ANNOUNCE: “The Political Graphic Novel” in Toronto

spain.jpgTORONTO, (Feb. 12, 2008) – Luminato, Toronto’s Festival of Arts & Creativity, today unveiled its dynamic literary program for the 2008 Festival. Luminato’s Curator of Literary Programming, Devyani Saltzman, announced the program this afternoon at the Gladstone Hotel in downtown Toronto.

Chris Lorway, Luminato’s Director of Programming, is enthusiastic about the festival’s literary component. “For Luminato 2008, we decided to make stronger connections between our literary program and the overall festival. I am so pleased that we were able to find someone like Devyani Saltzman to curate this program for us. She’s a great addition to our team.”

Devyani Saltzman is pleased to see her curatorial vision becoming a reality. “It’s a pleasure to bring both Canadian and international authors together around literary and political themes in addition to showcasing new works. I find the richest discussions occur because of unexpected collaborations.”

The 2008 line-up includes perspectives on South Asia, a focus on war and politics through illustration, a celebration of a renowned literary master, the launch of the third instalment of a city-centric anthology, as well as a festival of short stories.

The Political Graphic Novel
Sunday, June 8, 7:00 p.m.
The Al Green Theatre (at the Miles Nadal JCC)
750 Spadina Avenue (Spadina at Bloor)

From the war in Iraq to the life of revolutionary icon Ché Guevera, the medium of graphic novels becomes political in this stimulating evening of literature, illustration and discussion.

With award-winning Canadian author and illustrator Bernice Eisenstein (I Was a Child of Holocaust Survivors), Spain Rodriguez (Che: A Graphic Biography) and the Canadian premiere of Anthony Lappé and Dan Goldman’s Shooting War, which explores the war in Iraq and the influence of alternative news media. The Village Voice describes Shooting War as a “light-handed but searing political satire Shooting War…taking the Sunday comic strip places it could never have gone before.”

The evening will be moderated by Peter Birkemoe, owner of Toronto’s top graphic novel and comics bookstore, The Beguiling.

For more information on the various Luminato Events, please visit http://www.luminato.com/index.php.

Note: Unfortunately Miriam Katin will not be attending this event. My apologies for any confusion, it looks like I was using an earlier version of the press release.

– Christopher

It’s always Ladies Night at the Comic Book Store

ht-098-01-fc_resize.jpgBeing a gay dude who is at least nominally interested in the bears (not the sports team) I’m pretty-much spoiled for choice when it comes to eye-candy in the comic book store: chubby, hairy, muscley guys are the majority demographic. Granted: I am married now and so I don’t have those thoughts anymore. But what about the poor, single, (ostensibly straight) nerds at the comic shop, where are they supposed to find love? Why, at Comic Book Singles Night!

This past Friday, February 8th, Brave New World Comics in Newhall, California held their first ever Singles Night, encouraging ladies and gents to head to the shop and maybe meet the nerd of their dreams. As you might expect, just dumping a bunch of folks that would describe themselves as ‘socially awkward’ into a room is not, necessarily, the best idea for a good time. It’s to the credit of Brave New World owners Atom! and Portlyn Freeman that things went so smoothly, as they shored up the event with live bands, food, and booze. To be honest, I think the idea of getting a bunch of nerds drunk is kind of amazing, but probably for different reasons than the organizers intended… still, by all accounts the evening was a huge success.

I got a chance to talk to Atom! Freeman (his real name) about the event.

“My goal with most in-store events is to break-even, get an opportunity to say the store’s name in public and see new faces,” said Atom! “[For Comic Book Singles Night] we doubled our break-even number … our event got mentioned by 5 local radio stations including an interview on a highly rated morning program and we got a half-page write-up on the front page of the local newspaper!

“Business-wise it exceeded all of my expectations.”

thunder-agents-02-panel-01.jpgAnd how about romantically? Anyone hook up at the event? “I hope so,” said Atom! “Because the point of this was to find our friends someone they could enjoy being with. Turns out, more then just our friends responded. I know a lot of numbers were exchanged.”

According to Atom! more than 100 singles showed up to the event, with a 60/40 gender split weighed towards the guys… a hell of a lot better than I, for one, was expecting. Personally I’d worry about setting up too many of my existing customers with each other… what if they decided that they only needed one copy of a given comic that they could share? I know it’s blasphemy, but apparently when two comics nerds get married they actually start mixing their respective comics collections! Heresy! Apparently the key to events like this is involving the larger community and bringing new faces into the comic book store to pair off with your shoppers. Of course, I think the fact that Atom! referred to his customers as his friends says a lot about the very genuine community-driven motivation behind the event, but he also figured out the key to getting a whole bunch of potential customers to see all that Brave New World had to offer: Local Bands.

548758869_d4e88bff42_o.jpg“[My biggest surprise was] what a draw local live bands are,” said Atom! “At one point in the evening, just looking over the crowd I guesstimated that it was 50% fans of the band who just came for the music. While we didn’t do huge sales numbers that night, the weekend was huge because for the next couple days, people came back to buy things they had seen that night.

“I’m now looking into what it will take to have a live music night every 6 weeks.”

What struck me most about this event, and what made me want to write about Comic Book Singles Night in the first place, is that the language used to describe the event in the press was very open-ended regarding gender and sexuality. Brave New World made it pretty clear that whether you were a guy or a girl looking for a guy or a girl, you’d be welcome to come and try your luck at the comic book store.

“This was one of the first factors that we felt needed resolution before we went ahead with the event,” said Atom! “Our intention was never to exclude anybody. The only way that we even made it gender specific was the raffle and even that was “put your ticket in this box if you want to be paired with a boy, in this box if you want to be paired with a girl.”

“I see a major part of my job as a retailer is creating a community. To create a place where people with similar interests can gather and interact. I don’t see gender or orientation as major components in that job. Our store is located in a Victorian-styled strip mall with a bridal shop, hair salon, yoga studio, and antiques boutique. If we wanted to focus on the single white straight male comics fan, we could be much more profitable in the industrial center with a roll-up door that only went up 4 times a week. Our goal is to reach as many people as possible and expose them to art, culture, and entertainment that they wouldn’t normally run across.”

In the past I know that Eisner Award-winning comic shop Zeus Comics in Dallas, Texas has done social ‘mixers’ for their clientele, including a specifically queer-themed mixer in late 2005. nomatterwhat.jpgMy experience with the comics industry is that it’s no more or less homophobic than the general public (and those that disagree should hang out on X-Box Live some time to see what fandom-oriented homophobes really sound like…), but that doesn’t change the fact that the comic store is generally a very heteronormative environment. Superhero comics in particular (the bread and butter of most comics shops) are notorious for this. Check out my Afraid Of Cock post for more. Many queer customers still don’t feel safe being ‘out’, so any actions that are taken to really include and engage gay comics fans I feel are worth noting. Would BNW ever sponsor a Gay Singles Night? “I would need more convincing that there would be a need for a more queer specific event,” says Atom! “But, a lot of our single queer customers and friends were here and some met each other for the first time, so who knows?”

That leads into the most pressing question of all, will there be more Singles Nights for the friends of Brave New World? “Without question… We’ll probably try it again in 6 months to see if it still draws and then quarterly and so on. [It was] easily one of the best events we’ve ever had.”

– Christopher Butcher
Images stolen from: http://www.keef.net/, http://www.comics.org/, http://thatsmyskull.blogspot.com/, and http://www.scottsaavedra.com.

Happy Valentine’s Day

tenshodo-angel.jpg

Happy Valentine’s Day to those that care to celebrate it. For those who aren’t with someone (and wouldn’t mind it…) you never know: Cupid could be right around the corner!

Love,

– Christopher

Photo Report: Kazu Kibuishi and Kean Soo in Toronto Feb 5-6 2008

2261940272_cfbe21e011_o.jpg

Hey! It’s Kazu Kibuishi and Kean Soo! Last week’s events as part of Keep Toronto Reading and at The Beguiling went quite well, with a solid turnout for the library event and some hardcore fans braving a blizzard to drop by the store the next day. I’d like to thank Kazu and Kean for participating, and Scholastic and The Toronto Public Library for all of their help.

The fellas were in town to celebrate the launches of their new all ages graphic novel. Kazu Kibuishi’s Amulet Volume 1, published by Scholastic, and Kean Soo’s Jellaby Volume 1, published by Hyperion Books, sold exceptionally well at the event and made lots of kids (and adults) very happy.

2261138171_4500eb4be7_o.jpg

On Tuesday March 6th, Kazu and Kean participated in Graphically Speaking, the graphic novel program that’s part of Toronto’s month-long literacy initiative. Both creators gave short presentations of their work (despite some technical errors that had our digital projections looking considerably pinker than normal… However both pros rose to the challenge. Following the presentation I did a bit of a moderated Q&A with the guys on stage as they talked about their work.

2261930636_52530d7871_o.jpg

Kazu lays it all out for the audience. Everything from working methods to schedules to inspiration! It’s hard to judge how well something is going when you’re on stage, but I was told by several audience members that it was a great, in-depth discussion. Hurrah!

2261143225_dea85eeb7b_o.jpg

Following the interview, Kazu and Kean signed and sketched for the assembled masses.

2261139427_ec43baa288_o.jpg

2261142559_4969c2b607_o.jpg

2261934768_c2a8ab67db_o.jpg

2261938334_cd7c183a56_o.jpg

Look! They’re shy! Thanks to Naseem Hrab for all of the great photos from this event. 😀

dscf2097.jpg

The next day the city got about 12 inches of constantly falling and blowing snow, so while attendance was a little lighter than I would have personally liked, it was great seeing the youngsters of all ages drop by the store to get books signed. In this picture, we can see The Beguiling’s Peter Birkemoe, Naseem Hrab, Kean Soo, and Kazu Kibuishi.

dscf2100.jpg

A young fan came just for the Jellaby.

dscf2102.jpg

Kean draws the Jellaby!

dscf2105.jpg

Kazu sketches for a fan. Daisy Kutter!

dscf2108.jpg

We actually still had FLIGHT 2 posters in stock from Kazu’s last trip to Toronto in 2005, so why not break them out too? 😀

Thanks again to Kazu and Kean for a fantastic time!

– Christopher

Michel Rabagliati in Toronto, March 15th

rabagliati-signing-5701.jpg
In Conversation with Michel Rabagliati
Saturday, March 15th at 5pm
Lillian H. Smith Library, 239 College St., Toronto
(College just east of Spadina)
FREE

The Beguiling is happy to announce that Michel Rabagliati, author of the Paul series of graphic novels including the newly-released Paul Goes Fishing will be participating in a moderated Q&A and book signing session on Saturday, March 5th at 5pm, at The Lillian H. Smith Library in Toronto.

Rabagliati will be interviewed on stage by The Beguiling’s Peter Birkemoe, on his life and art as well as his new graphic novel. Admission to the event is completely free. Sponsored by The Beguiling, Canada’s premier retailer of comics and graphic novels, and Drawn & Quarterly Books.

– Chris

Mister Wonderful, That’s You!

mrwonderful.jpgOh there’s much more I could say
But the words keep slipping away
And I’m left with one point of view
Mister Wonderful, that’s you

– Peggy Lee, Mister Wonderful

Dan Clowes wrapped up his run on The New York Times’ Funny Pages this week, with his 20 page story Mister Wonderful. It has a really surprising tone compared to some of his other work, and I thought the ending had a real humanity to it that I have to admit, I found surprising. Can a Dan Clowes strip have a happy ending? Depends on what your definition of “happy” is I suppose, but if you’ve somehow missed every single strip to date, you can check them all out at http://www.nytimes.com/ref/magazine/funnypages.html.

– Chris

Review: Tokyo Is My Garden

cover_lit.jpgTokyo Is My Garden
By Benoit Peeters and Frederik Boilet, with Jiro Taniguchi
$18.99, 152 pages
Published by Fanfare/Ponent Mon
http://www.ponentmon.com/new_pages/english/princ.html

Brigid at Mangablog called me out regarding my appreciation for Tokyo Is My Garden, a 2007 release by Fanfare Ponent-Mon and, like most of their releases, doomed to obscurity for some reason. Well I didn’t take her up on her challenge due to my blogging time being cut short as of late, so she just kicked me in the butt and posted her own, very balanced, review of Tokyo Is My Garden. I have a little bit of time on my hands while at work (hurrah for dinner-breaks) so I figured I’d link to Brigid, but also talk a little bit about why I enjoyed the book so much.

First though, I want to complain about Iron Chef America, on The Food Network.

Despite loving show host Alton Brown and being happy to see fellow Canuck Kevin Brauch on the screen, I find the whole thing to be so much lesser than its Japanese counterpart and originator. It’s considerably more crass, with less of a sense of humour or pagentry, making up for it with bitchy reality TV nonsense. The worst part though, the part that just grates on me when I watch it, are the judges and their inability to be anything but literal and low-minded when it comes to their duties. The role of the judges is to determine how well the chefs articulate the theme ingredient in their dishes, but the most common and common complaint of the judges is that “I can’t taste the theme ingredient!” If it’s bacon then the dish isn’t bacony enough; fish isn’t fishy enough; leeks are “overpowered” by the other flavours. Admittedly some judges are worse about this than others, but for the most part, the judges seem to believe that the only way to articulate an ingredient is by having the dish scream out that flavour above all others.

Where’s the subtlety? What about articulating the theme ingredient through… I dunno, the texture, like the real Iron Chefs do (wherefore art though, Kenichi-sama?). Or in the subtle melding of flavours? Or just for colour? Is the only facet of cuisine the purest and brightest essence of what its cheif ingredient? Or is food subtle, layered, and surprising? The answer is the latter of course, because if it weren’t, than the Jones Soda Turkey-flavoured holiday soda would be available all year round! Everyone likes turkey, why wouldn’t they want it concentrated in carbonated form, right? Because there are other facets to eating, and to enjoying a meal obviously. But try telling that to an Iron Chef America judge. Dicks.

Right! So, why did I enjoy Tokyo Is My Garden so much? For its sweetness, its sense of place articulated by its lovely art. Because it is a story of young love where the challenges the lovers face are internal. Early on in the book, the characters talk about “sad French novels” and the book is quite conscious of being a sad French graphic novel throughout, brilliantly turning those expectations on their head through a number of plot contrivances that evoke the classic romantic comedies of the 1940s through the 1960s. A happy ending and the sort of gentle redemption that comes from the various characters’ gentle transgressions. It reminds me a lot of the work of Dupuy & Berberian actually, a sort of upper-middle class existence in a fabulous city, where the characters tribulations are largely due to their personality quirks and their fears and inadequacies. It’s a fantastic change of pace from the melodrama of most manga (let alone most commercial graphic novels). A smart, funny, romantic romantic comedy.

But, the plot! There isn’t enough plot! I understand Brigid’s criticisms, that the plot is ‘thin’ but I don’t agree (obviously). Rather, the plot is thick enough. The plot doesn’t need to scream at you, in my opinion, for a book to work. What is the best way to articulate the themes and aims of your story? Sometimes it isn’t a bold, bright, forthright “flavour,” but rather subtlety. Sometimes it is the texture of the relationships, simple clues about how people interact (the lead and his French boss, the lead and his girlfriend, the boss and the rest of Japan) that generates the friction that drives the story forward. The colour! The interplay! Were this story a contemporary manga (rather than nouvelle manga, as the author calls it) I feel that it would be told quite differently, the stakes much higher and the action more intense! If it were published in North America I feel it might read exactly like one of those terrible 100 page “film treatments masquerading as a graphic novel”. If it were a film made today, I feel like it might end up exactly like the sort of uninspired tripe that A.O. Scott talks about in his review for this weekend’s “Fool’s Gold.” (Thanks to David for the link). Instead, we have a delightful hybrid French/Japanese graphic novel that, when I put it down, I feel great about having read. A book that I made my husband read and he similarly enjoyed. A book that I wouldn’t hesitate to recommend to you. That’s not to say that I don’t understand why it felt a bit flat for some reviewers, I do, but I think it comes down to the expectations of story that you bring with you to the table. It may be why Dupuy & Berberian’s Get A Life and Maybe Later didn’t set the blogosphere on fire either…

I think that if I’d never seen Iron Chef in its original Japanese incarnation, I’d be far more charitable to its American sequel. But I know that there’s a show out there that is just more enjoyable, where the judges have a greater and more nuanced appreciation of food, and it makes it hard to watch Mo Fucking Rocca blather on and on about nothing, only present to resuscitate his own failing career. Likewise, I think I appreciate the light touch of Tokyo Is My Garden, the gentle appreciation of a beautiful city, a beautiful young romance, and the cultural differences that separate and ultimately unite us.

– Christopher

Japan 2007: Nakano Broadway Mall

dscf4533.jpg

Nakano Broadway Mall is pretty darned cool. Located at Nakano JR Station just a few stops from Shinjuku, Nakano is your typical Japanese mall, except 75% of the ‘typical’ stores have been replaced with shops aimed squarely at hardcore otaku. From the arcade areas to the original art and animation cells to the manga and the toys to the idol goods and video games… just fucking everything. You will spend a fortune, nerd, so be sure to bring one with you.

I had such a good time here. To see some of the amazing stuff we found at the mall (like that original Tezuka sketch up top going for $1500 or so), just keep reading.

Continue reading “Japan 2007: Nakano Broadway Mall”

Bryan Lee O’Malley’s Shojo Beat Cover

bryan-omalley-shojo-beat.jpg

In a confluence of fortuitous circumstances, Mal is doing the cover to the March issue of Shojo Beat, which is dropping in (I think) a few weeks. Lovely little cover. Head over to Bryan Lee O’Malley’s livejournal to find out just what other surprises await you in The Art Issue.

kean-star-frontpage.jpg

In other my-friends-are-cool news, our event with Kean and Kazu got picked up at BlogTO and even made it onto the front cover of The Toronto Star, in an article on young readers graphic novels!

Good day.

– Chris