Tokyo Rising: The Resilience of the Creative Class

http://www.palladiumboots.com/video/tokyo-rising#part1

Great short doc about Tokyo and Japan’s creative class following the 3/11 earthquake and tsunami, featuring Pharrell Williams. Definitely worth the watch.

Sorry for the autoplay, nothing I can do about that. But click the trailer above to go to the website and view the whole thing, orĀ http://www.palladiumboots.com/video/tokyo-rising#part1

– Chris

Japan 2010: Kinokuniya Bookstore – Shinjuku JR East Exit

On our walks through Shinjuku, we’ve already been to the flagship Kinokuniya store, located at the New South Entrance of Shinjuku station. Renown for having more-or-less the best collection of English language books available for sale in Japan, nearly a whole floor devoted to them.

But there is… another.

Perhaps this will be shocking to those of you who’ve grown up in North America, but the Kinokuniya bookstore chain has another massive, multi-floor location on the other side of the train station! It’s busy too, and while there is a dearth of English language books the Japanese manga section is perhaps even larger than the flagship.

I thought it might be fun to visit the Kinokuniya found at the East exit (actually, it’s the North End, but you get to it by the East exit), and take you on a walk through yet another bookstore full of delightful treats that will make you ache to visit Japan the way I do. šŸ˜‰

Ready?

Walking in through the entrance above, I encountered the incredible display. Apparently it was magazine season, and, better still, each of the magazines also came with their own cloth shopping bag. Apparently reusable shopping bag fever had hit Japan, and so with your Yves St. Laurent magazine/catalogue/lifestyle product, you could also get a rare YSL-branded shopping bag. But it was slightly more illustrated periodicals that I was looking for, and so we headed onwards through the store.

So if you walk into the complex pictured at the top, and then walk through it you will come to an annex to the main book store, and it is called “Forest”, and it’s where the manga and the DVDs and all of that reside. It’s pretty fantastic.

Here’s the floor-guide!

By far the grandest display was for the then-newest volume of Thermae Romae, a collection of short stories about the history of bathing and public bathing in manga form! A surprise hit, the first volume featured a roman fella (a senator I think) being magically transported from ancient Rome to present-day Japan, to draw parallels between both sorts of public bathing!

It seems like a fun series, and I love that the book covers all feature the great statue illustrations. I’m kind of hoping that the series eventually makes its way to North America, but given how uniquely and weirdly Japanese it is, I’m not holding my breath.

Here’s a wide shot of the manga floor, with some after-work shoppers lining up with their purchases. It’s an absolutely sprawling store, with shelf after shelf of manga, art books, manga magazines, and other assorted bits and bobs. Ā You can see a bunch of different signing boards from visiting mangaka, and it’s cool to see them around. I like that even in a ‘corporate’ store, there are great touches like this.

Zooming in closer we get a look at some of the popular art books of the day, including the two One Piece collections, something called “Blue”, the Gelatin collection (sort of like ‘ROBOT’), and more.

And here we have the shelf that’s present in basically every book store or manga store I’ve visited in Japan–the Tezuka shelf. I don’t think it’s possible to overstate the reverence with which Tezuka is held in Japan, nor the ubiquity of his manga.

This shelf featured a selection of classic manga, and what looked to be contemporary classics. I was drawn in by these collections of the Speed Racer manga (called Mach Go Go GoĀ in Japanese), available here in 3 volumes (a 2 volume slipcase in North America), but a lot of the manga on this shelf looked really neat, and I had almost no familiarity with any of it. It’s kind of amazing how much is out there, what a huge and great history of material… and how very little of it we’ll ever see in English.

This was a neat shelf, consisting of the work of Shigeru Mizuki. To me, this looked like the Japanese edition of the recent Drawn & Quarterly release Onward Towards Our Noble Deaths, but there are three volumes here. I can only wonder if these are additional volumes? Expanded books? Or perhaps text/novelizations of those books? It’s all there, alongside other famous Mizuki works including Kitaro and his recent autobiographical collections. I could have spent a small fortune here.

Speaking of which, this is actually a novelization of Yoshihiro Tatsumi’s A Drifting Life, published in English by Drawn & Quarterly. It never occurred to me that someone might write a novelization of a manga but I guess they do. That’s kinda neat.

Another shot of one of the many large aisles.

More still!

So one of the cool manga-related happenings is that mangaka Fumi Yoshinaga’s OokuĀ had been adapted into a live-action period drama. Well, sci-fi period drama. This special edition of the first volume had been released featuring the lead actor and his manga counterpart!

The shop even set up this elaborate display, playing episodes from the tv series! Very cool cross promotion and something I kind of wish I had the budget to enact at our store, in some way. Well, actually, it’s not so much the budget as it is the fact that our store is full floor-to-ceiling with product already, and squeezing in a TV would be next-to-impossible. šŸ˜‰

And that brings us to the end of the store, the check-out counter. I’m not entirely sure if buying a complete set of One PieceĀ for 32,430 yen (about $400) counts as an “impulse purchase” but beggars and chosers. I ended up buying a surprising amount of stuff at this location despite the fact that it was early in my trip, and I was going to spend the rest of the trip in used/discount stores, which is a testament to just how well-stocked and put together this location is! While it is a little tougher to get to than the store at the Shinjuku JR new south exit, it’s worth it anyway.

– Christopher

All photos by Christopher Butcher, except top photo of Kinokuniya Shoten exterior fromĀ http://www.essential-japan-guide.com/.

Seibei Kickstarter for Awesome Ts? Yes.

You now have exactly 5 days left to fund a cool Kickstarter campaign to help out a buddy of mine who had some troubles and is going to kick those troubles square in the ass.

This guy David Murray makes t-shirts under the company name SEIBEI, and he’s got all kinds of great/weird/cool designs and they’re well-designed and he is totes a cutey. Then his van filled with all of his shirts got stolen on his way to a show. Now he is having a Kickstarter campaign to raise funds to print new stock and get cool shit done.

The Kickstarter campaign includes exclusive t-shirts by Seibei, but also Bryan Lee O’Malley (SCOTT PILGRIM), Chad Manzo, and Ashley Davis. You can donate all sorts of amounts of money to get tees, totes, baby onesies, buttons, whatevs. The $250 and $650 pledge lines are crazy-sauce as well, where you get an insane amount of Ts and stuff for your donation.

I am hoping to come up with $250 in the next few days to get the one-of-everything pledge level, but I’ll be totally happy if I can do the $100 or $60 levels as well… See what you can find in your pockets or your Paypal account, and head over to Kickstarter before September 12th.

No.5 by Taiyo Matsumoto – Complete in English for iPad

“It was going to be an adventure action story starring attractive superheroes. But that is when 9-11 and the war broke out, and that made me think about violence and justice. The story changed…”
– Taiyo Matsumoto, on the genesis of No. 5, from the app-exclusive interview

Read my interview with Taiyo Matsumoto

Get the iPad app for No. 5 complete (bilingual English/Japanese)

Thank you to Deb Aoki and M.K. for the wonderful opportunity.

– Christopher

TORONTO TONIGHT: INFINITE KUNG FU

Infinite Kung Fu Launch Party – Featuring Hop Fu!

Friday September 2nd, 2011 @ Revival Bar, 783 College
Doors open at 8:30 – Presentations start at 9pm!
$5 or free admission with book purchase.
http://www.facebook.com/event.php?eid=157265297683859

Presented by The Beguiling, Top Shelf Books, and Revival Bar

THE LONG-AWAITED DEBUT! It’s the official book launch for Kagan McLeod’s INFINITE KUNG FU, a massive 464-page graphic novel by Kagan McLeod. Serialized in comics, serialized on the internet, with short stories in jams across the world, the whole story is now complete and ready for you to put in your hot little hands!

FEATURING HEADLINERS HOP FU – New York-based scratch champions DJ 1XL and DJ Excess perform as Hop Fu, providing a live remixed score to a screening of the Shaw Brothers classic kung fu film ā€œSuper Ninjas.ā€ Must be seen to be believed!

CHIP ZDARSKY hosts the evening and interviews Kagan about the book!
KAGAN McLEOD signs copies for fans!
DJ ILLSCIENCE keeps the evening lively and fun, dance if you wanna!
THE BEGUILING will be on hand selling books and prints

This will be the biggest book launch of 2011, don’t miss out!

8:30pm: Doors Open
9:00pm: Q&A with Kagan McLeod, followed by book signing
11:00pm: Hop Fu performance…!

Going back to Japan in November

Shinjuku at night, November 2010

In the lead up to TCAF I was itching to travel. Despite the fact I’d been in Tokyo in October/November 2010, the bug had bit and I wanted to get away from it all for a few weeks. Air Canada was having a last-minute sale on Japan, where I could’ve gone for the first three weeks of may for like $1100, which is a great price if you’re flying Air Canada, and not bad for everyone else.

I didn’t end up going because I realized I might’ve totally fucked TCAF up if I took off for three weeks just a month before the Festival, and then I ended up missing out on the devestating Tohoku Earthquake.

It’s funny, ever since the earthquake my resolve about going back, my interest in returning to a country that has been beset by tragedy and is undergoing some pretty heavy psychological scarring at the moment with radiation fears and continued earthquakes, it hasn’t shaken. I’ve been wondering when the next time I could sneak away…pretty much non-stop. No time in May with TCAF and Anime North, no time in June with the move (ugggggh). I kinda refuse to go in July, August, and September because I’m not built for 40+ degree weather (celcius). And October was looking a little busy.

As soon as the tickets went back on sale (1200!), I booked for the first two weeks of November. I’m very excited.

Shinjuku at night, November 2010

Unexpectedly though, my booking made travelling back real, and reading the news feeds out of Japan right now hit me pretty hard this weekend. Particularly these posts by Danny Choo, detailing the massiveĀ devastationĀ and loss of life in Tohoku.

I’ve heard from many friends and writers that while Japan is not yet back to ‘normal’, a ‘new normal’ has taken its place, and people are doing okay…Ā except for the tourism industry, that is.Ā I’ve heard reports from friends that ‘people’ aren’t travelling to Japan at the moment, and within Japan people are staying home a lot and not visiting bars and restaurants, worsening an economic recession that has gripped the country for the past few years.

I’m glad I’m going back, I’m glad that whatever few bucks I can contribute to the economy and to charity will make an impact, and I hope that somehow I can inspires folks like you reading this to do the same.

To that end, I’m going to work very hard to get the rest of my Japan photos up online from my previous trips (I think there are hundreds no one has seen yet), and I’ll try to keep you up to date on my trip planning here on the blog as I get things ready.

Thanks for reading,

– Christopher

VIZ Media’s HOPE Project – Call for Artists

I helped arrange a few creators at UDON to participate in this project–I think it’s going to be very cool and worthwhile, raising still-badly-needed funds for Japanese Tsunami and Earthquake relief. If you’re an artist, please consider taking part!

Art For Hope - By Jorge Monlongo

VIZ MEDIA CALLS OUT TO DIGITAL ARTISTS TO SUBMIT WORK FOR ART FOR HOPE TO BENEFIT ONGOING JAPAN DISASTER RELIEF
Unique Art Book Project In Partnership With Autodesk Will Curate Digital Artwork Created With Autodesk SketchBookĀ® Software

VIZ Media reaches out to visual, graphic and manga/comic-inspired artists to submit original work and participate in ART FOR HOPE, a special limited edition digital art book anthology, to be sold through VIZManga.com and the VIZ Manga App for iOS devices, with 100% of net proceeds supporting ongoing disaster relief efforts in Japan. Artists interested in submitting work to be considered for the collection can get the full details at www.viz.com/artforhope.

The unique project was launched in partnership with Autodesk, Inc. (NASDAQ: ADSK), a leader in 3D design, engineering and entertainment software, and was initially announced at the 2011 Comic-Con International.Ā  All of the artwork for the ART FOR HOPE collection will be rendered using Autodesk SketchBookĀ® digital paint and drawing software applications.

VIZ Media’s editors will collaborate with Autodesk to review and select works for inclusion in the digital anthology, which will be released later this fall through VIZManga.com and the free VIZ Manga App, available on iPadā„¢, iPod Touchā„¢ and iPhoneā„¢.

Indy Show Happenings

“Save the date! We are excited to announce the debut of the Chicago Alternative Comics Expo (or ā€œCAKEā€ for short) in the summer of 2012! Taking place June 16th and 17th at Columbia College’s Ludington Building, CAKE is focused on celebrating independent and alternative comics of all stripes. The festival plans to feature over 100 exhibitors along with a two-day program of signings, panels, workshops and lectures. With Chicago’s long legacy as a stronghold for underground and alternative comics, the Windy City is an ideal locale to showcase some of the most wild, weird and wonderful contemporary comics talent.” – From the Chicago Alternative Comics Expo Press Release,Ā http://www.cakechicago.com/

It looks like a new outlet for indy and art comics have thrown their hat into the ring! Everyone welcome the good folks from CAKE and mark June 16th and 17th on your calendars.

Meanwhile,

“The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comics, graphic novels and alternative political cartoons, is pleased to announce nominees for the fifteenth annual presentation of the Ignatz Awards, a celebration of outstanding achievement in comics and cartooning.” – From SPX’s email announcing the Ignatz nominees.

You can see the full list over atĀ http://www.spxpo.com/ignatz-awards. I’m trying to stay out of commenting on awards, but it looks like most of the folks on my Twitter are quite pleased with this list.

Finally,

“VanCAF has been about a year in the making up to this point–we just chose to keep it on the down-low until we had some definite guests, in order to get people more excited once the announcement was actually made. We knew that the now-defunct Anime Evolution was in its dying throes so we were eager to think up an event that could replace it, since the artist’s alley was always full of great local cartoonists. So we took the opportunity to fill the gap with a show that was more about comics.” – VanCAF organizer Shannon Campbell, chatting with Sequential.

You can read the whole interview atĀ http://sequential.spiltink.org/?p=9268. I know quite a few people have pinged me about the name of this upcoming fest. I’ve expressed my concerns to the organizers, and I’m helping them out with opinions and advice where I can. I personally think it’s exciting that there are new events cropping up and, if they want to pattern themselves after TCAF and our vision of a comics event, well that’s pretty cool. I think I can say without hubris that they have a lot to live up to with the name they’ve chosen, but I’m confident they’ll succeed with flying colours. And if not they can change the name for year two ;).

– Chris

Harder Better Faster Stronger

A thing I think is important is that we have a vital, healthy series of expos/festivals/conventions to promote and support comics creators, particularly people doing art or alt comics, particularly people doing good work. It’s why I run TCAF.

I put a question to Twitter today, with the aims of improving those shows, thereby improving things for everyone. The question was:

“So, let’s say you are a comic (book/web/novel) creator, and you do small shows (Stump/Spx/Mocca/TCAF/local cons). Let’s say. Let’s say that tomorrow, the point of those shows went from whatever they currently are, to “let’s make comics creators a lot of money.”Ā So instead of fundraising, enriching the artform, etc., it was just “exhibitors at our show need to make $$$”. What changes would need to happen?Ā If you are a creator, what behaviours by shows do you feel are costing you money? Answer freely, it won’t affect exhibiting at my show.”

So far I’ve gotten I think a few hundred responses. They’re all interesting, and I’ve been careful not to disagree with any of it because I think the question, and the discussion, and having it in public, is important. Very important. I’m pretty happy.

To see what people are saying, you can search Twitter:Ā http://twitter.com/#!/search/realtime/comics212. If you’ve got suggestions feel free to jump in!

Unfortunately (heh) I’ve hit some sort of maximum-tweet limit, and I’m locked out for a few hours. I’ll follow-up on Twitter and here a little later.

– Chris

I like some manga!

On Cross Game by Mitsuru Adachi:

“I don’t really care for sports, and yet, thisĀ mangaĀ isriveting! This is about a high school baseball team. It has love triangles, fully-fleshed out characters, a story that subvertsĀ shonen mangaĀ tropes. It’s a really naturalistic, slice of life story.

“It’s so rare to find a book that justĀ breathesĀ like this one does. It’s a wonder to spend time in the world that Adachi has created — a suburban Japan of endless spring and summer. If you hate baseball, if you love baseball, even if you’re indifferent about the sport, so long as you like great comics thenĀ Cross GameĀ is for you.”

Over at manga.about.com, Deb Aoki recaps our Best and Worst Manga of 2011 Panel from the San Diego Comic Con, apparently minus the ‘worst’ choices. I personally didn’t read enough manga last year to have a ‘worst’, maybe BakumanĀ would have been my pick for most frustrating, but even then it’s incredibly well-crafted and interesting.

I really like Adachi’s Cross Game (as you can see above), and me and my fellow panelists go over a bunch of our pics. Go check it out!

– Christopher