So I really just posted the Scott McCloud notice because I thought having a 2-screen tall Scott McCloud on the site for a few days would be cool. Really gives you a sense of how iconic the whole thing is, doesn’t it? Anyhow, I figure I’ve got some time before bed tonight so why not do a little linkblogging?
ITEM:Â My friends at UDON have been pretty busy lately, with everything except new Street Fighter II comic books (by the way, the Image to the right is by Long Vo of Udon, and features two fairly recognizable characters duking it out for Wizard magazine, copyright their respective whatsits).
Now, you may be asking yourself “Why is it that there aren’t any new Street Fighter Comics on the stands?” (Actually, chances are you probably weren’t, as I don’t think my readership crosses over with Udon’s so much, but indulge me for a second). Well, it was announced a week-or-two back that Udon has been tapped to do all of the art for the new 20th Anniversary edition of the Street Fighter II video game. Basically, they’re taking the fan-favourite (and best, honestly) version of SF2, called Super Street Fighter II Turbo and creating a “remix” called “HD Remaster“.
What’s different exactly? Well for starters, it’s going to be downloadable onto your X-Box 360 (only, at this point), and today’s home consoles make the arcade machines of our youth all look like PONG, they’re so much more advanced. The big difference is the level of detail in the art. Whereas the Street Fighter characters of our youth were a hundred pixels high or so, these new ones will be massive, and be better-able to capture expressions, details, every little fold of cloth… well, see for yourself:
So, it’s essentially going to be like the current Udon Comics series, but playable. The primary art and style is actually by Alvin Lee of Udon, who, according to his Facebook profile is hard at work on the series, alongside the rest of the Udon team. It’s pretty rare that a licensor of Japanese material is then asked to go and work on the property for the owners, particularly in Japan. I get the sense that licensed books are sort of “Free Money” and it’s really not best to think about them too hard (which would explain some of the many, many atrocious licensed books). But yeah, doing an adaptation so good that it ends up being the basis for an anniversary edition worldwide? ANDÂ it’s a video game license that’s up there with Mario, Pac-Man, and Sonic? Kudos, gents. (Screenshot from Gamekult.com, Click for larger.)
ITEM: ZOMBIES! In honour of The Walking Dead Volume 6 finally shambling it’s way on to store shelves this week (yeah, no kidding there aren’t any fast zombies in TWD), may I present to you two chances for you to take on your own metaphor for consumerism/racism/society as a whole? These flash-based zombie killin’ games will get you all pumped up until you die, and realise that when the Zombiepocalypse comes, it’s gonna be about our brains, one way or another…
- BOXHEAD: ROOMS and MORE ROOMS: Okay, so you’re in a room, and you have to defeat neverending legions of the undead using a myriad of weapons. You only last until you run out of ammo. The End. Despite this, it’s incredibly addictive and mildly depressing. Did I mention that Satan is in the game too? Lots of Satans? Yeah. There’s also the BOXHEAD: HALOWEEN SPECIAL, in which you as lone-gun-toting-hero must lead groups of ‘civilians’ to safety. But we all know that in the world of the undead, there’s no such thing as safety. http://www.kongregate.com/games/SeanCooper/boxhead-more-rooms
- THE LAST STAND: Okay, so you’re behind a barrier, and you need to defeat neverending legions of the undead using a myriad of weapons. Sound familiar? Actually, it’s fairly different from BOXHEAD (more detailed/realistic for one), with a focus on dividing up your daylight hours between searching for survivors, weaponry, and rebuilding the only thing between you and the teeming legions of zombie hordes. Lots of fun zombie-movie in-jokes amongst the wide array of shambling (and occasionally running) corpses that you must destroy. I really like the hunting rifle, myself. http://www.freewebarcade.com/game/the-last-stand/
ITEM: Somehow I missed this, but a week ago it looks like GayGamer.net, a homocentric (heh) video game news/commentary site started up their own comics division. Cleverly entitled http://gaygamer.net/comics/, it’s going to cover the queer goings-on in the comics world. Somehow it missed my Cockphobia post. Perhaps it was beneath their notice. At any rate, posting at the blog has been a little spotty since it launched, but they just added a new blogger and it’s always good to have more queer-positive content out there.
That’s it for now. Thanks for reading!
– Christopher
The best, best part, is the comments section at Cronin’s post. Wherin a bunch of fanboys come to Brian Cronin’s defense over finding cock terrifying. My favourite bit is where “Jake” says:
It’s always fun to see Dorian be bitchy, and here he’s fully justified. He’s playing politic here too, and not just out and out claiming that lots and lots of comics fans are entirely uncomfortable with the suggestion that men have genitals. They are. To be fair, it’s not just comics fans, lots of dudes are completely and utterly uncomfortable with their sexuality, but Comic Fans are pretty special in that regard, and comics characters have long been so artisticly dickless as to be concave where their genitals should be it’s not surprising that they’re a little on edge. As a commenter at Newsarama points out, the artistic focus of the piece is clearly the face and chest of the character, not the cock, but certain posters just seem mesmerised by Citizen Steele’s package (that’s his real name, by the way). Why is that, do we think? I’m sure the folks who have a problem with it—the commenters that find it ‘creepy’ or scary—would argue that you simply can’t avoid looking at it, it’s so prominent! I’d like to offer another theory.
– 