My thoughts on DC’s ‘Earth One’

Accepting their official announcement at their blog and the unembargoed interviews at AICN at face value, DC Comics today announced that they will be developing:

  • A new Batman series and a new Superman series both called “Earth One”
  • With a new continuity/no backstory
  • Exclusively in ‘graphic novel’ format of 100+ pages, released twice-yearly starting in 2010.
  • By well-regarded comics creators.

Perhaps the most important factor about this announcement is that there is no mention of the business or publishing intent behind this move. In fact the creators go out of their way, in the interviews at AICN, not to tie this to any business/publishing strategy other than “DC Likes To Try Different Stuff!” The only intent mentioned is a creative one, with both writers mentioning that a lack of ‘continuity’ will allow them to focus on the characters and the story. At DC Comics’ blog, it is specifically mentioned that this move is intended to create a “new continuity”.

In the responses to this article at PW’s The Beat and The Comics Reporter, it is mentioned (many times) that this is one of maybe 3 or 4 “new continuities” developed for these characters within the past 5 years, including the top-selling  All-Star Comics line (developed by Bob Schreck, who was fired by DC with the line being all-but-discontinued).

So that’s about as neutral as I can be, let’s start digging deeper than face-value now:

It’s pretty clear to me that DC is attempting to develop a continuity-light series of graphic novels featuring their core characters, to introduce new readers to their IP, and re-capture the attention of lapsed readers. They’re phrasing the move in terms that their existing, painfully hardcore readership can understand, like “new continuities”, in the hopes that the Direct Market-shopping fans of their IP will still support this new format, to give them a large non-returnable sales-base with which to expand their mass market sales. (As a refresher, book sales through comic stores are “non-returnable”, and 10,000 non returnable sales (my prediction) is a great base from which to set your print-run and distribute the work to the larger market, which can return unsold books for a full refund (and which sticks publishers with lots of unsold books).)

Now assuming that what I’m saying is correct (and this is unproven analysis), the success of this endeavour in the book market is going to come down to education, and as The Beat intimated, a lot of hard work on the part of DC’s book distributor Random House. Long story short, DC has got to educate Random House that these two works, above and beyond the 20+ Batman and Superman comics collections being released every season, are the ones that are going to appeal to the broadest possible base. Then Random House needs to educate booksellers (primarily the buyers for the chain bookstores) that above and beyond the 20+ Batman and Superman comics collections they present every season, these two are the ones that will appeal to the broadest possible base. THEN the chain bookstores need to inform their employees, then those employees need to inform customers, who are going to go to the GN section and see 60-70 other BATMAN and SUPERMAN collections on the shelf. That’s a hell of a lot of work, I’d be amazed if they pulled it off.

I’ve touched on the biggest problem with this endeavour: DC releases a LOT of Superman and Batman collections every season. But it’s more than just the quantity (there are dozens). It’s that the vast majority are continuity-heavy, new-reader-unfriendly, confusingly designed and numbered, and thin. And bad. Talk about market confusion. It sounds like these ones are going to be ‘thin’ as well; in his interview at AICN Superman writer JMS talks about how the first book is “well over 100 pages”. A128 page graphic novel, even in hardcover, has a spine that’s not-quite 2/3 of an inch… they’ll disappear on the shelves. Gary Frank and Shane Davis create artwork for their regular line as well, and their styles aren’t particularly unique or noteworthy; these books will look like everything else DC publishes. Their best bet? Significantly changing the size and design of these books… but with them trying to appeal to their hardcore fanbase, they risk alienating the folks who simply cannot deal with books that don’t line up on a shelf, or fit in a longbox.

Actually, it’s worth noting that for the past year DC has begun to release oversized hardcovers of stand-alone books, all featuring Superman or Batman or related characters. Killing Joke, Whatever Happened To The Man Of Tomorrow?, Red Son. Perhaps that’s a clue.

As I mentioned, this is all speculation and analysis, but looking at the announcement as it stands, it seems like a half-measure at capturing a new audience (at best) with product that’s indistinguishable from their regular releases, or recent initiatives. Possibly worse.  Or, and this would be the worst, perhaps there really is nothing more to this than accepting the announcement at face value. Perhaps this is just about introducing a new continuity of Superman and Batman stories, to sell more Superman and Batman comics. Maybe this move is as deep as a puddle.

I don’t know which answer would be more depressing. Anyway, it’s hard to get too worked up about it though; today’s announcement was fanboy-bait with few details and lots of emotion and hype. Developing, as they say.

– Christopher

December 7: Achewood Week Pt. 2

This is the second Achewood Christmas strip, from December 24th 2002. Ray and Roast Beef have gone on a road-trip to a scuzzy titty bar, and Ray, drunk (and drinking) on a toilet, remembers that it is Christmas Eve and he has not gotten a gift for his best friend. He tries to do so via the gift-options available to him in a strip-club restroom. He passes out on the toilet without flushing. This, unfortunately, becomes a plot-point in following strips.

– Christopher

December 6: Achewood Week Pt. 1

Begun in October 2001, Chris Onstad’s ACHEWOOD quickly became my favourite online comic strip. I was reading this stuff since before the cats. In fact I did not like how cat-centric the strip became, at first, missing the absurdity of “Phillipe is standing on it,” and Teodor dressed up as Archie. That’s how O.G. I am.

But enough preening. I present to you the first Achewood “Christmas” strip, which arrived on the day after Christmas 2001, with a message of anti-cheer. On actual-Christmas, Onstad posted a photo of the roof of his house, the gutter of which had sprung a leak, presumably on Christmas Eve. What I’m saying is that, like all of us, Chris Onstad has a complicated relationship with Christmas that he shares with you through his characters. Join him and them and us, all this week.

– Christopher

December 3, 4, 5: Three Visions of Christmas

212-xmas-covers-harpercollins

My Christmas spirit is now in full-cheer, and so I’m about-ready to dig into these fascinating new graphic novel adaptations of classic Christmas tales, published by the good folks at Harper Collins. While they aren’t actually part of a branded ‘line’ of books, Lilli Carre’s adaptation of Hans Christian Anderson’s The Fir Tree, Joel Priddy’s adaptation of O. Henry’s The Gift of the Magi, and Alex Robinson’s adaptation of L. Frank Baum’s A Kidnapped Santa Claus all share a handsome and complimentary hardcover design, lovely art, and perfect timing for holiday reading.

As I mentioned I haven’t had a chance to read these ones yet… I have bought them and flipped through them though!  I guess I’m just waiting for tonight’s first snowfall, a warm cup of cocoa, and maybe a Christmas special on the TV in the background. If you want to take a peek, I’ve got a gallery of images from the book below, and you can find reviews/discussions of the work at CBR and Rob Clough’s High-Low.

All three books are available now for US$14.99 each.

– Chris

Mega Man Megamix – Liveblog follow-up

megamix_vol1If you followed the second part of Liveblogging the November 2009 Previews you saw mention of the new Mega Man manga being published by UDON. I should point out that I’m friends with the UDON guys so, grain of salt and all that, but I am pretty excited about the new manga, because I like the games and everything I’d heard pointed to this series being a strong adaptation of the original games. Did I ever tell you I made a Mega Man tabletop RPG when I was in grade 7? No? Well you learn something new every day.

All of that said, my friend Derek Haliday is so much more excited about this manga than I am. His appreciation of the character and the upcoming series mentions the Astro Boy-ish origins of the character, amongst other things. Go read it, it’s enthusiastic. 🙂

Related: Udon released a preview of the first volume coming this January/February: http://www.udonentertainment.com/blog/?p=1375

– Chris

December 2nd: Santa and Superman

santa_superman_hahaha

action #105Todays Christmas Comic comes to us from… Geoff Spear and Chip Kidd’s The Golden Age of DC Comics: 365 Days. Released a few years back, it was a meaty slab of beautifully photographed excerpts from Golden Age DCU Cover-art, with each of the images corresponding to a day of the year. This image is from the cover of Action Comics #105 (1947) and corresponded to Christmas Eve. I have to admit that I don’t know who drew the original… perhaps someone in the comments can add to this posting? According to CBDB, the issue features a 14 page Siegel/Shuster story called “The Man Who Hated Christmas”, which was reprinted in the 80s I think, possibly in one of the treasury books. Anyway, it’s not easy to find, that’s for sure (and it doesn’t look like Shuster drew the cover to my eyes…).

I believe this book (the Spear/Kidd) is technically out of print, but it’s certainly not too hard to find at all… Though it’s original price of $40 might have been a bit off-putting, it’s a great discount-bin find just for the fun finds like Superman’s unique way of helping Santa down the chimney.

As for Action Comics #105, the copy pictured would probably set you back a few grand. So maybe settle for the lovely cover-art here. 🙂

– Christopher