So! A little while ago I promised to explain the following statement in more depth:

Diamond’s new order minimums increase is going to hurt the DM worse than Marvel’s Heroes World Debacle did. It is essentially the beginning of the end for the Direct Market, in my estimation. Specifically because Diamond Comics Distributors is a monopoly.” – Me, a couple weeks back.

Then I got too busy to follow-up. Since then Bill Schanes at Diamond has followed-up with a couple of interviews, and most-everyone has weighed in on it. But since it’s about 6 hours before I have to get up to go to work, I figure now is the perfect time to, you know, offer my thoughts.

FACTS:

- Diamond’s job is to serve the Direct Market, and specifically the network of comic book specialty stores that make up the direct market.

- Diamond’s goal is to make money at this.

- Diamond does this by buying comics at a deep discount from publishers, and selling them to the retailers at a lesser discount.

- Somewhere along the line, they calculated what it costs to solicit and ship a book to those retailers versus what it makes them, and came up with a dollar figure for their comfortable-profit-zone. I do want to note that this order minimum has never been expressed as “the break even point”, this is just where they make a profit on the book they’re comfortable with.

- Recently, they raised that minimum so that you have to sell $6250 or so of comics, retail, to get distributed. That effectively means anything not in their “top 300″, most months. The books just never show up in stores, despite being ordered.

- They announced these increases under the increasingly specious cover of “economic downturn.”

- They did this and it was pointed out that their sales were DOWN 4% IN 2008!

I’d like to point out that sales were down 4% after numerous increases, year-over-year, for the last 5 years at least. Here’s what ICV2 had to say about the comics industry in 2007:

“It is clear that overall 2007 was a very strong year for comic sales (up 7% compared with 2006), graphic novels (up 18%), and combined sales (up 9%), though the increases in comic and combined sales not quite as strong as in 2006, during which comics (when compared with 2005) sales rose 14%, while graphic novels were up 8% and the combined total was up 13%.” – ICv2

OPINION:

So… what? The combined total sales for comics and graphic novels was up at least 13% in 2007 over 2006, and this is not just the Diamond numbers but I’d be shocked if they weren’t right-in-line. So now comics slip by 4%, putting them what, a few points above 2006, right? 2006 where we actually delivered books that we solicited? Hmm.

I doubt their stated reasoning, flat out. This is all, at best, suspicious. Year-over-year growth in the midst of the graphic novel and manga boom, there’s a slight slip, and now it’s time to cut stuff? Huh.

FACTS:

- Let’s give Diamond the benefit of the doubt on the economic necessity of their moves. Why not.

- After all, Diamond cut the salaries of numerous staff in January. Seriously.

- Diamond is still a monopoly.

- That’s not just a cute word I’m throwing around here… Diamond seized power in a time of uncertainty, eliminating all other national and local specialty distributors of comics and graphic novels by signing prohibitive exclusivity agreements that meant that the vast majority of published comics and graphic novels could, realistically, only be distributed by them. There is no other distributor of comic book periodicals, at least non-returnably (there is the newsstand, but there are lots of reasons that has nothing to do with anything…).

- These were really sweet deals they offered to companies too, to sign exclusive and ditch doing direct-sales to retailers, or work with other distributors. It had nothing to do with the bookstore market, or sales to customers (like companies with a webstore), or any other form of sales. These were exclusives For The Comic Market, designed to make Diamond the only distributor for the comic market.

OPINION:

Fine, let’s… let’s pretend for a moment that this is all okay too. Sure. Why not. Capitalism, right?

FACTS:

- Diamond made themselves the only outlet for comic book periodicals, and graphic novels. Diamond IS the Direct Market.

- They made retailers dependent on them for the vast majority of their business. Diamond IS the Direct Market.

- They systematically removed other avenues of sale for publishers through their exclusivity tactics. Diamond IS the Direct Market.

- And now that there are no competitors, and no other avenues, they are dictating stricter and stricter terms to pubs who won’t play ball with them (ie: sign a brokerage agreement, sign an exclusive, sign a contract to have handle their bookstore distribution).

- They admit flat out this will result in the delisting of 20-30 companies in the first month, with more to come.

- Diamond IS the Direct Market. Distribution, publishing, retail.

OPINION:

This is not a good thing. Monoculture is not a good thing, it leaves us susceptible to disease, to being wiped-out entirely.

I have always argued this, and while my arguments haven’t fallen on deaf ears, exactly, many companies have made decisions that embrace a “streamlined” DM, to what I feel will be their eventual detriment… Once you eliminate the bottom, the middle becomes the new bottom. I’m having a hard time seeing how anyone is going to be renegotiating their exclusivity deal with Diamond from a position of anything approaching “strength” in the next few years. Diamond has just told you that they want the low-hanging fruit, and that fruit’s just gonna get lower and lower.

But even more importantly than that: Diamond is pushing content out of the Direct Market.

Let me say that again:

Diamond Is Pushing Content Out Of The Direct Market

We established this way up at the top there, “Diamond’s job is to serve the direct market.” So you tell me, by denying entry to creative people, by setting the minimums above what _all comics_ not in the top 300 can accomplish, and only ‘working’ with their core publishers, how are they serving the direct market?

The only answer that comes to mind is “because this will allow them to continue to exist.” No insider information here, nothing that’s not out in the open, but staff cuts, salary cuts, and big cost cutting? I’m sure New York will be a-twitter.

Because seriously?

If this is not a necessary move, then it’s an incredibly stupid one.

Diamond’s job is to serve the Direct Market, so why are they sending publishers to find other ways to sell their books, ways that aren’t the direct market?

I help run a direct market comic book store, one of the best in the industry. I’m going to be honest with you here: We will weather the storm.

But we’re also on the front lines of indy publishing and retailing: Between my independent comics festival and my indy comics friends and my goddamned zine rack, and our Diamond orders where the back of the catalogue is almost always worth more than Marvel, DC, Image, and Dark Horse combined. The publishers that are going to be the ones that disappear out of the back of the catalogue are ones that we order, and the books that have customers who come to my store specifically for them. So, you know, I know what I’m talking about here.

This move is going to push publishers to produce comics that effectively _can’t_ be sold by Diamond, by the Direct Market. Webcomics, digital print-to-order, print-on-demand, comics with low profit-margins, produced in small numbers, sold directly by the creator to the reader.

And it’s probably going to work.

Already some of the solutions that have been floated for small publishers tout this method. More importantly, more and more comics creators–and I want to stress that many of these people are my friends, this is not anecdotal–are making a living solely through the digital publication and distribution of their work. Either through merch or advertising or other sales. Comics creators have found a successful alternate way of making money doing comics, that has nothing at all to do with comic book stores.

And Diamond has provided the kick-in-the-ass to get more people to follow that path.

Diamond is serving the Direct Market, by encouraging publishers to stay the FUCK OUT of the Direct Market. Sending books that I want to sell, and customers I want to sell them to, to a completely different distribution stream where I don’t make any money.

FACTS:

- The margins on digital-print-to-order and POD books are too poor for the books to be sold competitively through most comic book stores.

- Think that webcomics can work as a “proving ground” for books, only to be embraced by the direct market when they’ve “proven themselves”? Think again! The Direct Market hates webcomics! Check this out:

Johanna Draper-Carlson: Publishers are currently preparing their giveaway titles for Free Comic Book Day (FCBD), which will be on May 3, 2008. Three planned webcomic-related titles won’t be included, though, because even though their publishers participated in previous years, they were rejected for 2008. I’ve interviewed Chris Crosby about his reaction to this decision.

Will you be participating in FCBD this year?

Crosby: Apparently not, as all three titles were rejected by Diamond on the advisement of their FCBD committee. The reason given was “no core title being currently published, or the current books sales not warranting the FCBD promotional support.” … Most of our 3 million+ readers do not read print comic books, not including print collections of webcomics. Not because webcomics are free and webcomic readers are cheap, but because they haven’t yet been exposed to a print comic that interested them enough. When webcomics participate in FCBD, we are actively promoting the event to millions of readers. Those are potential new comic shop customers, assuming you can grab them enough with a title they’ll want to try while they’re in the store. … Since we’re not being allowed to participate in FCBD 2008, we won’t be trying to drive our millions of readers into comic shops this year.

OPINIONS:

Yeah.

I’m not a dullard, I know that the digital revolution is well underway and the paradigm? It’s shifting. But it isn’t shifted, and it’s a little disconcerting to see my largest retail partner pushing content away from my market and into one I can’t touch. I think that’s a WEIRD DECISION TO MAKE.

I’m going to say this flat out, probably the most indefensible part of this whole post, but here goes: Diamond has a responsibility to the market it has created. And that responsibility doesn’t start and stop with making money.

It is essentially the beginning of the end for the Direct Market, in my estimation.”

Is that hyperbole? I can’t tell. Once upon a time a friend of mine wrote an angry-young-manifesto imploring all who would hear him to tear the direct market to the ground and let something else rise up out of the ashes. I feel like we’re closer to that now than we’ve ever been, but I never thought it would be Diamond doing it. Diamond can’t afford to distribute comic books to comic book stores. Not all comic books of course, just the ones that aren’t superheroes or licensed other-media tie-ins. Or exclusive to Diamond.

No retailer is immune to the effects of this. No publisher (save 2…) is immune to the effects of this. This is going to change the market quicker and in ways that none of you would ever have expected.

And in the end, none of this ensures a healthy Diamond Comics Distributors. We’re all still taking are chances with a distributor that the vast majority of comic retailers and publishers spend great amounts of time ripping-on, in public and private…

Good luck in 2009 everyone.

- Christopher


So I guess this is a test of my ability to blog from my Blackberry… Let’s see how it goes.


Ironically perfect url shortener:

http://bit.ly/fuCk

- Chris
Thanks to Alan Hunt for that one.


Buffy Season 8 - Issue 2 CoverToday the Gay & Lesbian Alliance Against Defimation, or GLAAD, announced the nominees for their 20th Annual Media Awards. Included again this year is a category for comic books:

OUTSTANDING COMIC BOOK
The Alcoholic by Jonathan Ames (Vertigo/DC Comics)
Buffy the Vampire Slayer by Drew Goddard, Jeph Loeb and Joss Whedon (Dark Horse Comics)
Final Crisis: Revelations by Greg Rucka (DC Comics)
Secret Six by Gail Simone (DC Comics)
Young Avengers Presents by Ed Brubaker, Brian Reed, Roberto Aguirre-Sacasa, Paul Cornell, Kevin Grevioux and Matt Fraction (Marvel Comics)

The awards are handed out to media and media-makers who provide compelling, honest, and visible portrayals of GLBT people.

I’ve often felt that the intended aims of the media awards were awkward, giving a pat on the back to straight people who are good to gays rather than recognizing the achievements of… you know… actual gay people who also inspire and create great work and are visible and honest and etc.  But since I haven’t read 4 of the 5 books on my list up there I’ll hold my tongue until I get through them… if I ever get through them.

(Maybe Scott Pilgrim will finally get nominated next year when the movie comes out, eh?)

- Chris


Comics Festival 2009 Solicitation CoverYikes! I woke up this morning and was informed that the January 2009 Previews Catalogue is due… Which means that retailers have gotta place their orders for this year’s FREE COMIC BOOK DAY books soon! That includes the third installment of COMICS FESTIVAL!, the anthology we put together to promote Canadian comics talent, and TCAF. This year Comics Festival is being aimed directly at the under-12 set, a kid-focused, kid-approved collection of great comics!

Comics Festival 2009 leads a 10-page SARDINE IN OUTER SPACE story by TCAF Guest Of Honour Emmanuel Guibert, in association with SARDINE publisher First Second Books. Emmanuel Guibert also put together that striking new cover that will leap off the table on Free Comic Book Day!

Comics Festival 2009 will also feature Kean Soo, who will be providing a couple of all-new JELLABY short stories in celebration of the second volume of that series, coming this fall!

Wrapping up the book will be a bunch of comic strips and shorts by a plethora of Great Canadian Cartoonists, and there will be more than one surprise in its pages. It really is going to be a fantastic book, full of great stories, and a great retailer tool that will promote more than 15 in-print graphic novels for young readers.

If you’re a comics fan looking for a great read this FCBD, or you have kids who like comics, or you’re a retailer who wants a great kid-safe book to hand out for Free Comic Book Day this year (that doubles as a great sales-tool!) then don’t miss COMICS FESTIVAL 2009!

- Chris
P.S.: Free Comic Book Day is Saturday May 2nd this year, the weekend before TCAF.


I’m going to write a full post on this, but I wanted to get this out there early:

Diamond’s new order minimums increase is going to hurt the DM worse than Marvel’s Heroes World Debacle did. It is essentially the beginning of the end for the Direct Market, in my estimation. Specifically because Diamond Comics Distributors is a monopoly.

So, yeah. All the reasoning is coming later (like: Scott Pilgrim Volume 1 would not have made the new retail cut off, based on its original initial orders). This Is Not Good.

Fun Fact: Do you know what it costs to be a direct market retailer? $600 minimum order each month. A cost between 4 and 10 times less than what it costs to be a publisher, apparently. Figure that one out.

- Christopher


george_sprott

George Sprott
By Seth
Hardcover, 10 x 14 inches, 96 pages with gatefold, full color.
$ 24.95
ISBN: 978-1897299-51-7

The first major new graphic novel by Seth in 3 years.

Celebrated cartoonist and New Yorker cover artist Seth gives us the fictional life of George Sprott. On the surface George seems a charming, foolish, old man—but who is he? And who was he? Told as a patchwork tale, we come to know George, piece by piece, in a series of “interviews,” flashbacks, and personal reminiscences. George Sprott is a story about time, identity, loss, and the persistence of memory. Though, ultimately, this is the story of a man’s death, Seth leavens it with humor and restraint. Originally serialized in The New York Times Magazine, this greatly expanded and “re-mastered” version is George Sprott’s first publication as a complete work.

Note: An excellent companion to the Seth-edited and designed Collected Doug Wright.

********

collected_doug_wright_vol1

The Collected Doug Wright: Canada’s Master Cartoonist
By Doug Wright. Designed and Edited by Seth.
Hardcover, 9.5 x 14 inches, 240 pages, full color
$ 39.95
ISBN: 978-1-897299-52-4

A career-spanning retrospective of one of the masters of North American cartooning, featuring an introduction by Lynn Johnston

The first of a historic two-volume set, The Collected Doug Wright: Canada’s Master Cartoonist presents the first-ever comprehensive look at the life and career of one of the most-read and best-loved cartoonists of the 1960s. Compiled in cooperation with Doug Wright’s family, it draws from thousands of pieces of art, pictures, letters, and the artist’s own journals to provide a fully rounded view of Wright, both as a cartoonist and as an individual. Wright was a major figure in mid-20th century cartooning and his work was a major influence on the likes of Chester Brown, Dave Sim, Lynn Johnston, and Seth. From the 1950s to 1980, Wright’s weekly strip was read by over 2 million Canadians and was syndicated across the country. Designed by the acclaimed cartoonist and Peanuts designer Seth and featuring a biographical essay by journalist Brad Mackay, this lavish hardcover collection gives Wright’s career the recognition it has long been due. The introduction is by one of the most famous working cartoonists today, Lynn Johnston, of the syndicated heavyweight comic strip For Better or For Worse.

Note: An excellent companion to Seth’s new graphic novel, George Sprott.

********

Offered Again This Month:

Berlin Volume 1: City of Stones (New 5th Printing), by Jason Lutes
Berlin Volume 2: City of Smoke (New 2nd Printing), by Jason Lutes
Wimbledon Green, by Seth
It’s A Good Life If You Don’t Weaken, by Seth 

Product Information After The Cut.

Keep reading…


chrismal_trlMal and I at the Toronto Reference Library yesterday. Photo courtesy of the indomitable Eric Kim.

TCAF announcement next week, it looks like. :)

- Christopher