Move to Toronto: We have comics!

So I was counting up all of the events that The Beguiling either hosted or sponsored in 2008, in order to prepare our TCAF wrap-up. Just info I wanted to have at hand. The results were a little surprising; on average we put together a comics event every two weeks in 2008. The total number of participating comics creators we worked with topped 50, and was probably closer to 80 if we figure in The 2008 Doug Wright Awards. I’m fairly proud of this, for an “off year”, or what we thought would be a “quiet year” between TCAF’s, we probably had the busiest year for comics events since the store opened in 1987. 

Anyway, if you want to see what went down in 2008, the list is below. Thanks again to all of the great artists, writers, authors, and organizations we were fortunate enough to work with last year… and this year. 2009 is already off to a pretty solid start, if I do say so!

Author Events at The Beguiling, 2008

janesinlove.jpgCecil Castellucci (Janes In Love), The Beguiling, January 30th
Scott Hepburn (Star Wars: VECTOR), The Beguiling, January 30th

Kean Soo (Jellaby Volume 1), Keep Toronto Reading, February 5th
Kazu Kibuishi (Amulet Volume 1), Keep Toronto Reading, February 5th
In Association with Toronto Public Library 

Kean Soo (Jellaby Volume 1), The Beguiling, February 6th
Kazu Kibuishi (Amulet Volume 1), The Beguiling, February 6th

rabagliati-signing-5701.jpgMichel Rabagilati (Paul Goes Fishing), Lillian H. Smith Library, March 15th

R.G. Taylor (Growing Up With Comics), Industry Night, March 26th
Ron Kasman (Growing Up With Comics), Industry Night, March 26th
Mark Innes (Comic Eye), Industry Night, March 26th

Jillian Tamaki Art Show, The Beguiling, April 14th-May 30th

Free Comic Book Day For Kids! @ Palmerston Library, May 3rd
Featuring: Michael Cho (Max Finder Mysteries), Steven Manale (You Crack Me Up!), Brian McLachlan (Owl Magazine), and Jeremy Tankard (Grumpy Bird).
Presented in association with Toronto Public Library, Scholastic Books, and Owlkids. Image shown below, featuring Jeremy Tankard.

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Free Comic Book Day at The Beguiling, May 3rd
Featuring J. Korim (Penciler, Atomic Robo FCBD Edition), Jessie Lam (Colorist, Neozoic), Tyrone McCarthy (Creator, Corduroy High), Alana McCarthy (Illustrator), Tara Talan (Galaxion), Willow Dawson (Violet Miranda), Nick Mandaag (Artist and self-publisher), Chip Zdarsky (Monster Cops).

Stuart Immonen, The Beguiling, May 28th

Luminato Arts Festival, June 8th
Featuring Spain Rodriguez (Che: A Graphic Biography), Dan Goldman (Shooting War), and Bernice Eisenstein (I Was A Child Of Holocaust Survivors). 
Presented in association with Luminato

560-ditko-webcard.jpgBlake Bell (Strange and Stranger: The World of Steve Ditko), Lillian H. Smith Library, June 18th

Jason (Low Moon, Pocket Full of Rain), The Beguiling, June 10th 

Ray Fawkes (Apocalipstix), Revival Bar, August 6th
Cameron Stewart (Apocalipstix), Revival Bar, August 6th

The Doug Wright Awards, August 10th
Official Bookseller

Russel Lissau (The Batman Strikes!), The Beguiling, August 29th

Matthew Forsythe (Ojingogo), The Beguiling, September 27th
Pat Shechuk (Pohadky), The Beguiling, September 27th
Marek Colek (Pohadky), The Beguiling, September 27th

The Word On The Street, Graphic Novel Tent Official Sponsor, September 28th
Featuring: D.J. Steinberg, Steve Manale, Brian McLachlan, Jim Zubkavich, Matt Moylan, Jeremy Tankard, Matt Hammill, Steve Murray, Mariko Tamaki, Ray Fawkes, Cameron Stewart, Jim Munroe, Ramon Perez, Ray Fenwick, Susan Hughes, Willow Dawson, Pat Shewchuck, Marek Colek, Matt Forsythe, Andy Bellanger, Joey Comeau, Emily Horne, Matt Forsythe, Ryan North, Kate Beaton, Ramon Perez.

Street Fighter Tribute Launch, The Beguiling, September 28th
Featuring nearly two-dozen different comics creators including Cameron Stewart, Bobby Chiu, Kei Acedera, Scott Hepburn, Alex Milne, Arthur Dela Cruz, Eric Kim, Alvin Lee, Omar Dogan, Joe Ng, Christine Choi, Eric Vedder, Joe Vriens, Matt Moylan, Jim Zubkavich, Saejin Oh, and many more.

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Lynda Barry (What It Is!), IFOA/Writing The Unthinkable, October 23rd-26th
Chip Kidd (Bat-Manga), IFOA, October 25th-26th

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Shaun Tan (The Arrival), The Beguiling, October 28th

achewood_poster_500.jpgChris Onstad (Achewood, The Great Outdoor Fight), The Beguiling, November 4th

Igort (Baobab, Ignatz Line), The Beguiling, November 15th
David B. (Epileptic, Nocturnal Emissions), The Beguiling, November 15th

Maurice Vellekoop (Pin-Ups), Buddies in Bad Times Theatre, November 25th

Dave Lapp (Drop-In), The Beguiling, December 3rd

Kramers Ergot World Tour, The Beguiling, December 11th
Featuring Sammy Harkham, Seth, Shary Boyle, Souther Salazar, Kevin Huizenga, John Pham

Faith Erin Hicks (The War At Ellsmere), The Beguiling, December 17th

So, yeah. Come to Toronto. We are doing awesome things here, we’d love for you to be a part of it.

– Chris

Liveblogging The Previews: April ’09 Pt. 2

10:16pm: …and we’re back. In case you’re just joining us, I am a comic book retailer who has to have his Diamond Previews order done and uploaded by tomorrow at midnight. I didn’t even look at The Previews until earlier today, and I really need to get back to my job right now, which is running a comic book festival next week. All of this has made me irritable, and I’m sharing this with you. Enjoy!

10:19pm: I know Wizard has been firing a lot of people lately, but seriously, did they let go of all of their designers? These Previews pages look like the intern threw them together, and the intern only knows how to use MS Word. Meanwhile, ANOTHER Obama cover on this issue. That poor dead horse that these guys keep beating.

10:21pm: I’m just saying, “Obama Cover, by Artist To Be Announced.” Come on…

10:22pm: Another month, another solicited issue of Anime Insider that is never going to come out. Actually, I just realized that these pages look like they’ve been designed by the PREVIEWS team, which is why I don’t like them. They look seriously weak. Oh how the mighty… etc.

10:23pm: Ah, and thanks to Super-Con in San Jose, we get a little Comic Sans. How Avant Garde.

10:25pm: Speaking of which, Cerebus Archive #2 has a Zombie/Obama Variant for $15.00. At least I’m not as cynical as Dave Sim.

10:27pm: I feel kinda bad, I never actually checked out Scott Morse’s first “Ancient Book of” book for Adhouse. Although this one is about Sex, so that will probably entice me more than Myth/War. Oh, and Johnny Hiro gets a lovely collection that I shall be ordering. Good series, that one. Nice price-point too, 200 pages for $15.00. That’s a steal.

10:29pm: SLG Publishing have thrown a lot of marketting muscle behind their new CAPTAIN BLOOD comic book, and it does look quite nice. Beautiful colours on the cover too. We had some success with The Black Coat, a pirate adventure series published intermitently over the past few years. Hopefully this one will do well for us too.

10:32pm: So I actually read the description for Bad Kids Go To Hell #1, from Antarctic. It’s a high-concept comedy/thriller, described as “The Breakfast Club” meets “The Grudge”. And, yeah, alright, it sounds like a sort of cheesy movie, I’d watch it if it came on the TV and it wasn’t censored on TBS or something. But it’s a movie on paper; a book about sexy teens intended for a sexy teen audience. Where in the hell are they going to find that audience at Antarctic Press? Why is this a comic at all, other than just as an intermediate step to getting it optioned soemwhere? It’s described as a movie, and the cover art just looks awkward (the proportions are all off). Why turn a movie pitch into a mediocre comic book? Or a comic at all?

10:36pm: Archaia Studios Returns! At least The Killer will end now, and Alex Sheikman who creates Robotika is a nice guy. But I don’t really feel good about the company, I’ve heard too much from creators unhappy how they were treated during the fallow period… and I’m not crazy about what I heard about their new parent company either. Anyway, whatever. I’ll order what I think will sell, but I’m certainly not going to ‘invest’ in the company until they get back on track and make amends with the people they’ve wronged.

10:41pm: Hey, a second collection of Julia Wertz’ Fart Party. Cool stuff. The first one was pretty great actually, recommended.

10:44pm: I have to bump the numbers on Gravel again. Nice to see a series picking up readers as it goes. Oh and Ignition City did alright too… And contrary to Ellis’ assertions that “we wouldn’t do variant covers if people didn’t buy them”, our order for the single-cover FRANKENSTEIN’S WOMB (there’s a HC too, but we’ll ignore that) just ended up being higher than our orders for all of the covers on Ignition or Gravel combined. We order the variants because they’re available, not because people are buying more than one. At least not in my experience. Or in an apples-to-apples comparisson, We’re ordering exactly as many copies of all Anna Mercury #1 with 4 different covers  as we did of Ignition City #1 with 3 covers, we just divided them differently. Anyway, not that this has anything to do with anything, it’s just been sticking in my craw, so to speak, seeing Ellis send that message out into the world.

10:55pm: Am i really supposed to order the Tek War comic? Really? Someone weigh in in the comments. I just don’t know.

10:57pm: I have to say, an extended, faithful adaptation of Phillip K. Dick’s Do Androids Dream of Electric Sheep is a surprisingly ambitious project for BOOM to take on… i think that’s kind of amazing actually. I hope they do a good job, and I’m excited to see it.

I have to say, their section on the whole looks kind of put-together and organized this month, which is nice. I feel like the past few months have been a little haphazzard, particularly with the volume of books they solicit in a given month. A set-up in the Previews more like IDW would benefit them for sure.

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11:06pm: Alright! I wanted to take a second to mention Box Brown’s Love is A Peculiar Type Of Thing! It’s a Xeric Grant winning book, a collection of webcomics and short strips, and it’s about this dude growing up and being fucked up and trying to get over it. It’s navel-gazing indy autobio comics, the exact sort of terrible filth that superhero fans like to step up and deride! Loudly! In an us versus them argument, this is THEM with a capital EVERY LETTER. It’s got Drug Use in it, for pete’s sake! Drugs! How could he!?

It’s great, I loved it. Totally worth your $10. Order two: one for you, and give the other one to a feckless 20-something that can’t figure a way out of their current situation.

More at:  http://www.topshelfcomix.com/ts2.0/artist/318  and  http://boxbrown.com/book/.

11:13pm: On the other end of the spectrum, Devil’s Due Productions has declared June OBAMA MONTH! Fuuuuuuuuuuuck. Comics you ruin fucking everything. I refuse to engage your awful offerings.

Actually, fuck it. I’m not ordering any of this for the shelf. We’re The Beguiling. We have principles. If you want any of this nonsense, I hope you pre-ordered.

11:26pm: So, First Second’s THE COLOR OF WATER by Dong Hwa Kim. I really liked this actually, it’s probably the only thing like it in English. It’s very strange though. It’s very much a book for women, about the life of a woman from being a girl to being grown. It’s a book club book; a Lifetime movie in the making. But it’s neat. And Kim is an outstanding artist, several of the sequences and illustrations featuring the countryside are just amazing. The first book, COLOR OF EARTH, is available from stores now, check it out. 

Oh, and to my friends at First Second? You mis-spelled COLOUR. I didn’t want to say anything to embarass you, but since the books are already printed and in circulation it’s probably alright now.

11:31pm: Taniguchi! Yay! Fucking Whoo! Hoo! Jiro Taniguchi, for those of you thus far uninitiated, is the wonderful creator behind The Walking Man, which I love. A new work is solicited here, SUMMIT OF THE GODS. Taniguchi is one of those creators on my automatic-buy list, just… he brings such incredible professionalism and skill to everything he attempts. It’s lovely.

11:35pm: The Fantagraphics section features what will be the book of the month for many, a the new collection of Peter Bagge’s reportage comic strips for REASON magazine. They’ve generally been good, thought provoking stuff, and I’m sure fans of his self-involved, self-pitying Buddy Bradley character will find a lot to interest them in a collection of comic strips from a Libertarian magazine.

Zing!

apr09079711:41pm: Actually, let’s go back a second. I Twittered a question to digital manga publishing but they don’t seem to be online, so I skipped over mentioning the fact that their SWALLOWING THE EARTH, by Osamu Tezuka, is shipping in June. Well, the first volume anyway. I am totally, totally interested in reading this. I own a bunch of Tezuka in French just to studdy the storytelling. But the cover of the book they’ve got here in PREVIEWS is just terrible, hideous stuff. It’s like they took a look at the great strides that Vertical had made in packaging 30 or 40 year old books and making them appeal to a contemporary audience and decided “That’s not really for us.” I love Tezuka, but some of his stuff is kinda goofy looking. I’m not saying every book needs to be abstract and downplay the comics connection, but the difference between the cover they’ve got for solicitation here and even the Buddha volumes? Miles and miles apart, and not in a good way. Granted, it’s got a great big ART NOT FINAL on it, but this is a little disappointing, because it seems like a wonderful work by Tezuka, and I’d really like the chance to sell it.

I don’t think this cover will help me.

11:50pm: Alright, back to Fantagraphics. The Abstract Comics collection soudns neat. The second massive Locas HC is a must buy. Another collection of comics by Fletcher Hanks, by Paul Karasik. A collection of Danish comics! Good month for Fanta.

11:53pm: Oh shit, how did I miss the Rand Holmes retrospective!? They’re gonna take away my Canadian citizenship. Basically:

Rand Holmes was Canadas most revolutionary artist in his heyday, the star cartoonist at the Georgia Straight newspaper in British Columbia during the 1970s. His hippie hero, Harold Hedd, became the spokesman of the emerging counterculture as he avoided work, explored free love, and flouted drug laws. The Adventures of Harold Hedd spread across the globe in the wave of underground comix and newspapers of the era and Holmes became famous – or at least notorious. While his comic character was bold and blatant, the artist was shy and quiet, well on his way to becoming a complete hermit.

This book is an intimate and expansive account of a very private man who expressed his deepest feelings in the then disreputable medium of comix. He didnt talk much but he sure wrote a lot, avowed his widow Martha. This biography/retrospective includes generous selections from his private journals and correspondence, family photo albums, sketchbooks, and personal anecdotes from his friends and colleagues. His artistic history began haltingly on the lonely windswept plateau of Edmonton, flourished in Vancouver and San Francisco, and concluded peacefully on Lasqueti Island, a remote backwater in the Straits of Georgia where he lived out his dreams of pioneering and homesteading.

Holmes life story is richly illustrated with drawings, comic strips, watercolors, and paintings that span his whole career, from the hot rod cartoons he drew as a teenager, dozens of covers for the Georgia Straight, pornographic cartoons for the sex tabloid Vancouver Star, to complete comic stories from Slow Death Funnies, Dope Comix, All Canadian Beaver, Death Rattle, Grateful Dead Comix, and many more. The full-length Harold Hedd comic novels, Wings Over Tijuana and Hitlers Cocaine are reprinted in their entirety together for the first time. 

Essentially, it’s the only book on a Canadian Underground cartooning legend. And a GIANT OF THE NORTH, actually (Google it). Sorry I forgot to mention it on the first pass.

12:03pm: See, here we are, in the IDW section and they’ve got a book called THE ROAD TO THE WHITE HOUSE BARACK OBAMA and you know what’s different about this one? It’s not co-opting the man’s image to sell your some other idea. It’s a book about Obama. And sure, that’s as much of a commercial product as the stupid barbarian one the DDP is publishing, but this one is actually about the man, his beliefs, his life. I can get behind that.

12:19pm: So, big-ups to fellow Canadians New Reliable Press, who have got their new books TRUE LOVES 2 and JAN’S ATOMIC HEART in the new Previews. These fine cats are gonna be at TCAF, TCAF’n it up, and TRUE LOVES at least managed to get a lot of press first time around. And hey, retailers and customers? THEY’RE GIVING AWAY BOOKS. For every copy of TRUE LOVES 2 you buy, they’re shipping out a free copy of TRUE LOVES 1. That’s a steal!

12:23pm: Okay, Oni Press has got the first issue of the just-relaunched RESURRECTION comic, now in full colour. Fine, interesting enough, Except they’re shipping out 10s of thousands of copies of the #0 prequel for Free Comic Book Day, AND (AND!) the trade paeprback collecting the first RESURRECTION series? SIX BUCKS. Six dollars for like, 184 pages. And it’s all gonna be out in the next 7 days. So, you know, KUDOS, Oni. You win this month’s award for “working your ass off to support your new ongoing series”. Buuuuuut unfortunately you’re disqualified because the first issue here doesn’t feature a 1 in 250 variant cover. Too bad, so sad. 😛

12:28: Page 282 has an indy anthology from “Poseur Ink” called SIDE B: THE MUSIC LOVER’S COMIC ANTHOLOGY. It’s got a bunch of stories from folks including Jeffrey Brown, Brandon Graham, Ryan Kelly, and Jim Mahfood. That’s some pretty cool shit. 

Oh, and on page 284, as a favour to my friend George I wanna give a shout out to ATOMIC ROBO AND THE SHADOW FROM BEYOND TIME #3. The Atomic Robo stuff has been fun, well drawn, and a consistent seller for us here at the store. I’m happy to recommend it to fans who like Hellboy for more than just Mignola’s art. 🙂

12:39pm: So! The one thing in the Viz section that I didn’t know about before I got to it is STARTING POINT: 1979-1996 By Hayao Miyazaki. It’s “A hefty compilation of essays (both pictorial and prose), notes, concept sketches, and interviews by 9and with) Hayao Miyazaki.” It’s 500 pages of reading for $30. That’s sort of a given, isn’t it? Like, that one is an automatic purchase? Awesome. Thanks Viz!

12:56pm: FLIGHT VOLUME 6 IS COMING SOON. Excellent news! New stories from all of the Flight Creators and friends. Page 301, preorder your copy, etc.

Alright, I think that’s it for this month. I gotta go through the last few pages of the catalogue and see what kinda magazines and stuff I’m gonna order. Thanks for reading…!

– Christopher

Liveblogging the Previews: April ’09

apr0901472:20pm: Man do I not have time for this. I should be doing TCAF stuff, but unfortunately I can’t just quit my day job at The Beguiling to do TCAF for 2 months… So I have to do the Previews Catalogue. And since it always takes me about a day to do, and last month when I did this it took me about a day to do, I may as well do this again. LIVEBLOGGING THE PREVIEWS: ONE RETAILER’S HONEST REACTION TO DIAMOND’S PREVIEWS CATALOGUE. Why Not?

First up? We totally sold out of PREVIEWS this month, because the cover looked great and had a top-notch creative team featured. I don’t know what it is, but usually the cover of previews is either an incomprehensible mess of digital paint, or just plain hideous. Morrison and Quitely’s BATMAN AND ROBIN for the win.

2:25pm: Huh, the Editor’s Note on page 7 actually mentions that the Previews is thinner, and they’re being “more choosy” with what they offer. I always thought choosey was spelt with an ‘e’, but perhaps in this “tough economic climate” we can’t afford a surfeit of e’s.

Oh, and I’ll try to mention page-numbers for those of you playing along at home.

2:27pm: God’s honest quote: “What would William Shatner Do? Apparently, create some good comics.” Thank you, “indieEdge”, for the most depressing thing I’ve seen in days. And we’re only at Page 9.

2:28pm: Is this the fourth or fifth consecutive month of Free Comic Book Day ads in the front of the catalogue? Yikes. Though it is still nice to see Comics Festival in there.

2:29pm: This is actually what I meant about a mess of digital paint on the covers of Previews. This Predator #1 cover is a nightmare. Comics fans aren’t known for being big “impressionist art” fans at the best of times, and this is just all rendering and no composition. Although the strictly realist interpretation of the Predator on the facing page is… ugly. I mean, perhaps that’s the point, but it’s not attractive at either. At least there’s some thought to the composition with the figure framed by the window/doorway. Still, not auspicious for a debut to the section.

2:33pm: The Art of Tony Millionaire has an introduction by Elvis Fucking Costello. That’s cool, but is that gonna sell the book? It’s so cool.

2:42pm: I think I mentioned these “Neil Gaiman Presents” novels last month…. I just saw that the first one was cancelled by Diamond on my last invoice. Does anyone know if it’s just going to get resolicited or if the line isn’t happening? Because this one, Spave Chanety, with are by Vaughn Bode, that will probably do alright for us.

2:46pm: I’ve been really, really hard on Dark Horse in the past. I know it’s not easy keeping tons and tons of backlist in print, but I’ve never understood their handling of the Usagi Yojimbo series by Stan Sakai. Volumes out of print for huge stretches of time, and a general confusion about how to handle the series seem to pervade it. I’m really glad to see that they’re doing new editions of all of the Usagi stuff, starting with volumes 8-10. Completely remastered and rescanned artwork, new story notes. Sounds good, you know? Sounds good.

2:50pm: So Buffy the Vampire Slayer is doing a new TALES OF THE VAMPIRES one shot featuring Becky Cloonan, Vasilis Lolos, and covers by Ba and Moon and Jo Chen. Sounds like a pretty amazing crossover, and given the creative pedigree is likely to be awesome. My only fear is that the hardcore Buffy fans won’t pick it up because it’s not “cannon” or by “Joss” or whatever, even though it’s quite likely to be a really strong genre comic. Blessing and curse of setting the bar high?

2:54pm: Man, 12 volumes of EDEN: IT’S AN ENDLESS WORLD. Nice. If you’re the kind of person who misses Masamune Shirow’s regular output, but kind of wish he stayed on the “interesting philosophical digressions on humanity + kick ass art” track, instead of, you know, a cyber-version of Hot Biker Sluts, you should check this out. Also, if you’re the kind of person who was repulsed by every part of the previous sentence, you can check this out too, it’s actually really solid and enjoyable.

2:58pm: Alright, DC COMICS! … You know, I even LIKED Final Crisis (seriously, it was a lot of fun) but? Is anyone at all gonna care about these Final Crisis spin-off books by the time they come out, months after the end of the series?

BTW, I decided the one written by Joe Casey and drawn by Chris Cross has the strongest crative team, despite having the most ridiculous (within the context of superhero fanboy names), so that’s the one I’m ordering the strongest.

3:00pm: It would be nice if there was not a 1-in-250 variant on Batman and Robin #1.

Actually, let me expand on this. This is fucking stupid. It either rewards the absolute largest retailers, the ones who are already ordering thousands of copies of these sorts of books anyway (chains mostly) while thumbing its nose at the mass of small-to-mid-sized accounts that make up the meat of the orders on many of these books. 

Or? Or it’s encouraging retailers to take untennable positions on books, in a time of economic downturn. Is it a biased, favouritist promotion, or just totally irresponsible?

We are going to qualify for this incentive, we are going to be fine. But “I got mine” is not an acceptable way of doing business in the same month that the editor of Previews says “We all have to tighten our belts.”

3:20pm: Okay, that out of the way, is anyone going to be rushing to pick up these new Batman books that don’t have the real Batman in them? Like, Gotham City Sirens I kinda get, put a bunch of popular sexy characters in the same book, get a cheesecake artist to draw them. But like, Paul Dini’s “Another Batman Ongoing Series” has a solid creative team, but are people on board with reading this? I have no feeling, except negative.

Also, Red Robin #1? Really?

I feel disconnected from this. I am ordering low.

3:24pm: Our Superman sales are really taking a hit right now. That is unfortunate… but unsurprising.

3:25pm: Really? Superman vs. The Flash cover on issue #3? I… I dunno.

The DC section is kinda depressing me here.

3:28pm: Man, new series are Not having a good go of it right now. Dead Romeo #1? Tanked. The Mighty #1-3? Not promising numbers. I guess I could’ve done more to promote both series, but with so much on the racks it’s a little tough. But the lack of sales were not for a lack of copies on the rack…

3:35pm: You know, I like Mike Oeming’s artwork; I own all of Powers. I think that Kevin Nowlan is an incredibly talented artist, just the bees knees. What I am less on board with, is getting Kevin Nowlan to do a cover for The Spirit #30, and then having Mike Oeming draw (and write) the interiors. Because, you know what? Those two artists are very different. Their work does not compliment one another. That is what we in the biz call a bait-and-switch. That is a poor choice.

3:40pm: Time for the monthly “bitching-about-DC’s-collected-editions-department”. Listen folks, I DON’T LIKE DOING THIS ANYMORE THAN YOU LIKE HEARING ABOUT IT. But what do you want me to do, exactly? Huh?

You’re releasing a prestige-format Alex Ross project years after the demand was at it’s peak! AND you’re asking me to order it now, but it’s not arriving until November 25th, 2009. I’m officially ordering Christmas Product here when, and let’s be honest with ourselves here, last Christmas would’ve been a much more realistic window for release of this book.. Hell, Christmas 2007 would’ve been the ideal time to release this book. The “heat” has sort of dissipated from this project… released as it was 3 years ago, when everyone knew there was an absolute edtion coming. Who knew it would take DC this long to put it together.

3:46pm: Who is the audience for the “El Diablo: Haunted Horseman” collection? I thinik Phil Hester and Ande Parks are great, but did this mini-series get rave reviews or huge sales and I missed it? I am willing to accept that I missed it.

3:47pm: The Final Crisis: Revelations Miniseries does not need a hardcover.

3:48pm: Ugggggh. Why are you doing simultaneous Hardcover and Softcover releases of the Giffen/DeMatteis Justice League Material? We only have so much shelf space, Jesus. Just stop it. The HC and SC are coming out within a year of each other for a series of books. JUST PICK A FORMAT. PLEASE. Stop with these dual releases on projects, it’s So Fucking Pointless.

3:51pm: Seriously. Like, DC must know that these collections are broken, right? Terror Titans? Is someone really demanding a Terror Titans collection for the ages? I honestly don’t give a shit if Terror Titans is your favourite mini-series of all time, good for you! But… But we don’t need a trade paperback of a series that people are going to be fishing out of quarter bins in under a year. It’s a waste of trees, of shelf-space in my store, of resources on DC’s part.  Not everything is worth collecting, not everything is worth a larger audience.

Prepare for me to cut and paste this when we get to the Marvel section.

11927_400x6003:56pm: That really, really looks like Blue Beetle on the Cartoon Network Action Pack #38 cover.

3:59pm: I had no idea that the kangaroo that Sylvester thinks is a mouse is named “Hippety-Hopper”. At least according to the cover of Looney Tunes #175. Weird.

4:05pm: The first Freddy vs. Jason vs. Ash mini-series sold well, and surprised the hell out of by actually sending new customers to my store, asking for a book by name. That’s how licensed books are supposed to work, offering fans of other media something that they can only get from a comic book. Unfortunately most times these books are just aimed at existing comic fans, doing nothing to grow the market… So yeah, we’re putting a solid order in on this new series.

4:13pm: Oh man, I just read the most brutal, brutal review of Azzarello’s Filthy Rich graphic novel. I mean, I dig his work and all, 100 Bullets is aces, but I avoided that Joker HC specifically because it seemed callous and awful and… and tossed-off even. Just random. So to read this dude at The Oregonian just tear this book to pieces. I cringed a little. I don’t think it’ll affect the first few weeks of sales, actually, negative reviews rarely do. But I know that I personally am not that interested in picking it up anymore… Yikes.

4:18pm: …but by all accounts 100 Bullets ended well. My orders on the last trade, WILT, are going to be pretty darned strong.

4:25pm: Second Northlanders TPB. Good good.

4:26pm: Does Nightwing always look constipated, or just in this statue on page 128?

4:28pm: IMAGE: I’m not really a Dawn/Linsner fan, so maybe I don’t know, but I kind of get the feeling that these one-shots? If you slapped a hardcover on them and charged $14.99 instead of $5.99 for the same story? We’d sell just as many. I understand the French-market “album” format doesn’t really work for North America, but I can’t help but feel that this is one of the few properties that could really make a go.

chew_14:31pm: Writer John Layman e-mailed me about his new series here, Chew, from Image. I have to admit that I didn’t actually read the email very closely, I’ve been incredibly busy for the past month. But I’m looking at this here, and the art is a very appealing indie/lo-fi sort of a thing, and the idea of a detective who gets psychic impressions from whatever he eats? Pretty good, pretty good. I’ll give this a shot for the store. And then probably go back and read the e-mail and figure out I shoulda ordered more. But, you know, only so many hours in a month.

Oh, and John Layman’s website is http://themightylayman.blogspot.com/.

There, good deed done for a creator-owned book. I can go back to being a jackass.

4:38pm: Fair enough, I could probably discern that T.RUNT by Derek McCulloch and Jimmie Robinson is going to be in an odd format, a square book, just by looking at the solicit image. But it would be nice if that information was in the actual solicit somewhere.

4:43pm: Douglas Fredericks & The House of They is written by Joe Kelly, whose work I generally enjoy, and illustrated by Benjamin Roman, whose work is kind of hideous, but also in an enjoyable way. OGN for 13 bucks, I’ll give it a whirl.

5:06pm: sorry for the big break, I had a rash of customers come in and sadly had to stop working on the previews… this is exactly why I’ve started working from home btw. Someone at The Beguiling needs to build me an office before I go all Les Nessman and start taping up the floors. YOU KNOW WHAT I’M SAYING PETER? I AM JUST A FEW WEEKS AWAY FROM LES NESSMAN. That reflects poorly on all of us.

5:08pm: There are WALLS here.

5:09pm: Okay, MARVEL. Hah, Halo. It’s funny, last month I made mean jokes about how Halo #4 and Detective #857 were never going to come out, and then they both came out less than 4 weeks later. Perhaps I have a gift? Perhaps my snide disbelief and criticism is what Gets Shit Done TM. Alright, let’s try this: “Yeah, a MIRACLEMAN trade paperback! That’ll be the day! Haw Haw haw!”…

If it’s announced in the next 30 days you’ll have to give me credit, you know that right?

Huh, no shit. Colourist Richard Isanove is now illustrating the Dark Tower series. I would not have seen that coming. I’m not really digging the cover; it’s well-illustrated but lacks the broody menace of the series, and of Jae Lee’s take. Still, this is just the cover.

5:14pm: Really? Spider-Man election day seems… Like a poor choice. I’d really like a book that has the (terrible) Spider-Man/Obama book in it, but the story arc it’s attached to… How accessible is that? Isn’t there material in the archives that would serve as a better introduction to the character, or would be of the same sort of kitsch-value as the Obama material in the first place? Or what about just doing a thin stand-alone collection, like 48 pages for $15 or something? This product just doesn’t make any sense to me as anything other than “the next Spider-Man collection”. 

Which is a missed opportunity, considering.

5:20pm: I have no specific interest in the golden age Marvel reprints, but I do find the 832 page omnibus of Golden Age Marvel Comics incredibly tempting. 

8_anita_blake__the_laughing_corpse___necromancer_35:23pm: Jesus does Anita Blake ever do anything other than stand around with her hands in her pockets? What an intensely boring looking comic book. Also, I guess those are supposed to be “Ladies of the night” milling about behind her on this cover. but you know what? That’s just what all women in mainstream comics look like, so it totally fails as a visual cue! Even moreso because that cover is horribly underdrawn hackwork.

5:27pm: Fun-fact: This month in the Marvel Previews “illustrated” section there are colour-bars with the names of the classic authors in all caps. It’s very Marvel. Like, we can visually pick up what Wolverine looks like, even “Wolverine Noir”, but who’s that buncha chicks in that image? Is it one of those “The ladies of X-Men go shopping” down-time issues? Oh, no, wait, it’s JANE AUSTEN. Dude with a sword? HOMER. Got it. Sadly no similar one for L. FRANK BAUM. Actually, Baum isn’t mentioned anywhere in the solicit for Shanower and Young’s Wonderful Wizard of Oz adaptation. Kinda disappointing.

5:32pm: Marvel’s got way, waaay too much sub-mediocre product out here. All of these Dark Reign tie-in mini-series and stuff. You’ve got an almost-weekly Spider-Man book now, the story of his mysterious new villain introduced in that series couldn’t be told in that series? We need a mini-series for this? Well, no, we don’t. But we’re getting one. Weaksauce.

5:40pm: Is Reed Richards uncovering a mass grave in the middle of New York? That’s a bit much, isn’t it? Am I just being a prude?

5:47pm: Wow, the new creative team on Runaways seems awesome! Kathryn Immonen, really lovely cover by David Lafuente, and the interior art by Sara Pichelli looks great too. Cool beans, I hope this team sticks around for a while.

5:50pm: The cover to Deadpool: Suicide Kings #3, is stupid.

5:52pm: I’ve been out of the store for a while so I had to check, but it says Kick Ass #5 came out in April. That means the last two issues have gotta come out monthly for this hardcover to release in July… I don’t really see it happening? Did someone give an interview somewhere where the editors and creative team promised monthly shipping on issues 6-8? I’m willing to accept that I missed it. But I find it unlikely.

5:59pm: Ugh, really? The Jeph Loeb FALLEN SON story is getting an oversized hardcover? That’s just brutal.

Edit: Okay, I’m a huge jack-ass. Somehow I completely missed the page (99 in the Marvel Previews) where Joss Whedon’s Runaways was solicited as volume 8 of the Digest series. Missed it completely. So, officially? I am a huge jack-ass. Apologies to Marvel, and thanks, for giving us product that I know we can sell. But because I don’t believe in editing these things to make myself look better, here’s me being douchey to Marvel (although in my defence my heart was in the right place):

6:01pm: Maybe I’m inappropriately holding out hope here, but this will make the third regular-sized hardcover RUNAWAYS collection since we had a digest. We Really Sell A Lot Of Digests. Please Print More Digests. This would be volume 10. And you know, Runaways sells like manga for us, and manga sells _well_. Please let us keep selling these books to more than just anal fanboys who need to own everything in bullshit prestige-format hardcovers. Please.

6:04pm: Ah, I’ve answered my own question. Regular-size tpb of the first Terry Moore Runaways arc. And $16 for 136 pages too, lovely. Marvel: You’re kind of fucking up a good thing here.

6:08pm: …and I’m done. Well, the first half here anyway. After I take a little break to do something about this headache and maybe have some dinner, I’ll come back and do the back-half of Previews. Thanks for reading so far!

– Chris

NYT Bestseller Follow-up

In the comments section of my last post on the New York Times Graphic Book Bestseller List, a commenter named Tommy Raiko comes to different conclusions about the list than I did. It’s a thought-provoking response:

“If we assume that the NYT is indeed getting actual sell-thru data from comics stores to form the bestseller list, we still don’t necessarily know which stores form those reports. Maybe the stores that reported their sales had exceptional success with this promotion, actually using it to sell dramatically more copies of the book to customers. That’s gotta be possible, right?”Tommy Raiko

The reason I had initially discounted this possibility–the thought did occur to me–is that prior to about two years ago, there was almost no method of reporting sales data from individual comic book stores. It’s really only been in the last 5 years that direct market comic book stores have moved, in a major way, towards digital inventory tracking and control. I know that Hibbs has been chronicling that change at his various writing outlets. When I think to myself “What possible data could they be using?” it never even occurred to me that they might have access to DM sell-through data, because historically, they didn’t. No one did. Many comic book stores didn’t (don’t?) even have paper tracking methods (generally referred to as “cycle counting”), let alone weekly digital inventory counts that they could pass along to The Times.

Let alone a centralized hub for that sell-through data to be collected and disseminated, let alone Diamond having that data…

But in responding to Tommy’s message, I allowed that the possibility did exist… however small.

“That’s an excellent rebuttal, and you could be right. In fact, a few hundred comic stores are now using Diamond’s proprietary sales tracking software, and perhaps its the sales of those hundred stores that are being submitted as comic book store data. Sure.

“But the appearance of specific books on the top 25 (I don’t want to name them because singling out books in a negative way, in the context of this discussion, isn’t really appropriate), not to mention Occam’s Razor, lead me to believe my conclusions are closer to the truth…” Me!

Over the past few days, I’ve been thinking about it. Diamond has been slowly rolling out a proprietary sales tracking software (ComicSuite) last year, that works with Microsoft RMS (Retail Management System). The sales data of stores with this software is now, I believe, automatically being reported to Diamond. I’m not 100% convinced that it’s really “a few hundred stores” using this software, and I don’t believe Diamond has announced how many people have bought in. But yeah, Diamond is collected accurate sales data from a limited group, so it is possible on some level that this could be based on existing sales.

Why this still doesn’t matter: If all of this is true, an alternate theory to the one in my last post, it still means the reporting method at the NYT is broken. Why? Here: The sample size of sales is still small. Probably very small. It’s also limited to stores that can afford to drop a few grand on this software, plus pay a yearly fee for life. It’s also comprised of early adopters, folks who are generally a little more hands-on with their business, and that usually translates to ordering habits that go outside of the Marvel/DC areas. That weighs the number. Like any first-year statistics student will tell you, voluntary surveys are already biased towards people that are willing to take a survey.

So yeah, even if they’re using sell-through data from Diamond’s incredibly small, biased survey group, and then extrapolating it out to all 3000-ish Diamond accounts? It still corrupts the overall list, Bookscan is measuring a (debatable) 70% of the bookstore market. At best the Diamond numbers are 10% of the comic store market, and clearly being given a lot of weight. It’s why we end up with Dark Tower at #1. It don’t make sense.

Edit: Brian Hibbs says some interesting things in the comments to this post:

“For what it is worth, ComicsPRO is working with the NYT to get more stores involved in reporting their individual numbers to the list.
“For what it is worth, I believe that more DM stores are using MOBY than using ComicsSuite from Diamond (probably by a factor of two or more)
“And IF ComicsSuite is reporting sell-through to Diamond (and I doubt it is), Diamond has not disclosed that, and, so, that would probably be illegal.”
Brian Hibbs, Retailer, Comix Experience

So is that confirmation that individual stores are reporting sales to the NYT? Fascinating. I still feel like it could only be an incredibly small sample-selection as it stands, but I’m heartened to hear that someone, somewhere is selling the books that make it onto the list. I’m also glad to see my theory about Diamond reporting sell-through data shot down, it was a little ‘big-brother’, even for me.

Now back to the end of the post:

And here’s another thought I had. I know it fits into my last theory/post, and I feel like it does here, but I’m not entirely sure how. I know it’s true though, so here goes: The NYT Graphic Novels Besteller List  clearly favours comics and books that are exclusively orderable through Diamond; books for which Diamond has a direct-market exclusive, AND books which are distributed to bookstore by Diamond. But why? Because as Brian Hibbs pointed out in the response to my PREVIEWS LIVEBLOG a few weeks ago, many, many of the books in the Previews catalogue are available cheaper through other sources, other distributors. Smart retailers are figuring this out, and moving their orders elsewhere. Except in cases where they can’t, where Diamond is the Only Source. So if the Bestseller charts are based on Diamond sell-in, and not sell-through, and extrapolated out and weighed equally with reporting bookstores, then books only available through Diamond are going to have a huge advantage; those sales are going to be reported wheras comic store sales of books ordered from Ingram or Baker & Taylor or any alternate distribution source? Those don’t get reported through bookscan, and they wouldn’t get reported through Diamond under my scenario… Unless the NYT lists are taking Ingram and B&T sales into account, and I don’t believe they traditionally have (because that would measure sell-in, and not sell-through, and we’re back to where we started).

Anyway, that’s where I’m at with this. I think the New York Times Graphic Novel Bestseller list? It’s nice as a promotional tool, but I’m utterly unconvinced that the list means much at all. Much like every other half-assed piece of data we have, it’s at best a tool for measuring popularity over the long term. Watchmen’s on the list for every week? It’s probably a best-seller! A children’s graphic novel from a Diamond-exclusive publisher debuts on the list and is never seen again? Probably doesn’t mean a whole lot, sales-wise.

– Christopher

Why The New York Times Graphic Novel Bestseller List Is Broken

Last week, Marvel’s 2007 adaptation of the Stephen King fantasy epic appeared, as if by magic, atop the hardcover list, unseating Watchmen. Although I couldn’t find an obvious reason for the book’s performance, I was willing to accept that the upcoming release of The Dark Tower: Treachery hardcover or another miniseries might’ve renewed interest in the original. (Or did I completely miss a new edition or reissue?)

“But this week The Gunslinger Born is nowhere to be seen. Watchmen again rests comfortably upon its hardcover throne, followed by a trio of Batman-related books.

“It’s as if last week never happened.” – Kevin Melrose, Robot 6 @ CBR

Sorry, I didn’t realize that no one had addressed this.

It’s pretty clear that the NYT Graphic Novel Bestseller lists are equally weighing all of Diamond’s direct-market sell-in with all of the other sales channels’ sell-through. What this means is that every book shipped by Diamond to a comic book store counts exactly the same on their list as every book actually sold by a bookscan-reporting store. It means that, on the week that comic-store-favourite graphic novels get released, their positions on the bestseller list will be abornomally high… but they will most likely never be heard from again. Unless their reorder velocity in a given week is incredibly high… maybe if that item was put on a sale or something?

So how did we end up with Dark Tower: Gunslinger Born on the list? That’s tricky. Marvel is a very litigious company, and has all sorts of warnings about reproducing their private personal information in public. Blah blah blah. So, let’s talk about me instead, because I doubt even Marvel would be able to argue that retailers aren’t allowed to talk about their own businesses. So: There was a time period last month where I ordered Dark Tower: Gunslinger Born and received a higher-than-average discount on that book, and for every copy I ordered, I got another copy of the book for free. I did this, it happened, and I am talking about my actions as a retailer (litigious!). So the week that all of those discounted copies and free copies of Dark Tower that I ordered shipped to me, the book ALSO appeared on The New York Times Graphic Novel Bestseller list. Do you see the correlation there?

I don’t think Marvel tried to game the system with this maneuver; Diamond Comics also reported the first Dark Tower collection as being the top-seller for the month, likely because of this promotion. Apparently according to Diamond, something that sells at a reduced price—even if that reduced price is zero—is still a sale, and when they report data to the NYT? A sale is a sale.

Basically, in the larger bookselling community, the “end customer” is the reader, the consumer, because bookstores can return unsold product to the publisher (or distributor), and so a sale is really only final once it leaves the store. But in the Direct Market of comic book stores, the “end customer” is the retailer–the comic book store owner–because the comic book store owner can’t return the books; the final sale is when the books arrive at the store. Worse than that, comic book store owners are expected to front-load their orders–order heavily up front with no immediate promise of further availability–to secure a better discount from Diamond as a supplier, which further weights the Diamond’s numbers on the day-of-release.

So two largely incongruous sales systems are being merged–pretty badly it looks like–to generate a list that has books with little long-term sales spiking on release and never appearing again, and heavily prone to being thrown entirely out of whack by promotions, sales, discounting, and… hell, just giving stuff away for free! It’s one of the many, many problems of the apples-to-oranges sales systems that we have in comics. And yeah, it’s why The New York Times Graphic Novel Bestseller List is Broken.

– Christopher

LIVEBLOGGING THE PREVIEWS! PART TWO!!!

So that was ridiculous eh? Well we’re only 178 pages through the catalogue, 200+ to go. Let’s just take a second to slam a Red Bull, shall we?

There we go.

8:49pm: Page 178: bahahaha. Now you can own an action figure of sad little Wolverine Teen, trying to figure out what the hell those are coming out of his hands. WOLVERTEEN’S ANGSTY AWAKENING. Is it slash? Is it an action figure? No, it’s a mini-mate, the Go-Bots of miniature figures. Comes in a set with Wolverine in Cowboy Hat, Wolverine from Mark Millar’s dark future, and BWS Wolverine-all-hairy-in-a-metal-diaper. At least it is only $16?

8:50pm: Is making fun of Wizard still funny at this point, or is it cruel? Because I’m up for either. You know, I’m Game. But I just want to make sure I’m being P.C. about all of this.

8:54pm: Oo… Anime Insider. Wait, if I order 10,000 copies of a magazine that I know isn’t coming out, does that still count as maxing out my Diamond Discount?

8:56pm: Dave Sim is mocking superheroes in glamourpuss now. And doing an examination of the arrival of Stan Drake on the photorealism in the early 50s. Is “incongruous” a word he just doesn’t know? Is it a feminine word, and therefore he refused to learn it?

8:59pm: Terry Moore’s ECHO — the sales on that kind of bottomed out on that for us around issue 7, but since then it’s been climbing every month. We’re almost back up to first-issue numbers, which is pretty good.

Also digging this REMAKE book from Adhouse… Sort of like Astro Boy by Rodney Greenblat as a mini-comic. Looking forward to it.

Holy shit, only 2 listings for Slave Labor this month, and they’re reoffers of Nightmares & Fairy Tales.  Luckily there’s a full page ad here with more order codes, but a good reminder that I need to put together an order for those guys.

Oh, the Public Enemy Graphic Novel. You are awesome.

9:04pm: My brother loved the Teenage Mutant Ninja Turtles comic from Archie when he was a kid. I think it’s actually kind of cool that they’re releasing them as a trade. He wasn’t a big comics guy, but he did like 3 or 4 of them if they were around and TMNT was second only to Defiant’s GOOD GUYS. Make of that what you will?

9:06pm: Second FREAKANGELS collection. That one is the best-selling (for us) Ellis collection in years… I wonder what that says about alternate distribution methods eh?

9:09pm: There’s seriously another LEPRECHAUN comic? That’s fucked up.

9:11pm: Holy shit there’s a WARLOCK comic too? My eyes usually just glaze over when I get to Bluewater, I must not have been paying attention for the last few months… It looks like I didn’t order it, which is good. Heh. WARLOCK is the film from my youth that I bring up most often, because I point out to my married, kid-having friends, that if they don’t baptize their child the Warlock will boil the fat off of it and use the fat to make a flying potion. 

If you haven’t seen Warlock, that’s a pretty fucked-up thing to say to someone about their newborn child.

9:19pm: Those Disney Comics from Boom did much, much better than we were expecting. We did a reasonable order on it, and we sold more than half of our Incredibles and all of our Muppet Shows. Cool stuff. I’m going to go bump the orders for the rest of it. That said, I’ve got no idea if any of it is going to kids or not.

9:21pm: Page 226 is the full-page XERIC ad, which includes some neat looking books again. I wanna give props to Box Brown’s Love is a Peculiar Type of Thing which I read and enjoyed, and Pope Hats by Ethan Rilly, which I also read and enjoyed. Box Brown’s book is in the Previews coming out tomorrow, make sure to order one!

9:24pm: Maybe I’m going to hell for this, maybe not, but Alex Ross’ Buck Rogers design actually looks pretty cool. For 25 cents I’ll give BUCK ROGERS #0 a shot.

9:27pm: Also trending upwards? Garth Ennis’ BATTLEFIELDS. Although “The Tankies” sounds a bit ridiculous as a title. I’m sure it’s Very British though.

9:33pm: New Seth book! GEORGE SPROT 1894-1975, all of the stuff that ran in the Times, and much more. Cool.

9:34pm: I am super-into this manga biographyof the Dalai Lama on page 252. I am there, this looks just utterly wonderful. It is published by “Emotional Content”. NICE.

9:35pm: Congratulations! You get your first image of the Previews:

 

Jiro Taniguchi's Distant Neighborhood. Published by Fanfare.
Jiro Taniguchi's Distant Neighborhood. Published by Fanfare.

Buy it!

9:42pm: The Fantagraphics section is like a little Oasis in the middle of the Previews. It’s lovely. New graphic novel from Jason (LOW MOON from The Times), new comics from Linda Medley and Jordan Crane, a new MOME. Good stuff.

Oh and look! It’s the two graphic novels by Toronto Comic Arts Festival Guests Of Honour Emmanuel Guibert and Derek Kirk Kim! Innnnteresting. Guibert’s THE PHOTOGRAPHER and Kim’s THE ETERNAL SMILE are both excellent works, worth putting on your shelf. Don’t miss’em.

9:46pm: Sherrilyn Kenyon’s softcore vamporn for ladies, now in convenient manga format! DARK HUNTERS was all over NYCC this year, kind of making everyone glance askew at the busty belly-shirt wearing cardboard cutouts that dotted the show. Heh.

9:48pm: Oh look, PEDRO & ME got a much-needed new cover! And just in time for the film biography of Pedro Zamora’s life. Good stuff, Henry Holt.

9:50pm: I love Optimus Prime as much as the next 30-something year old, but why is IDW doing a children’s picture book featuring a deptiction of the character that is from my childhood, and not the kids who are watching Transformers today? Makes no sense to me.

Speaking of which, a double page spread of Transformers products followed by a double page spread of GI Joe products is very weird to me. I can’t explain it, it’s just like… yeah. This is my childhood, and it’s weird to see it on the page again.

Actually, ignore everything I just said. The ASTRO BOY Movie Prequel cover is just bizarre looking and a much stranger interpretation of someone’s childhood hero than Transformers or Gi Joe…

 

Astro Boy Movie Prequel: Underground #1
Astro Boy Movie Prequel: Underground #1

Dude.

Also, what’s with the colouring? Did someone just find the airbrush tool?

Man, I know I sound like I’m being a huge asshole to IDW here, and I don’t mean to be–I think they’re actually a really good company. But… Yowza. That is an awful image. I haven’t coloured anything in years and I know I could do better.

9:59pm: Okay, wait, here we go. Same page (266) as AmerAstro Boy up there, is SWORD OF MY MOUTH #1 by Toronto creators Jim Munroe and Shannon Gerard. A great looking book, from two great creators, both of whom live within 10 blocks of the store (I think)… Thanks IDW for putting out cool books like this! And it got a Staff Pick and a Certified Cool too, which is good on Diamond. FROM THE ASHES #1 by Fingerman also looks kinda neat. His kids vs. zombies story, Recess Pieces, was awesome. Hopefully this is as good.

10:04pm: Holy shit there’s a DOCTOR WHO one-shot (THE TIME MACHINATIONS) by Paul Grist? I wish I cared about Doctor Who in the slightest! But man, do we have a lot of Paul Grist fans at the store!

OH MY GOD IT’S 10:04 AND THIS SHIT IS DUE IN 2 HOURS.

10:07pm: I’m pretty happy to see a second volume of WONTON SOUP come out. Oni Launched a bunch of really awesome series-oriented graphic novels 2 years ago this summer, and this is the first one that’s managed a second volume. It was a tasty read, and I’m looking forward to another serving…

(pun, edited)

10:10pm: Huh, new Mazzuccelli graphic novel. I honestly thought we’d never see one. If anyone from Pantheon/Random House Canada is reading, I wouldn’t turn down an advance copy. JUST SAYING.

10:12pm: Two pages for Tokyopop eh? How the might have fallen. Still, this is probably their strongest solicit month in a long time… TAKERU OPERAN SUSANOH SWORD OF THE DEVIL has a pretty cool looking cover, I’d read that. And they’re finally bringing GRAVITATION back into print in omnibus volumes, so that’s kinda cool. Still: Sigh.\

10:14pm: Every one of Top Shelf’s books looks awesome in its own way. I invite you to check them all out.

10:15pm: I am seriously running out of time here, shit, but this is the month that UDON launches their line of kids manga. I’ve gotten to read all of this stuff too, it’s actually really solid and fun, and totally appropriate for kids 6-12. I know there’ve been some reviews that have popped up already, check them out if you’re in the market for comics for kids.

OH MAN, the first two books in the Viz section are CHILDREN OF THE SEA VOL 1 by Daisuke Igarashi, whose work I’ve been wanting to read in English forever, and NAOKI URASAWA’S 20TH CENTURY BOYS VOL 3, and the first volume of that kicked ass. Yes! Good comics! To get me through the end of the section…!

10:19pm: DETROIT METAL CITY

mm08_dmc20manga20cover

Come on, how can you NOT want to read that, it’s ridiculous.

Okay, that’s where I’m going to stop because if I don’t I’m not going to get this done before 11:59pm, and me ordering the books from the Previews is far more important than talking about ordering the books from the Previews.

Anyway, thanks for everyone who read along and enjoyed this! Maybe I’ll do it next month OH WAIT THAT WILL BE 10 DAYS BEFORE TCAF AND I WILL BE INSANE, PERHAPS NOT.

Love,

– Christopher

LIVEBLOGGING THE PREVIEWS CATALOGUE!!!

Have you always wanted to know what it was like to be a comics retailer on the day that the PREVIEWS catalogue is due and it’s 2:47pm and you haven’t even looked inside yet? NOW YOU CAN. In a… surprising… experiment for this website, I’m going to liveblog my reactions to the March 2009 PREVIEWS catalogue (for comics and graphic novels and stuff scheduled to ship starting in May, 2009). It’s due today at Midnight and I foolishly called a TCAF meeting for 5:30pm today! Let’s see what happens!

2:48pm: SPAWN. Talk about your auspicious debuts! At least it’s not a toy? Anyway, apparently SPAWN: Architects of Fear is the long-awaited sequel to SPAWN: SIMONY. I have not heard of this. Auspicious debut.

2:50pm: I dunno if it’s just me, but I can’t remember the last time I read one of the articles in the front of PREVIEWS.

2:51pm: Exception to the rule: I really like seeing my Free Comic Book Day book in the little spread of FCBD books.

2:52pm: DARK HORSE! PIXU looks great, man. I was totally surprised to hear that DH picked up this one, but happy to hear it. It’s already a great couple of comics, it’s going to be an outstanding book. New issue of Buffy, which is our highest-ordered floppy comic of any given month, I think. BUFFY: Holy shit, it sells a lot. Still.

2:56pm: Almost didn’t realize that new Lobster Johnston book was a novel, and not just a comic with a pulp novel-styled cover. Crisis averted.

2:58pm: I’m not sure that anyone still cares about ALIENS comic books, but I’ll give the first issue a shot.

3:00pm: That BEANWORLD hc sold fantastically well for us, we actually sold out in under a month for what I thought was a generous order. Cool stuff. And look at that, a new version of CAGES on the opposite page. I hope the binding on this one is a bit better than the last HC edition. I loved that last edition (it’s the one I’ve got) but man, you hold that thing the wrong way for a few minutes and the binding just cracks.

3:02pm: So far, the recession hasn’t hurt the sales of prestige-edition books, but I guess we’re going to test that with this MARTHA WASHINGTON hard cover. Pardon me for being a jerk, but maybe this is the kind of thing that would’ve sold REALLY WELL during all that Watchmen hoopla? You know, the dude who did the book that WATCHMEN was based on, and the dude who did the book that the director of WATCHMEN directed before this one? No? Anyone?

3:09pm: New Usagi trade is always nice. Not really sure what to make of these Neil Gaiman Presents novels… We’re cutting back on prose here at the store, but Gaiman tends to have a real following that would likely extend to his favourite prose. We’ll give it a go. Also? VAMPIRE DANCE: As high-concepts go, vampires vs. neo-nazis isn’t bad at all.

3:13pm: Whoo, new Blade of the Immortal!

3:22pm: Digging into the stand-alone-for-this-month DC catalogue. If I can editorialize for a moment, I think we all know that comics, hell all literature, is not “essential”. Food, water, shelter, love. Essential. Comic books? Not so much. But within the context of comics, or more approrpiately superhero comics, certain books can seem “essential”. Like being a Spider-Man fan, and needing to pick up New Avengers to see all of the surprising developments with the character that happened there, that sort of thing. Using that scale, I can successfully say that FINAL CRISIS AFTERMATH: RUN #1, where we find out what happened to “The Human Flame” after Final Crisis,  is about as essential has stepping on a rusty nail. Awful.

3:29pm: I’m with Spurge, why the hell does Mark Waid on Batman need to be a one-shot? There are like 5 regular Batman books, you couldn’t slot a Mark Wait two-parter in there anywhere? (Batman in Barcelona: Dragon’s Knight #1)

3:32pm: Props to DC for bringing Supergirl back into the mainstream continuity of the Superman books., our sales are close to double what they were before the New Krypton stuff.

3:33pm: Not being a dick here, but I could swear that Booster Gold was cancelled. But no, here it is with a Keith Giffen fill-in issue. HUH.

3:37pm: Does the dude who lays out DC’s section of the Previews just hate alphabetizing things? 

Green Arrow & Black Canary #20
The Flash Rebirth #2
Jonah Hex #43
Mighty #4
Green Lantern Corps #36

What the fuck man?

3:40pm: Because I ordered more of THE LAST DAYS OF ANIMAL MAN than POWER GIRL, am I: a) sexist, b) sexist and a prime example of the sexism in comics, or c) counting on DC to keep one of these first issues in print should I need more, but not the other? Phrase your answer in the form of a bitter polemic.

3:45pm: Comic that I am fucking shocked is selling as well as it is: R.E.B.E.L.S. I had to reorder! Both issues! Apparently it’s really, really good. Good for you, creative team!

3:49pm: I think assuming that Andy Kubert will get the second half of that Neil Gaiman story done by July, in time for this hardcover edition, is wishful thinking. I kind of feel like the whole Andy-Kubert-exclusive-at-DC thing was Joe Quesada playing a practical joke on DC. What did he do, 150 pages of comics total in 2 years? Totally fucked the schedule on Morrison’s Batman and gave us Tony Daniel? TONY DANIEL!? Well-played, Mr. Quesada.

3:52pm: Kind of annoyed that DC opted to reprint the existing Hitman collections, and not just go for omnibus editions. 

3:54pm: I actually like the look of the DC kids stuff, though it’s odd to see STORMWATCH PHD and CARTOON NETWORK BLOCK PARTY on facing pages. Speaking of Stormwatch PHD, I remember Leandro Fernandez absolutely Kicking Ass on Queen & Country back in the day, but that art excerpt from Stormwatch looks awful. Is that actually his stuff? What happened there? Yikes.

4:04pm: Yeah, see, there we go! SLEEPER SEASON ONE! Take Sleeper vol 1 & 2, put it in one book, and knock $5 off of the total price. Good call DC Collections dept!

4:07pm: Holy shit there is a comic called KILLAPALOOZA. Trevor Hairsine too. Nice.

4:09pm: I am happy with myself that I had no reaction to the STARCRAFT comic book. Looks like I finally kicked that particular addiction.

4:12pm: Alright THE UNWRITTEN by Mike Carey, I shall give you the benefit of the doubt and order a bunch of your first issue priced at only a dollar. But I would double that number again if Yoko Shimizu did the interior art as well. JUST SAYING.

4:13pm: Hah. ABSOLUTE DEATH HC. I just gotta say, it shouldn’t take Neil Gaiman being pissy on his blog for DC’s Collections department to pull their heads out and keep to a consistant format for their prestige releases.  Particularly for Gaiman’s work. That said, speaking as a retailer who has sold a lot of $99 slipcase’d books, I am really happy that Gaiman got pissy at DC on his blog, because hey, another $99 slipcase’d book!

4:21pm: Man, Jeff Lemire’s artwork (THE NOBODY HC) really looks like it’s just slapping the Vertigo house-style across the face, doesn’t it? Like just having it’s way with it. Heh.

4:23pm: Are you fucking kidding me? The prop replica of all of the Green Lantern rings (all the different coloured rings from the new prism of lanterns)? RINGS ARE REMOVABLE BUT ARE PROP REPLICAS ONLY AND ARE NOT MEANT TO BE WORN. $250. Sorry to get all ‘internet’ on you here, but EPIC. FAIL.

…and that’s DC done. Way to go out on a low-note.

4:27pm: Image! OLYMPUS looks kind of neat actually. Interesting art, not sure if it’s pretty enough for comics fans, but it is nice-looking. I’ll give it a go. Spawn. Youngblood. More Liefeld. New Tennapel graphic novel, I wonder how he’s going to turn THIS one into a paean to the healing power of Christ?

4:31pm: Sure, why not steal the Marvel Digest design for your G-MAN trade paperback. Marvel stole it from Tokyopop in the first place…

4:32pm: If Kyle Baker is reading this, Kyle? Why is there a trade paperback collection of issues #1-4 of SPECIAL FORCES when that series is apparently a six-issue mini series?

4:34pm: There’s seriously a thousand-page Walking Dead book coming out, collecting issues 1-48. Huh.

4:35pm: Huh, Dead@17 is at Image now? Had no idea. Glad to have an omnibus collection though.

4:37pm: Huh, looks like Image is going to keep the first 5 POWERS trades after all, new printing of volume 1.

4:48pm: Got a little distracted there. Big-ups to EVIL AND MALICE SAVE THE WORLD on page 165. I coloured this, back in the day, and it’s a great series for all ages, particularly girls. If you like me or this site, then order one of these and support my friend Jimmie Robinson.

4:50pm: Ah. Marvel. Alright. Apparently “THE WORLD STILL NEEDS THE NEW MUTANTS”. “Disagree.” “Circle gets the square!”

4:52pm: Doesn’t the HALO UPRISING HC presuppose that the fourth issue will ever, ever come out?

No Idea what “RIFTWAR” is, I imagine a popular sci-fi novel series. Meh. You know what I’d read though? RIFTS comics. The old Palladium game. That was fun. Who owns the license to that? Is it BOOM? I imagine it would be BOOM. Hey Church, why don’t you pitch Ross on a RIFTS comic?

4:55pm: Heh, Lockjaw and The Pet Avengers. That is actually kind of amazing. Props for Speedball’s tabbycat.

4:56pm: I can’t help but feel like Roy Thomas’ TROJAN WAR #1 isn’t going to be nearly gay enough. All the naked dudes are drawn in shadow (in the middle of the day).

4:58pm: “Spider-Man: The Short Halloween” actually wins funniest title of the month, so far. 

5:00pm: Heh, I think the DARK REIGN YOUNG AVENGERS should have lesbians. Are lesbians the dark reflection of gay dudes? Or is that sexist too? What’s the dark reflection of gay teenagers? Gay teenagers that have killed themselves? Also, wait, the Dark Avengers are bad guys that are pretending to be Avengers. But these are kids pretending to be bad guys but calling themselves Young Avengers. So would that make two of the characters gay guys PRETENDING to be “Ex-Gay”? But aren’t all of the Ex-Gay’s just pretending anyway? Fuck it, too complicated. I’m not ordering this one.

5:12pm: And, done Marvel. It turns out I am not that interested in Marvel. Gotta take a little break, be back in an hour or two to do the back-half of Previews. Actually, I’ll put that in a separate post. Thanks for reading along…!

– Christopher

That Diamond Stuff Is Still Going On

From February 19th:

“Yes, this may be an inconvenience for some retailers out there. But no, don’t hate on Diamond for this. They have a lot of other books from Icarus in stock, including Blue Eyes volume 1 and 3. But if you want to know why those two books are available, while Blue Eyes 2 will not be, well, here’s my best Viz impression:

“You’ll have to talk to Diamond about it.” – Simon Jones, Icarus Comics

Hey Simon, don’t worry. I’m sure that Diamond will delist volume 1 and 3 sooner or later.

– Chris
P.S.: Jesus, sorry man. Keep your chin up.

Final Crisis Hardcover is going to work out after all…

final_crisis_hcHey, kudos to the folks at DC Comics for doing right by the Final Crisis HC. Originally scheduled to contain just FC #1-7 for 25 bucks, it’s now also going to include the absolutely-essential Superman Beyond #1 & #2, as well as Final Crisis: Submit, all by Final Crisis author Grant Morrison, an extra 100+ pages for 30 bucks total. From Newsarama’s coverage of this weekend’s DC Nation panel at Megacon in Florida:

Dan Didio: “…One thing DC realized is that when we collect Final Crisis in hardcover, it will have to include all 7 issues, 2 issues of Superman Beyond, and one issue of Submit. Once the material is all together, and when you read it as a whole, it’s simple. Originally, I wasn’t fully supportive, but for the full and better reading experience, it’s a home run.”

I’m really glad that reason won out, and someone convinced Dan Didio to make a good decision.

From a retail perspective: I just quadruled the number of copies we’ll be ordering of this book. So, you know, good call DC Comics.

– Christopher

Diamond De-lists 1000 Viz Manga

Drifting Classroom 4So lost in the insanity of my last few weeks was the news that Diamond Comics Distributors is de-listing 1018 different products published by Viz, including nearly 1000 different manga volumes. The books will no longer be available through Diamond whatsoever, although these books will still be available through bookstore channels. Here’s the official announcement from Diamond which ran on their website on January 12th 2009, phrased as a “Sale” for comic book store retailers:

VIZ Media has announced a sale on a wide selection of its manga volumes and anime DVDs, whereby retailers can save XX% off the SRP of those items while supplies last.

With more than 1,000 products offered at this discount, retailers that carry manga and anime should find this to be the perfect time to replenish their store’s stock. Among the many popular titles included in the sale are Bleach, Castle in the Sky, Dragonball, Fullmetal Alchemist, Inu Yasha, Mobile Suit Gundam and Naruto.

Click here [link removed] to see a full list of VIZ Media manga and anime titles that are included in this sale.

As mentioned, this sale on these items will run until stock levels for those items are depleted. After that time, they will no longer be available for reorder or back order, so retailers are encouraged to stock up without delay.

The list includes more than 100 different series of manga, including still-running series like Zatch Bell, Whistle, Ultimate Muscle, Prince of Tennis, Inu Yasha Animanga, Hoshin Engi, Crimson Hero, Case Closed, Beyblade, Beet The Vandel Buster, and Bastard, amongst many others.

Perhaps most importantly to readers of this site, this list also includes some of my favourite comics of all time, including Takehiko Inoue’s Vagabond, Osamu Tezuka’s Phoenix, Takao Saito Golgo 13, and Kazuo Umezu’s Drifting Classroom.

No announcement has been made about new volumes of any of these series, leading me to believe that the books will continue to be solicited as normal (I wonder if they’ll make the new cut-off!?) and then be purged periodically as here. 

Here’s where I editorialize: Are You Fucking Kidding Me? I don’t think much else needs to be said. This move is, frankly, unbelievable. I knew about this when writing my post about the Diamond minimums and didn’t really realize it hadn’t been made public yet, it certainly informed my post, specifically my assertion that Diamond Comics Distributors can no longer effectively distribute comics… Unreal.

DISCLAIMER: In deference to my esteemed employer, I would like to point out to all customers of The Beguiling that we have found alternate distribution sources for all Viz products, and will continue to deliver all of the affected books to our various customers as long as they remain in print, and probably for years after. So, at least at our store you’ve got nothing to worry about.

The full list of de-listed manga (and books and DVDs) is visible after the cut, unless you’re reading this on feed, in which case you might want to hit NEXT.

– Christopher

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