In Toronto Wednesday? Come meet Kean and Kazu

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Kazu Kibuishi & Kean Soo Signing
Wednesday, February 6th, 5pm-7pm

The Beguiling, 601 Markham Street
Toronto, Ontario, Canada
416-533-9168 – http://www.beguiling.com
FREE

Just in case you can’t make it out to the wilds of North York and would like a chance to get your graphic novels signed by these fantastic creators, The Beguiling will be holding a signing with Kazu & Kean the day after the TPL event, from 5pm to 7pm at the store. Now, we sincerely suggest that if you want to see some great a/v presentationing and see the creators interviewed, then you really ought to go to the event at the North York Public Library. But we are happy to welcome both creators to the store as well, and hope it will be as warm (and well-attended) a welcome as our last in-store signing.

For more on the event at North York Library as part of Keep Toronto Reading, check out:

The Beguiling post on the event:
http://www.beguiling.com/2008/01/reminder-kazu-kibuishi-kean-soo-in.html
Join the Keep Toronto Reading group on Facebook!
http://www.facebook.com/group.php?gid=19746872808
RSVP to the event on the Kazu & Kean Facebook Page!
http://www.facebook.com/event.php?eid=8322672055

Regular posting soon! Promise!

– Chris

Selling Comics At Conventions

greatspinnerrack.jpgHey there. I started typing this a couple of times, but despite how wretched the behaviour has been by a couple of retailers (and the CBIA forum in general, as of late) I’m not quite ready to burn all of my retailer bridges just yet… but I did want to comment on this. So here my nice response:

The Beguiling is the premiere sponsor of The Toronto Comic Arts Festival, and the fest actively encouraged participating exhibitors to debut new works at the show. We did that because we wanted the exhibitors to have a good show, first and foremost. The benefit to us? As a local retailer, we knew there would be too much stuff for any one person to buy, and because every new book that comes out needs all of the promotion it can get, the excitement generated at the show that will last for the next couple of years and we’ll reap the rewards of all of that. So, you know, it’s actually more advantageous for us–as a local retailer–for these publishers to do big launches of these books, even if we don’t get all the sales, because more often than not, it’s these big launches/pushes that help put the books on the radar of our customers on the first place.

Part two of all of this is the fact that I’ve worked on the publisher side of the table as well. I’ve been behind a publisher booth, at The San Diego Comicon, selling books that had not yet been released to direct market comic book stores. And you know what? I don’t really think that enough credit is being given to the customers in the direct market. I would say that the number one question I was asked was “will this be available in comic book stores?” when confronted with a debut book. It’s a different story when there’s an author signing accompanying the debut or something, but yeah, customers want to honour their preorders and don’t want to lug around books at a show that they can get at their local store in the next month. And the reality of the situation is, if the book is so popular and so desirable that customer absolutely must have it as soon as it’s released, then I think that this is indicative of the kind of excitement and buzz really affecting customers in a large way… and that they weren’t really “our” customer in the first place, so much as someone who just likes to buy comics where they find them.

Much to the detriment of my making friends at retailer get-togethers, I think this is more of a non-issue than anyone would care to admit, a matter of principle that doesn’t even come close to playing out in the real world. I’m actually a lot more concerned, on the release-date front, about Diamond’s continuing inability to process books that they receive as a distributor as fast as the bookstore chains. Most bookstores are receiving manga, “mainstream” book publishers graphic novel releases, and magazines like Giant Robot, between a day and a month before Diamond gets them into my store. This week Diamond shipped Negima Volume 16, and I’ve had that direct from Del Rey since before Christmas! Maybe it’s easier to issue veiled threats against independent publishers than it is against Diamond? There are serious distribution inequities within the direct market, but I don’t think this position paper begins to addresses them… they certainly aren’t coming from 100 copies of Kramers Ergot at the San Diego Comic-Con.

– Christopher

Tekkon Kinkreet Update

Tekkon Kinkreet All In One Edition

Just as an FYI, we’re down to 5 copies left of the new edition of Tekkon Kinkreet by Taiyo Matsumoto here at The Beguiling, from our initial order of 100. So, you know, 95 copies in 5 months, not bad. I’d been slacking at recommending it lately and when I remembered it I hand-sold another 5 last week. I’m gonna try and sell out by Friday, wish me luck!

– Chris

Black and White Movie - Tekkon Concrete

P.S.: You really should buy it.
P.P.S.: For comparison’s sake, we’ve sold about 250 copies of Naruto Vol 15, which debuted at around the same time. At its $30 price tag though, Tekkon made us more money.
P.P.S.: I didn’t even buy a copy! Viz gave me one. 😀

How To Get A Book Deal Without An Agent

thereforerepent-web1.jpgI’ve linked to my friend Jim Munroe’s blog before, he has a wealth of information up there about self-publishing and self-distributing in the greater publishing world, with specific regards to his four novels. But Jim just recently wrote and co-published his first graphic novel, Therefore, Repent, (with art by Salgood Sam) and with the U.S. edition out from IDW just this past week, he thought he might write up a little something about getting published and then working with publishers. It’s an essay called How To Get A Book Deal Without An Agent, and it’s very good reading for both those who are looking to ‘break in’ to comics, and those who’ve already signed the contracts.

The landscape of comics publishing is changing, and as a creative person you’ve got options, and you’ve got the right to exercise them! Good luck.

– Christopher

First Look: ADV’s new PiQ Magazine Media/Vendor Kit

I got my hands on a copy of the media kit for ADV’s new magazine PiQ. Since I didn’t see any note of this over at Brigid’s always-excellent Mangablog (http://www.mangablog.net/), I assumed no one else has posted about this yet. So let’s pour over the entrails together, shall we?
Designed to replace the popular Newtype USA, PiQ (pronounced “peek”) (although I keep saying “pie-cue” whenever I see it) is taking a hard line away from the beleaguered anime industry and branching out to be the high-end American Otaku lifestyle magazine of choice. Why? Well, as I mentioned the anime industry may have had its worst year ever in 2007 (although I see them regrouping and putting it all together in the second half of ’08), and because as Naruto has shown us, Japanese culture is more than just anime (or manga), and with North American iterations of previously Japanese-only endeavours like Capsule Toys, Manga, Gothic Lolita Culture, and anime making their mark on the nerd-culture industry, it looks like a license of a Japanese magazine covering a troubled industry just wasn’t going to cut it, going forward.

But the question is, will PiQ?

The PiQ media-kit I received included a letter from Publisher Gary Steinman, outlining the major changes that the magazine will undergo. It’s very important to note that throughout all of the commentary I’ve seen from ADV on this matter, including the media kit, PiQ is being treated as a name change to Newtype USA, and not as an entirely new magazine. While I have no firm answer as to why this is, I’d speculate that declaring it to be the same magazine but with a name change (not to mention a substantial format change…) means you get to maintain your existing distribution and subscription arrangements. But it’s pretty clear that the new boss ain’t the same as the old boss.

For starters, the magazine will shrink in size, both in physical dimensions and in page count. The new physical size is 8″ wide x 10″ tall, as compared to Newtype’s 9″ x 12″. The latest issue of Newtype weighs in at 160 pages, and the info for PiQ seems to be saying it’ll drop at around 130 pages. The price is also much lower, with the new magazine retailing for US$6.99/CDN$7.99, versus $12.98/$16.98 for Newtype. Oh, and the magazine will be perfect-bound rather than stapled, which means it’ll have a spine! No more free DVDs with each issue either, so far as I can tell. The big format change? PiQ will drop Newtype’s right-to-left Japanese reading orientation in favour of a standard left-to-right orientation. Essentially, the otherworldy Japanese “object” that was Newtype USA is gone, to be replaced by something that very-much resembles Wizard in size… and in tone.

According again to the Media Kit, the new editorial breakdown for PiQ will be:

    • 20% Anime
    • 20% Gaming
    • 20% U.S. Comics / Japanese Manga
    • 20% Genre Movies / TV / Home Video
    • 10% Toys / Collectibles
    • 5% Gadgets / Hi-Tech Gear
    • 5% Lifestyle (fashion, accessories, events)

Apparently PiQ is “entertainment for the rest of us, squarely addressing the needs of a cutting-edge young male audience,” and they’re estimating a 70/30 split in readership, in favour of male readers. This reads to be to be very, very similar to Wizard magazine, a jack-of-all-trades scenario.

Some final stats from the presentation:

    • PiQ is expected to have a 100,000 circulation at launch, with a target circulation of 150,000 by the end of 2008.
    • PiQ will launch with 15,000 subscribers, all of which are former Newtype USA subscribers. So, now you know how many people subscribed to Newtype.
    • The first issue of PiQ goes on sale March 18th, 2008.

Also included with the material I received, twice, was a mock-up of the first issue over. As noted on the cover itself this is a cover concept only, and is not necessarily going to be the final cover. However, it pretty clearly shows where the magazine is headed, and while it may have the bearing of Wizard, it looks an awful lot like video game magazine PLAY (which I love and is awesome). Lets take a look:

PiQ Issue One Concept Cover - Copyright 2008 AD Vision Inc.

PiQ Issue One Concept Cover – Copyright 2008 AD Vision Inc.

So, what do we see here? Well, the first and most telling thing is the comparison between this cover and the most recent Newtype USA. Where Newtype USA Jan 2008 features the names of tons of new anime series (at least two dozen by my count), an anime creator profile, an anime art book, and the words “Anime, Manga, Games, Music, more!” the focus on the new cover is all over the place. A Tokyo Travelogue! Cosplay! Anime! But also video games and LOST and Battlestar Galactica and Red Hulk and the promise of bulleted lists! (No manga?)

So there you have it, the inside scoop on (what might be) the first issue of PiQ. All you have to go on about this magazine being the same one as Newtype USA is the publisher’s say-so, with the magazine looking significantly different, and more generic, than what has come before. But honestly? This is probably a really smart move on ADV’s part, with magazine publishing being almost entirely advertising-driven, opening up your mag to the extremely lucrative advertising of the extremely lucrative video game field makes a hell of a lot of sense, and ending a licensing agreement for a magazine’s name and content that may or may not be contributing to your bottom line anymore? The same. The only thing up in the air is what the fans, anime fans, Newtype buyers and subscribers, are going to think of something that isn’t quite as OTAKU as they were hoping for. Hey, there’s always Otaku USA for you Otaku out there!

Still, I’m looking forward to the first issue. I think that, much like the comics industry needs something like COMICS FOUNDRY, it also needs something like this to supplant the rampant misogyny in Wizard’s magazine… Good luck guys.

– Christopher

Drawn & Quarterly: February, March, April Books

I’d apparently fallen quite behind on reporting the Drawn + Quarterly books solicitations, so let’s play catch-up and post a whole whack of great books all at once. These are the ‘new’ titles shipping in February, March, and April 2008, though I should point out that D+Q will re-offer many excellent books from their backlist every month as well, and that the actual ship dates don’t always mesh up with Diamond’s monthly solicitations, owing to vagaries of solicitation deadlines.

As to why I bother pointing out specifically Drawn + Quarterly’s release schedule when there are other wonderfully deserving publishers that could use as the attention as much? Quite simply, there are precious few Canadian comics publishers, and none that I can think of whose primary goal is to publish the absolute best work in the medium, in the exact format that the creator would like. Canadians gotta stick together, yo.
Shipping in February 2008

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Paul Goes Fishing
By Michel Rabagliati
$19.95, 204 Pages, 7×10, Softcover

Long lazy days stretch out while Paul’s thoughts wander from the colorful characters at the fish and game camp to the lurking depths of childhood, a Holden Caulfield-esque adolescence. But the golden glow soon lifts off his vacation. It’s not just the realization that outfitters have decimated the lake’s indigenous species in favor of brook trout and are baiting wildlife for an easy fall hunt. According to Clément, Paul’s brother-in-law, good fishing is all about knowledge and intuition, not sophisticated gear. So is storytelling, in Rabagliati’s wistful and engaging account of everyday hopes and hardship. Beauty and meaning are even in the mundane in this compassionate story of expectation, disappointment and wonder.

[Chris’ Comments: Every book by Rabagliati has been more accomplished than the last, and the Paul series are all wonderful stories that appeal to readers of all ages. This book had the additional honour of winning a Wright Award, I believe, upon its initial publication in French a few years back.]

crickets2.jpgCrickets #2
By Sammy Harkham
$4.95, Comic Book

Crickets #2 features the highly anticipated second installment in Sammy Harkham’s new ongoing serial Black Death as well as a number of shorter strips that showcase the acclaimed young artist’s sharp wit and quirky sense of humour. Begun in the first issue, Black Death follows the adventures of a curiously indestructable man shot full of arrows and a mute Golem as they wander in the woods together, blundering through their encounters with its strange and isolated inhabitants. In the unrelated shorter strips, Harkham, publisher of the influential comics anthology Kramer’s Ergot, takes advantage of the opportunity to exercise his considerable imagination on a wide range of topics, from his autobiographical adventures on a signing tour to the frustrated comic aspirations of the emperor Napoleon.

[Chris’ comments: In all the discussion surrounding the move to graphic novels and book-format comics, I hope we don’t lose sight of the fact that there really are wonderful comic books being released to the market in the alt-comix/indy vein. More than just the lovely Ignatz books, anyway. Although it’s been a bit of a wait between issues, the first Crickets was quite good, and I’m looking forward to this second issue.]

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Haunted HC
By Philippe Dupuy
$24.95, 208 Pages, 7×10 Hardcover

Ten years after finishing the original French edition of Maybe Later—the book in which the French superstar cartooning duo Philippe Dupuy and Charles Berberian worked separately for the first time—Dupuy set out on his own again with Haunted. Gone are the tightly constructed narratives and urbane, elegant graphics of his projects with Berberian. In their place, roughed-in drawings give an urgent, spontaneous feeling to a series of hallucinatory stories and dreamlike sequences that register the raw distress of solitude and self-doubt—the dark core of the material held in balance by Dupuy’s acid humor and lyrical sensibility. A jogging Dupuy runs around and sometimes through the stories of the misfit characters that haunt him: a self-amputating dog, a Left Bank artist in search of emptiness, an art-collecting duck, Lucha Libre wrestlers, and a group of single guys at the watering hole imagined as the anthropomorphic “Forest Friends.” Heart pumping, gaze turned inward, the ground occasionally giving way beneath his feet, this alter ego concludes that sometimes you need to cross the line to figure out where it is. The original French edition of Haunted was nominated for the 2006 award for Best Comic Book at the Angoulême International Comics Festival, the most prestigious award in European comics.

An excellent companion to Maybe Later and Get A Life, both offered again this month.

[Chris’ comments: Dupuy & Berberian’s Get A Life and Maybe Later were, I feel, the overlooked gems of 2006. Beautiful cartooning, memoirs and fictional characters intertwine, it was all wonderful. This book looks to take the autobiographical work of Philippe Dupuy further-still, and the PDF preview available at the Drawn & Quarterly website is quite provocative. Hopefully this title catches on with readers.]

Shipping In March 2008

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Berlin #15
By Jason Lutes
$3.95, 24 pages, Comic Book

The penultimate chapter to Berlin: City of Smoke, the second volume in Jason Lutes’ trilogy about the decline of the Weimar Republic, finds its broad cast of characters searching for solid footing in a chaotic cityscape. The relationship between Pavel the scavenger and the orphaned Silvia Braun comes to a painful end, while tensions rise between the Cocoa Kids and their German manager. Meanwhile, Kurt and Marthe struggle to come to peace with their failed romance and the different ways they view changing world.

[Chris’ comments: As glad as I am to see this being released again, I feel like everyone is really just waiting for the trade. It’s too bad, because the last few issues of this have been phenomenal… though it looks very much like Berlin Volume 2 is on track for a release at the end of this year, if the frequency of these serialised issues is anything to go by.]

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Against Pain
By Ron Regé, Jr.
$24.95

Against Pain is the first collection of multipage anthology pieces by Ron Regé, Jr. The storytelling side of his expressive work is featured in these comic strips gathered from McSweeney’s, The New York Times, Kramers Ergot, NON, Rosetta, Arthur, The Comics Journal, and Drawn & Quarterly’s anthology. Suicide bombers, art appreciation, a Lynda Barry “cover” and even a Tylenol-sponsored comic about pain are brought together under the theme of suffering and how people cope with it. Against Pain also includes the alt-comics zine classic Boys: a 22-page collaborative comic–considered by many to be Regé’s finest work–illustrating the “lust life” of a friend in explicitly honest and hilarious detail.

“Ron Regé is one of a handful of cartoonists not only to reinvent comics to suit his own idiosyncratic impulses and inspirations, but also to imbue them with his own peculiar, ever-changing emotional energy. To me, he is unquestionably one of ‘the greats.'” –Chris Ware

[Chris (Butcher’s) comments: Ron Rege Jr. is a really nice guy, and I’ve enjoyed his comics and illustration, but I don’t quite feel I’ve connected with them yet. I can quite-easily see what makes them great, I’m just not-quite there yet.]

Shipping in April 2008

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Good-Bye HC
By Yoshihiro Tatsumi, designed by Adrian Tomine
$19.95, 208 Pages, Hardcover

Designed and edited by one of today’s most popular cartoonists, Adrian Tomine, Good-Bye is the third volume in a groundbreaking new series that collects Tatsumi’s short stories about Japanese urban life. Drawn in 1971 and 1972, these stories expand the prolific artist’s vocabulary for characters contextualized by themes of depravity and disorientation in twentieth-century Japan. Some of the tales focus on the devastation the country felt directly as a result of World War II: a prostitute loses all hope when American GIs go home to their wives; a man devotes twenty years of his life to preserving the memory of those killed at Hiroshima, only to discover a horrible misconception at the heart of his tribute. Yet, while American influence does play a role in the disturbing and bizarre stories contained within this volume, it is hardly the overriding theme. A philanthropic foot fetishist, a rash-ridden retiree, and a lonely public onanist are but a few of the characters etching out darkly nuanced lives in the midst of isolated despair and fleeting pleasure.

An excellent companion to Tatsumi’s first 2 books, The Push Man and Other Stories and Abandon The Old In Tokyo, both offered again this month.

[Chris’ comments: I never would have imagined that underground and outside manga would ever make it to store shelves here in North America, but I’m incredibly heartened to see this third collection of Tatsumi’s short stories, and hope that this won’t be the end. This is in the top 5 for ‘best manga available in the English language.]

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Red Colored Elegy
By Seiichi Hayashi
24.95, 240 Pages, Hardcover

A true cornerstone of the Japanese underground scene of the 1960s.

Seiichi Hayashi produced Red Colored Elegy in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words.

Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French Nouvelle Vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so large that Morio Agata, a prominent Japanese folk musician and singer songwriter, debuted with a love song written and named after it. An excellent companion to the three Tatsumi books offered here.
[Chris’ comments: I’d been hearing about how good this book by underground Manga-ka Seiichi Hayashi is for years, and like the Tatsumi releases, I almost don’t believe that this is real. To say that I am anticipating reading this is a huge understatement. This is the early contender for ‘most important manga release of 2008’ and really, its only competition is Vertical’s new editions of Tezuka’s Black Jack.]

For more information on all of these books, visit the Drawn + Quarterly website at http://www.drawnandquarterly.com/.
– Christopher

Things have been a little quiet around here…

Hey there readers, sorry about the drop-off in posting. As you can see from the ANNOUNCEMENTS things have gotten kind of insane in the real world for me, mostly with big comics events here in town. It’s only going to get MORE! INTENSE! over the next few weeks two; I just locked down what might be one of the neatest comics events of the year. More to come, obviously.

Well, all of that and I’d had a hard time really thinking of anything to post except Japan trip photos, I’m in a bit of a post-new-year-funk re: comics right now, as I feverishly try and read everything on everyone else’s “BEST OF 2007” lists before submitting my own for public discussion. Sympathetically, I saw both Dorian and Spurge saying the same thing in the last 24 hours, so I don’t feel TOO bad. But still, I really wanted to get back in the swing of things. Luckily, COMICSPRO released a position paper today that is totally, totally worth commenting on (I’m already writing my response in my head) so I should be back in the saddle later today or early tomorrow.

Thanks,

– Christopher

ANNOUNCE: Cecil Castellucci & Scott Hepburn in Toronto

PLEASE INCLUDE IN YOUR EVENT LISTINGS

The Beguiling Presents

CECIL CASTELLUCCI & SCOTT HEPBURN
For the new graphic novels The Plain Janes and Star Wars: Vector

Wednesday, January 30th, 5PM-7PM
The Beguiling, 601 Markham Street
(Around the corner from Honest Ed’s, at Bathurst TTC)
FREE

TORONTO, Ontario—The Beguiling is proud to present CECIL CASTELLUCCI, author of celebrated novel Beige (named a 2008 Best Book for Young Adults by YALSA) and the new MINX graphic novel THE PLAIN JANES (named a Great Graphic Novel for Teens), alongside illustrator Scott Hepburn, artist of the brand new year-long comics event STAR WARS: VECTOR, in a special all ages in-store signing event. Both Castellucci and Hepburn will signing at The Beguiling in support of their new books. In addition, the first 20 attendees to the signing will receive a FREE Minx Poster featuring The Plain Janes, signed by Castellucci.

“We think this is going to be a really fun signing,” enthused Beguiling Manager Christopher Butcher. “While Cecil and Scott may seem like an odd pairing at first, they’ve both produced work aimed for a young adult audience that has resonated with readers of all ages, and we think that’s going to make for a diverse and interesting group of fans!”

Following the signing, both Cecil and Scott will be discussing the nuts-and-bolts creation of their work as part of The Beguiling’s “Industry Night @ The Vic” at The Victory Café, 581 Markham Street, at 8pm.

ABOUT THE AUTHORS:
Cecil Castellucci is the author of the award-winning young adult novels Boy Proof, Queen of Cool, and Beige, all published by Candlewick Press. Her first foray into graphic novels is The Plain Janes, from DC Comics/MINX, illustrated by Jim Rugg. Cecil’s work has received numerous honours from The American Library Association (ALA) and the Young Adult Library Services Association (YALSA), with Beige and Plain Janes receiving numerous awards just this week! Cecil can be found on the internet at http://misscecil.com.

Scott Hepburn’s art career includes illustrating numerous RPG books from White Wolf Publishing, and providing lead artistic duties for the YALSA-nominated graphic novel series Sentinel from Marvel Comics. He provides the art for the new Star Wars comic series Vector, which begins in the title Star Wars: Knights of the Old Republic #25. A perfect introduction to the popular comics, this first issue features characters from across the Star Wars Universe including Luke Skywalker, Darth Vader, and many more. Scott is also currently creating the online graphic novel The Port for Canadian webcomics collective TRANSMISSION-X, at http://www.transmission-x.com/.

ABOUT THE BOOKS:
The Plain Janes is published by DC Comics/MINX, and distributed in Canada by H.B. Fenn. Boy Proof, The Queen of Cool, and Beige are published by Candlewick Press and distributed by Penguin Canada. Star Wars: Knights of the Old Republic #25 and Star Wars: Vector are comic book serials published by Dark Horse Comics. Copies of all books will be available for sale at the event.

MEDIA QUERIES:
For queries regarding the event, contact Christopher Butcher, manager of The Beguiling, 416-533-9168 or via email at: chris@beguiling.com.


Art from The Plain Janes, by illustrator Jim Rugg. Copyright 2007 Cecil Castellucci and Jim Rugg.


Cover to Beige, by Cecil Castellucci. Picked as a ‘2008 Best Book for Young Adults’ by YALSA, the Young Adult Library Services Association.


Art by Scott Hepburn from Star Wars: Knights of the Old Republic #25 (Vector Part 1). Copyright 2008 Lucasfilm Ltd.