UDON

Hi everyone,

As of December and in addition to my roles at The Beguiling and TCAF,  I officially became the Marketing Director for UDON Entertainment (http://www.udonentertainment.com). For those of you that don’t know UDON, they’re a publisher here in Toronto releasing about 24 books per year, mostly licensed video game-related art books and manga translated into English and distributed internationally. They’re also producing licensed comics (based on the Street Fighter video game franchise) and original comics and artbooks. I’ve cited them before as being people who I think take doing licensed work seriously, and I’ve always admired their commitment to quality and that they truly believed in their products.

I mention this now because I’ve started doing more public work for the company in the past few weeks and, while it wasn’t really a secret, I figured it might be a bit weird not to mention that here since I’ve been so public about my professional life at Comics212 for the past 15 years (srsly). I’m proud to be working with Erik, Jim, Matt, Stacy, Ash, and the legion of talented creators and production folk that make up the company. I like that, because I’m working in the comics industry in so many other capacities, UDON is really doing their own thing, and the potential for conflict of interests is more or less zero. In the eventuality that something does pop up, like UDON choosing to debut their new graphic novel Makeshift Miracle at TCAF this year, Marketing Coordinator Stacy King (handling primarily our kids/young adult lines and kids manga) will be able to take over.

The reality of the situation is that I’d been good friends with the folks that make up the company since its inception 11 years ago, and I’d been helping out at various times and in various capacities (mostly running convention booths for them) for the past few years. Formalizing the relationship feels pretty right, and while it’s mostly confined to working with press and developing relationships there, occasionally I’ll do something nice and public like write about out of print books or conduct an interview with a mangaka. In short, stuff I’d probably do anyway.

It’s a good fit and I’m happy to be here. Thanks to Erik Ko for the opportunity, and thanks to Peter Birkemoe at The Beguiling for his faith that I could do both jobs without fucking them both up. So far, so good.

– Chris

V for Vacation

Alan Moore and Dave Gibbons signed a shitty publishing contract for a creator-owned book, and given the general states of those sorts of contracts at the time, they thought they’d have the rights back a year after issue 12 hit the stands. It was instead successful beyond the wildest dreams of anyone involved.

(Incidentally, and this seems to be glossed over a lot these days, DC pissed off Alan Moore & Dave Gibbons originally because they started selling merchandise related to Watchmen, even though that wasn’t in the contract (if I remember correctly), and because they declared it was “promotional” and therefore Moore & Gibbons weren’t entitled to any of those profits. Rift created.)

Now there are spin-off books being released, and one of the original creators who feels taken advantage of by DC (and I happen to agree with that by the way, he’s been basically defiled by DC) doesn’t want anything to do with them. He feels that they’re being published by a company that does not ethically treat the people who work for it, and every inch he’s given them in the past has been taken for a mile.

A creator feels utterly mistreated by a corporation; the corporation is now making spin-offs of his original work and he is not okay with that.

You’re either okay with that or you’re not.

– Chris

Saga Shennanigans

I was quite happy to see Brian K Vaughan and Fiona Staples’ new comic SAGA on the cover of this month’s PREVIEWS catalogue for a couple of different reasons. For one it’s an independent, fully creator-owned series from Vaughan, whose “Y The Last Man” and “Ex Machina” are at least partially owned by DC, despite him creating them from whole cloth. For another it’s the highest-profile work Canadian Fiona Staples has ever done, and she’s wonderfully talented and deserves all the accolades sent her way. It’s another high-profile book for Image and I’m always happy to see them in the spotlight. And the cover features two action/adventure heroes, one with a sword and one with a gun, a man and a woman standing shoulder-to-shoulder, and the woman’s even breastfeeding her baby. If there’s a better “our family against the whole universe” image I can’t really think of what it might be.

Then I thought “Maybe I should point this out on the blog, this is a cool thing.” Then I thought “If I’m the first one to point out breastfeeding on the cover of Previews and the cover of a comic book, it’s just going to tip-off some neanderthal who objects to a woman’s breasts (but covers that up with some other sort of rationalization).” Then I thought “I’ll just enjoy that it’s happening, let those who would object discover it for themselves.”

Cut to: Vaughn and Staples end up with a feature in USA Today! As expected, the wide release/distribution of said image did bring an unsavoury objection from someone in comics, in the form of a nasty little screed from Dave Dorman, since deleted. I had a list of awful conservative comics ‘pundits’ who I thought would be the first to take a swipe at the image… Dave Dorman though, who’da thunk? His objections mostly centered around the fact that the image of a baby being breast-fed was inappropriate for children to see (think about that for a moment), and that the act of breast-feeding on a comic cover was exploitative, but unspecifically exploitative, as the rest of his post seemed concerned with “women having it all” and what not… it was a muddled and confused thing, that post, very irrational and for someone like me an absolute joy to read. Basically, whatever point he may have thought he logically had was so totally obfusticated by his puffery and indignation that he came off, rightly, like an ass.

Now of course the reactions/round-ups have been posted (I’ll link to my friend Andrew Wheeler’s because maybe he gets paid by the hit or something: http://www.comicsalliance.com/2012/01/09/saga-fiona-staples-dave-dorman-breastfeeding/), and people on the internet have torn a strip off of Dorman. As I’ve noted, Dorman has pulled down his post and is doubtlessly going to follow-up explaining that he was ‘misunderstood’ doesn’t find breastfeeding objectionable, just that it’s been exploited for this comic, yadda yadda yadda. Same old bullshit internet spin cycle, no one is accountable for anything, everything’s misunderstood, and it all gets swept under the rug as soon as Marvel makes an announcement about a new variant cover or some other such bullshit.

I’m just saying, congrats to Vaughan and especially Staples, on a great-sounding new series, on a lovely piece of promotional artwork, and on the boost to your sales that will surely follow a 10s of thousands of people being made aware of your series that might have missed it otherwise, even on the cover of Previews.

– Chris
P.S.: If Dave Dorman is reading this, hey, I like your work. Sorry you said something stupid on the internet. As someone who was there for the ‘birth’ of internet comics journalism, which you now find yourself trapped in, I strongly suggest you just flat-out apologize, with no conditions or ‘explanations’. Anything else will just be incessantly picked apart by blogs/websites/angry fans, who honestly have nothing better to do until Marvel makes that variant cover announcement. Just “I’m absolutely sorry, I spoke entirely in haste without thinking, my apologies to the creative team, I wish them well.”  That will placate all but the craziest of commenters. Then spend a few days and figure out where all of that anger is coming from inside you about breastfeeding and maybe try and work that out, because… yeesh.

Happy New Year!

Happy New Year!

I had a pretty great year, all told, and I’m probably gonna go over that in it’s own post in a day or two. But for now, I just want to wish you all the best, and I hope you all have the 2012 that you want. Up top you’ll find a special “Year Of The Dragon” Kit Kat that was gifted to me (Thanks Jocelyne!) on my recent trip to Japan, and that is just adorable, and this is also a plug for you to go check out my other blog http://oyatsubreak.com, where I’ll be blogging every day this week. 🙂

All the best,

– Christopher

NBM to publish Louvre / Jojo’s Bizarre Adventure One-shot!

So here’s a cool thing! To celebrate The Louvre (the renowned Museum in France), the Louvre and a French Publisher co-published a series of graphic novels with The Louvre as the subject. Comics / bande desinee / graphic novels / manga, calll them what you will, these works have been fascinating to read and enjoy and have to date included Nicolas DeCrecy’s Glacial Period, Marc-Antonie Matthieu’s The Museum Vaults, Yslaire’s Sky Over the Louvre, abd Liberge’s On the Odd Hours.

Now NBM brings us the first Japanese co-production, and it’s got a hell of a pedigree. Created by Hirohiko Araki, author of Jojo’s Bizarre Adventure, comes Rohan at the Louvre, featuring ‘Rohan,’ a super-powered manga creator from the Jojo’s series in a stand-alone, spin-off volume. Araki is known across Japan and Europe for the Jojo’s series as well as for his fashion and art works, including a 2011 collaboration with Gucci to celebrate the brand’s 90th Anniversary this year.

This is kind of a big deal! The solicitation text for the book, as well as a preview of the volume, follows.

More at http://nbmpub.com/

ROHAN AT THE LOUVRE
Hirohiko Araki

After Glacial Period and The Sky Over the Louvre comes another completely original story with stunning art by a leading mangaka. Rohan, a young mangaka, meets a beautiful mysterious young woman with a dramatic story. Seeing him draw, she tells him of a cursed 200 year old painting using the blackest ink ever known from a 1000 year old tree the painter had brought down without approval from the Emperor who had him executed for doing so. The painting meanwhile had been saved from destruction by a curator of the Louvre. Rohan forgets this story as he becomes famous but ten years later, visiting Paris, he takes the occasion to try and locate the painting. Little does he know how violently powerful the curse of it is until he has the museum unearth it from deep within its archival bowels?

7 ¼ x 10 3/8, 128pp. full color hardcover, $19.99 ISBN 978-1-56163-615-0

Preview Page One (read right-to-left):

 

Preview Page Two:

See the complete 4-page preview at http://www.nbmpub.com/comicslit/rohan/pre1.html.

– Chris @ The Beguiling