. So let’s you and I wander through the Previews Catalogue together, seeing what we think… in the most reactionary and vaguely-informed way possible. Ready!
Actually, I do kind of wonder if the demand for this single issue has maintained since the last issue 2 or 3 years ago. Actually, exactly 3 years ago by the time this appears. I was really hoping for quick collections on this to capitalize on the renewed interest… but that ain’t happening. I don’t know how much has been made public, but seriously? March for the regular hardcover, the rest some time after that.
You’d think they would get those out a bit quicker, eh?
3:06pm: Huh, in the front half of the Previews stuff that I don’t normally read, there’s a feature on Dave McKean. Apparently Dave McKean is reading Shaun Tan’s THE ARRIVAL, BLUE PILLS by Frederik Peeters, and THE SECRET by Andrzej Klimowski (not the creepy self-help book). That actually got me to pause while flipping through this, which is rare indeed.
3:08: This is a big month at DH for one-shots. They’re calling them “One-shot Wonders” in the catalogue, which has connotations I myself wouldn’t want to be associated with, but who reads Previews anyway? First up is SUGARSHOCK, by Joss Whedon and Fabio Moon. This reprints the stories from MySpace Dark Horse Presents, which were recently published in those MSDHP trade collections. Actually, despite appearing in trade and online for free, I still think we’re going to do AMAZING with this one-shot, to hit all those people still coming into the shop, month after month, buying tons of Buffy comics. Thanks DH! Please keep this one in print indefinitely! And bring back Mignola’s AMAZING SCREW-ON HEAD while you’re at it.
3:15pm: So I flipped forward a few pages, and this one-shot-wonders program is going to have an incentive signed print by Travis Charest attached. Ah, here are the details: “retailers ordering 10 each of all one shots from Aug, Sep & Oct Previews get Charest litho signed by creators.” OO, that’s gonna be pretty hard to hit on a couple of those… But to be fair, Travis Charest drawing Dr. Horrible, Conan, Darth Vader, and Hellboy on the same signed print? Probably will pay for the rest.
3:21pm: I was just wondering the other day why the most recent Grendel series, GRENDEL: BEHOLD THE DEVIL written and drawn by Matt Wagner, hadn’t been collected yet. And here we are on page 30. 184 page hc for $19.95 is a steal, and a great place to jump on board for folks who’ve never read the series before. Oh and on page 31, we’ve got a reprise of the naked John & Yoko album cover on RAPTURE #5, complete with naked man-ass. I think this might be a first for Previews? Actually, this momentous occasion deserves a full-size image:
He’s a bit skinny but I’d still tap that.
3:27pm: Speaking of things that have been out of print for too long, uber-hot mainstream writer Brian K. Vaughan’s THE ESCAPISTS has been out of print for over a year. I thought it was a pretty decent graphic novel, and it’s not like Vaughan doesn’t sell well. It’s not a major work, but then DC isn’t letting PRIDE OF BAGDHAD go out of print for a year either, because we all like making money… Anyway, the softcover edition finally puts in an appearance on page 33.
3:31pm: I saw a post entitled 365 SAMURAI AND A FEW BOWLS OF RICE the other day, I thought it was someone talking about samurai manga and not the title of an actual book. But apparently this is an original graphic novel that describes itself as a cross between BLADE OF THE IMMORTAL and BONE. Huh. 400 pages for $16.95 on page 34, I’ll give that one a go.
Oh and Dean Motter’s ELECTROPOLIS gets a collection page 35. Huh.
3:34pm: Good month for DH! Jeez. Charles Vess art book (the first?) on page 36, 200 pages for 40 bucks, and a brand new GROO mini-series, THE HOGS OF HORDER #1, on page 37. Page 38 has a HC, upscale reprinting of 2 Casper The Friendly Ghost comics, one from 1949 and one from 1952. I have no idea whatsoever if this sort of reprint project will catch on, 80 pages in HC for $10, but it’s at least interesting. Here’s hoping the repro is up-to-snuff.
3:38pm: Title of the month so far is: DR. GRORDBORT PRESENTS: VICTORY–SCIENTIFIC ADVENTURE VIOLENCE FOR YOUNG MEN AND LITERATE WOMEN. It’s basically porn for steampunkers, in that there are no naked bits but lots of rayguns. It seems like there may even be some comics in this… who knew?
3:51pm: Hah, it really is “lost” DH projects this month, as Eric Powell’s GOON: CHINATOWN (which is actually volume 6) finally gets a softcover release, 112 pages for $15.95 (bit pricey there eh) on page 46.
3:56pm: I just can’t help it, I see a rainbow and I think “pride flag”. re: Blackest Night #4.
3:58pm: Man, those FINAL CRISIS AFTERMATH one-shots were utterly dead on arrival. Same goes for the RED CIRCLE stuff. Absolutely no interest.
4:00pm: I will say that our minimum-Grant-Morrison-on-a-superhero-number is about 60% of our minimum-Grant-Morrison-and-Frank-Quitely-on-anything number, but I’m still anticipating a bit of a shock-drop on the post-Quitely issues of Batman & Robin. The art shown here by Philip Tan is much stronger (in every way) than Tony Daniel’s run on the last Morrison Batman stuff, but… it’s still no Quitely. I’m hoping to be proven wrong though.
4:03pm: Are you fucking kidding? Azrael? REALLY?
4:04pm: See, shit like this is why I could never take GOTHAM CENTRAL seriously, despite the best efforts of Brubaker and Rucka. According to ARKHAM REBORN #1, “Following the Black Mask’s destruction of Arkham Asylum in Battle For The Cowl, Dr. Jeremiah Arkham has rebuilt the Asylum following the design of his mad Uncle Amadeus.” It “soon mutates into a Torture House.”
Seriously? There are so many things that stretch credability to breaking in that description that when respected writers come in and try actually mature stories that it’s just a fucking joke. There’s some great, great work done on the bat-books every once in a while that’s utterly undermined by adolescent torture porn featuring Batman, just for the sake of filling the racks with as many crossovers and minis as possible… Gross, just gross.
4:35pm: Okay, we’re back! And not a moment too soon, because it looks like Gary Frank has drawn another utterly creepy Christopher Reeve face on SUPERMAN: SECRET ORIGIN #2.
It’s just… wrong. Uncanny Valley wrong. I will restate my caveat from last month though that despite these Christopher Reeve caricatures being drawn in, badly, that the Johns/Frank Superman and the Legion stuff has been pretty good reading.
4:42pm: Huh, going through our tracking numbers, it looks like the new DOOM PATROL series by Giffen and Matthew Clark did really well on its first issue. Shocking. I will actually need to bump my orders up on #2 & #3. Unless, of course, everyone abandons the series with the second issue.
4:54pm: Sorry for the slow-down between updates, but a lot of the DC section is pretty perfunctory stuff without much to comment on…
So on page 96 we’ve got DC COMICS CLASSICS LIBRARY: SHAZAM! – THE MONSTER SOCIETY OF EVIL. This is the original Binder/Beck story, considered to be one of the first serialized stories with a beginning, middle, and end, right out of 1943. My customers have been waiting for this story arc for a very long time, since about half-way through Jeff Smith’s recent re-do of the story from a few years back. In fact, DC started up a whole new line, the classics library, to accommodate the re-printing of this one. I know I’m sounding like a bit of a broken record here, but the release of Smith’s MONSTER SOCIETY was a really big deal, that generated a lot of interest in Shazam as a character and in the original story-arc, and DC has frittered almost all of that away. Following the completion of Smith’s four-issue series, it took a Full Year for them to get another kid-friendly Shazam series on the stands, all the while the Shazam family was dragged through all kinds of mud in the mainsteam DCU… Now, 2 and a half years past the end of Smith’s series we’re going to get a prestige-format, $40, fanboy-targeted release of these original comics. The whole thing is just a series of truly awful business decisions on DC’s part, and it means less money for all involved.
I wish they’d hire some editors from non-comics publishers every once in a while to just sit in on meetings and say things like “Say, what are you going to do to capitalize on the momentum, sales, and good-will generated by publishing new work from million-selling author Jeff Smith’s book the month after it’s over?” I wonder if that question would get a blank look, or a self-satisfied “Nothing.”
Anyway, it’s 272 pages in the mystifyingly-priced $40 hard cover format.
5:17pm: Hey look, it’s THE WINTER MEN TP (page 107, $19.99, 176pages). The beloved, beautifully drawn mini-series by Lewis and John Paul Leon. We did okay with this mini–it never set any sales records or anything–but really it’s the kind of thing we’re going to do well with in trade paperback, and hopfully for years to come. Let’s order it like a VERTIGO trade and see what happens.
5:20pm: The Wildstorm video game adaptation comics have been pretty hit-or-miss, both sales-wise and quality wise. I think producing comics for people used to downloading shit for free is maybe not the smartest business plan, but they keep making them so somebody must be buying them. GOD OF WAR #1 is particularly notable because none other than Marv Wolfman is adapting the game into comics form, and GOW is a video game that actually has a story (or at least a really good plot), so there’ll be plenty to work with.
5:51pm: Huh, Vertigo is reprinting SHADE: THE CHANGING MAN and releasing a long-awaited volume 2. That’s… kind of surprising. I’ve only read Shade in drips-and-drabs, it’d be nice if they actually followed-through and reprinted the whole series… Looks like that’s the plan anyway. They seem pretty committed with their similarly surprising SANDMAN MYSTERY THEATRE collections, which have seen 7(!) trade paperbacks released in the last few years. Here’s hoping, eh?
(P.S.: Anyone who’s enjoying the crime/noir resurgence of the past few years with titles like CRIMINAL and HUNTER, I’d definitely recommend SANDMAN MYSTERY THEATRE, it’s an amazing series of short noir stories, with only very small touches of the fantastic rooted in surprisingly gritty realism)
5:59pm: HAUNT #1. The new IP from Todd McFarlane. Story by Robert Kirkman. Why is Robert Kirkman doing work-for-hire for Todd McFarlane? I guess Kirkman is excited about this, but I’ve never read any Work For Hire from him that was even half as good as his creator owned stuff.
Also, Capullo on layouts, Ottley on pencils, and McFarlane on inks? I suppose that’s pretty badass? I dunno. I feel like this might be a big deal but I missed the hype. I hope people are excited about it. I’m not order-100-copies-and-get-a-1in100-variant excited though, but we’ll at least give the first few issues a shot, see if we can turn Kirkman’s enthusiasm into sales.
ONE MODEL NATION is a new original graphic novel featuring art by Jim Rugg, a buddy of mine and the amazing artist behind STREET ANGEL. It’s written by Dandy Warhols singer Courtney Taylor, and apparently that’s not the the final cover, but I can’t imagine why they’d use it if it wasn’t… Nazi imagery tends to be pretty divisive. At any rate, I’ve got a lot of faith in the project, and the plot sounds right up my alley. It’s very Rock N Roll. Check out a preview here.
6:34pm: I even like Steaven T. Seagle, but $30 for the SOUL KISS hard cover seems a bit pricey for the material.
6:47pm: It’s kind of lovely to open up the Marvel section of the Previews, and be greeted by lovely-looking adaptations of classic literature, rather than grit-teeth gun-toating badasses and boobsocks. THE WONDERFUL WIZARD OF OZ HC is $30 and 200 pages, still pricier than I’d like to see for an all ages book, and PRIDE AND PREJUDICE PREMIERE HC is $20 for 120 pages, and they were good enough to keep that faux-teen-magazine style cover. Just lovely.
6:56pm: Wow, they’re relaunching WEB OF SPIDER-MAN? That’s entirely awful. They’re launching it to tie into the clone nonsense too…. and as an anthologY! Heh. Wow. That is a phenomenally shitty waste of time and paper. No one is going to want this. Well, I mean, people have bought far, far shittier books. But? Web of Spider-Man? No way.
7:03pm: Well, it had to happen. Brother Voodoo is getting his own limited series. DOCTOR VOODOO: AVENGER OF THE SUPERNATURAL #1 spins out of Bendis’ awful depiction of the charcter in New Avengers, and is a true rarity in that it’s an ongoing book being launched by Marvel or DC that features a person of colour in the lead. Fuck, it’s notable for being only the third superhero book currently published with a lead that’s a person-of-colour. And they’re all published by Marvel. Shit, three cheers for Marvel on that one.
7:16pm: I kind of can’t believe that Peter Bagge did a red Hulk variant for STRANGE TALES #2. And hey, it looks like Jim Rugg is listed in the credits for this one. Last I’d heard his Brother Voodoo story wasn’t going to be published. Hopefully the folks in charge changed their minds.
7:18pm: It looks like consumate professional Phil Jimenez is the new artist on Warren Ellis’ ASTONISHING X-MEN run starting with #31, which I had given up for dead. Our numbers have been dropping like a stone on the series since the heights of the Joss Whedon run thanks to the frequent delays. Despite the relaunch I have to wonder how many people are still interested… well, we’ll order the series at the sell-through of issue #30 and I’m sure Marvel will be ready with a second printing, if anyone still cares.
7:30pm: You’re not going to believe this, but in the Marvel Previews catalogue Marvel seems to have flipped the Dave Johnson cover for PUNISHER: FRANK CASTLE MAX #75, including his backwards signature. Check it:
They’ve got it right on the website, as in not-flipped, but, yeah. I hope the error was somehow on Johnson’s side, because if it was Marvel that’s pretty not-cool.
7:37pm: Uh, Richard Corben is drawing a STARR THE SLAYER mini-series? How the hell did I miss that?
7:45pm: Alright, that’s all I’ve got for the Marvel part of the catalogue. Unfortunately I’m completely out of time for work stuff today. So Part two: The Rest Of The Catalogue, will have to wait until tomorrow morning. Thanks for reading, for now!
I flipped on the radio this morning, and today’s top story was “DISNEY BUYS MARVEL” which is a weird way to wake up.
The main, business-oriented story was then followed by a “man-on-the-street” reaction piece, where they went to their affiliate sports station and got their homophobic/gay-baiting douchebag “Video Games Journalist” to spout off some bullshit about how he’s worried because he doesn’t want “Spider-Man and Doctor Octopus to live happily ever after, or Spider-Man and Venom to walk down the street holding hands.” Because… that happens in Disney Movies? Not one single Disney movie or cartoon I’ve seen, but I guess when you’re a huge fucking douche, you don’t actually watch Disney productions? Anyway, fuck you, d-bag and your producer too for putting you up to it: You’re why I’m not linking the radio station.
Meanwhile, an investor-conference was held and Tom Spurgeon, The Comics Reporter was there. It seems like it’ll be business-as-usual for Marvel and Disney, with a little bit of corporate tightening-up. Considering DC operates the way it does withing the Warner empire, I can’t imagine much will change at Marvel with this deal.
Now, to work and The Previews catalogue.