Shipping August 1st, 2007

Hi there folks, here are a few of the more interesting comics and graphic novels scheduled to ship to The beguiling Books & Art in Toronto, Canada this week. The full list of books is behind the cut below. Now, these books may not show up at all retailers at the same time, but if you see something here it’s probably at least worth asking your retailer about…

…actually, I haven’t really got the time this week. Sorry about that. I did want to point out that the second issue of Jordan Crane’s UPTIGHT (MAY073466 UPTIGHT #2 2.50) is shipping tomorrow. He had preview copies at San Diego this weekend and it was quite enjoyable, standing nicely on its own and full of solid comics. If you’ve got $2.50 to spare this week, pick this one up. You won’t regret it.

Full list behind the cut:

Continue reading “Shipping August 1st, 2007”

I’m in a Las Vegas State Of Mind…

SAN DIEGO!

1. I think I might have lost my cell phone… Either that or it’s with my checked luggage. Or Tom Devlin has it. Or it’s gone forever, I’ll let you know.

2. Today was much more productive than yesterday. Yesterday a combination of exhaustion, a summer cold, and drinking too much on Friday kept me away from the show the whole day. I actually have to say, I don’t feel like I missed much, actually.

3. Steven, I did not pick up those comics for you. I think I ordered them from her anyway, I’ll check when we get home.

4. I’m actually in Las Vegas, using their free Wireless Internet. God Bless Las Vegas and their free wireless internet for distracting me from worrying if I lost my cell phone.

5. The big talk Thursday and Friday was BEST SALES FOR CON EVER! Apparently, like me, a great number of people were scared away from Saturday at the show. The annecdotal discussions amongst most publishers/exhibtors I talked to seemed to indicate that Saturday was a slower sales day than Wednesday (now a full-fledged day of the show) or Thursday or Friday. Reasons for this? Well, like I mentioned, FEAR! The Saturday of the show was SOLD OUT IN AT LEAST TWO DIFFERENT WAYS! That’s craziness. If you’re a fan that wants to spend money, are you gonna go on the day when it’s “the busiest”? Probably not. The other annecdotal evidence presented was that the three biggest panels of the con, the HEROES panel and… the other TV/Media ones, were all held in the same space, back-to-back. That pulls more than 5,000 people off of the show floor for three solid hours, and then those people will probably have to eat a meal. Sorta kills your sales momentum.

6. Still, in my rounds today at the show, more-or-less everyone I talked to said that the show was a sales success, and perhaps most importantly, everyone FELT really good. High spirits abounded in the small-press/indy-island, in the various comics publisher booths, and even in artist alley. Honestly and truly, I heard not even one negative feeling about the show as a whole.

7. In the San Diego Airport, Terminal 2, at La Salsa, an employee was screaming at the top of her lungs in the back room for better than 20 minutes. Screaming and crying about… something. In Spanish. She was a mess, to the point where security was called. It was really, really disconcerting. This is why I like McDonalds. At McDonalds, if an employee starts screaming and crying and freaking out? They just take’m out back and ‘solve’ them with a big long bolt to the skull, they same way they ‘solve’ the cows. It’s very efficient.

8. …which isn’t to say that everything was coming up roses. There are still huge logistical problems with the convention. The Thursday-morning check-in was apparently a free-for-all of thrown elbows and naughty words. I can’t believe those guys haven’t built a foot-traffic bridge over the train tracks. The convention centre is too small for the event. The city feels a little small for the event, now. The pretzels made me thirsty. Etc. But 100,000+ people all in one place and no one dies? V for Victory!

9. Apparently, heh, the scuttlebut is that large-scale exhibitors are being asked very nicely to scale back for 2008. Apparently booth sprawl has gotten out of hand, and in order to accomodate more attractions, exhibitors (and we’re talking the people getting more than 20×20′ spaces here) are being asked to plan for a more compact outing next time. I… can’t see this happening. Have you seen the exhibit hall? It’s all about who’s got the biggest dick (to use metaphor for a moment) and Hasbro won this year with their sprawling multi-media complex. Do you think Hasbro is seriously going to say “Oh, our biggest promotional opportunity of the year? Yeah, sure, let’s just leave Star Wars out next time. That’ll do it.” Not happening. I can’t wait to see if the Comic-Con organisers just decide that exhibitors are getting less space.

10. Chris Pitzer told me that he and Adhouse books were just… done… with San Diego. He said he was 40 and tired of sweating and lugging around boxes. This is a guy who had three outstanding debut books that all sold really well, and looked great. The show is going to be poorer for his absence, but as I’m in the midst of lugging a ton of heavy shit home with me myself, I totally understand where he’s coming from. With Mocca, APE, SPX, oh and TCAF, all much more focussed shows less interested in the established comics fan, I can see a number of legitimate art-comics publishers starting to pull back their appearances in the next couple of years… Of course… any publisher that’s trying to play the Hollywood Properties Game isn’t going anywhere.

11. Carla Speed McNeil brought up an interesting point at the end of the show–What’s going to happen to the Cold Cut sponsored Indy Island next year? This is the first year I can remember where Cold Cut was sponsoring the space and providing some sales assistance, it looked like, but they weren’t actually selling any of their own stock. With their future currently undecided, and with the rumoured… disappearance… of Artist’s Alley next year, the landscape of the show could be considerably different next year.

12. Oh yeah, I heard several people saying that there won’t be an Artist Alley next year. No official corroboration though. Tom? Dirk? Heidi?

13. Speaking of which, I didn’t see Tom or Heidi.

14. I did see a lot of hot guys though.

15. Heh.

16. Now, here is some special guest blogging from Peter Birkemoe, my boss and the owner of The Beguiling, while I go to the washroom. Take it away, Peter:

Now that I have hit the ten show milestone, I too am ready to stop coming to comicon.  How does Chris convince me to come back each year?  He reminds me how happy the artists we represent [for original art sales] are when they get cheques in the months after comicon.  We sold almost no art Thursday or Friday, and it looked as if he would not be able to convince me for 2008.  Saturday, however, Paul Pope laid some trully amazing pieces on us, something for most budgets too, and we were visited by one of our best regular customers (She not only likes the artists we do, and have chosen to represent, but she always picks the pieces that I am thinking about keeping for myself, thus making me money and saving me money at the same time, gotta love her!) 

After this, I was able to be much more enthusiastic about the show, and throw more energy into upselling those people who came to the D&Q booth [our wonderful hosts] and tried to get away with buying only one book.  Jamie, Rebecca and Tom weren’t able to sell down to a bare table this year, but they did a pretty fantastic job. 

Being able to be behind their booth makes all the difference at the show for me.  Even though I’m still on my feet all day, that sense of personal space, however illusory, not to mention a place to put down the stuff we are buying for the shop,  preserves my sanity.  I can’t imagine navigating those aisles all day.

The weather in San Diego is beautiful, but the convention centre, particularly before it opens and is filled with radiant nerd joules, is like a meat-locker.  This does however,  let you keep yoghurt in the booth for the weekend without any risk of spoilage. 

The costumes are always good for a cheap shot at fandom, but I’ve never brought a camera.  This year, the saddest thing I witnessed, was the middle-aged tank girl — somehow even if it wan’t as disturbing any of the age/body inappropriate wonderwoman/harley-quinn costumes, it feels, that if I had any ‘punk’ in me, I would be crushed.

17. Peter asked me what the saddest costume I saw was, and I was gonna say those dudes Cosplaying as their online video game characters (they just seemed so lonely) but actually? I didn’t really see a lot of costumes this year, so I had no complaints. It takes something truly heinous to really shake me now, having done so many shows, and luckily I didn’t see anything that bad this year. LUCKILY. I’m sure middle-aged Tank Girl would have upset me too.

They’re calling our flight now, so I’m gonna have to say goodbye to their lovely, lovely free internet. I’ll blog next time I can form a coherent sentence.

Best,

– Christopher

 

San Diego Update 1: Photos!

chris-selfpic.jpgIt’s… so… bright! San Diego is brighter than Toronto… I don’t know what these people do with all of this sun. Anyway, my schedule at the show is considerably less busy than Heidi’s and Tom’s, apparently, as I’ve run into neither of them but I hear stories about both. I’ve been busy enough that I haven’t posted (sorry) but I’ve been doing interviews and stuff, and that’ll mean actual content in the next little while.

The show is… interesting this year. Almost everyone I talk to is having a fantastic time (despite the size of the show) and sales across the board seem to be up-up-up! It’s a very positive experience. I mean, it’s a positive experience punctuated with a lot of shit-talking about the industry, but I’m glad people seem to be having a good time. The Oni party last night was a blast, and I totally behaved myself around all of the famous people. Seth Rogan is adorable. Anyway, it’s all good. I even met a nice guy from Wizard and we chatted a bit: It’s the convention of brotherly love.

Anyway, I’m gonna cut this short as I’m very late for the show today (stupid open bar, stupid Chris) and just hit you with a bunch of photos from the show floor. Enjoy!

– Chris

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Miriam Katin, author of WE ARE ON OUR OWN signing at the D&Q booth.

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Bryan Talbot, author of ALICE IN SUNDERLAND and the new NAKED ARTIST at the NBM booth.

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Artist Chad Michael Ward at the NBM booth.

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I made Alvin Buenaventura pose, and then he made this face and now I feel bad about it. But doesn’t it make a great photo? Shown: COMIC ART MAGAZINE, KRAMERS ERGOT 6, a nifty print.

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Those new BLUE MONDAY covers are nice, aren’t they? At the Oni Press booth.

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This dude was rapping about tabletop gaming. I’m not sure how I feel about that.

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Webcomics… in print! The Dumbrella guys.

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Ryu works the Udon Comics booth. Udon was having a great weekend, selling out of their brand-new UDON’S ART OF CAPCOM very early in the show.

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Peter Birkemoe from The Beguiling and Tom Devlin from Drawn & Quarterly talking about one of D+Q’s 2008 releases that I’m not allowed to discuss, but it’s pretty awesome, manga-fans!

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Guy Delisle, signing his SHENZHEN and PYONGYANG at the Drawn and Quarterly booth.

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Josh Simmons (left) and Jordan Crane (right) talking about how disturbing Robin Bougie’s comics are at the Fantagraphics booth. Simmons’ HOUSE and Crane’s CLOUDS ABOVE are both very different, but enjoyable graphic novels.

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It’s POKETO! Makers of my last two kick-ass wallets. The new line are super-damage proof and awesome. Poketo also just released a series of designer artist plates, that I covet:

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This is a really great artist who I met in artist’s alley who goes by the name PCP. He was recently feature on the cover of Giant Robot, and he has some gorgeous prints and a really amazing interactive music project. Check him out: http://www.hypehopewonderland.com/top_e.html

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Mark Askwith of the SPACE channel in Canada, and colourist Jose Villarrubia at the CBLDF party.

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It’s a WHOLE BUNCH of Oni Boys. From Left to Right: Randy Jarrell (Editor), Antony Johnston (WASTELAND), Ian Shaughnessy (SHENNANIGANS), James Vining (FIRST IN SPACE), Scott Chantler (NORTHWEST PASSAGE) and Ande parks (CAPOTE IN KANSAS).

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Quiznos Cosplay.

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These bags are everywhere.

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The panty-lines really ruin spidey’s costume. Someone get that man a thong.

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Cammy and Chun-Li: Who is the strongest woman in the world?

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Half of the captions that I thought of for this are illegal.

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These dudes were cosplaying their online game characters. That dude on the left has a flatscreen tv coming out of his backpack, showing video footage of these guys killing things.

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It’s Jeff Smith, signing BONE!

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It’s the Comics Bakery! With Dave Roman (ASTRONAUT ELEMENTARY) and Raina Telegemeier (SMILE).

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As impressive as this Deadpool outfit is, the little Deadpool that was clearly visible in his outfit was moreso.

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Ghost Rider, Catwoman, and The Midnighter.

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See ya next time!

5 More Things To Look At In San Diego: 90 Degrees CW

Re: http://jchriscampbell.com/2007/07/23/10-things-to-buy-at-san-diego-comic-con/

cover-5-color02.jpg1. FIVE (5) / Cloonan, Moon, Ba, Grampa, Lolos / Self-Published (Image Comics Booth 2729)

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2. TOKYO IS MY GARDEN / Boilet & Peeters / Fanfare – Ponent-Mon (Davis Marketting Booth 719)
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3. MULTIPLE WARHEDZ / Brandon Graham / Oni Press (Booth 1834)

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4. AMERICA: GOD, GOLD, and GOLEMS / James Sturm / Drawn + Quarterly (Booth 1529)

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5. THB: COMICS FROM MARS / Paul Pope / AdHouse Comics (Booth 2104)

Three of these books will be in stores soon. THB and FIVE are limited to 2000 copies, debuting at San Diego. All of them are worth a look.

– Chris

San Diego California

Man, Joel Plaskett’s NOWHERE WITH YOU is fantastic, isn’t it? I mean, this isn’t a new development, but, damn, It’s perfect blogging music. Heh. Maybe that explains my blog more than anything?

I’m going to be in San Diego for the big show this week. I don’t think I ever actually mentioned that? At least I was talking to a few people today who were kind of surprised that I would be there. Hey, between you and me, I wasn’t legal to fly into the country until this morning at 10am when I picked up my passport for the first time. But I’ll be there, and I’m looking forward to it. I’ll have those two postcards I previewed a few posts back, and will be dispersing them amongst TCAF attendees and they’ll be dispersing them from there… Other than that, no plans except for meetings, schmoozing, and putting in a few hours on the day job selling original art for The Beguiling. Oo, speaking of which, I’m gonna run some PR at the end of this message. Apologies. 🙂

So, I wanted to include at least a little bit of content in this post, so I’ve come up with my Top 5 Favourite Memories of the San Diego Comic Con.

1. Being recognized from the blog. I was working for Drawn & Quarterly for a year or two at shows, before Peggy Burns and Tom Devlin and co. made me obsolete, and if you ever get a chance to work behind a booth at San Diego I recommend it. Being able to put at least 10 feet between you and every other human in the building? Not to be underestimated. Anyway, my badge said “Chris Butcher, Drawn & Quarterly” which I thought was anonymous enough (I still kept getting mistaken for Chris Oliveros though… yikes!) and I was helping a customer when they sort of did a double-take at my badge and said “Hey, do you do that blog? I love that blog!” and it was the first time a stranger had ever recognized my name. I was totally flustered (which probably doesn’t fit your mental image of me) but it was really gratifying to know that real people read what I wrote, and enjoyed it.. It only took 90,000 people for one of them to recognize me :).

Chris, Elin, and Aman2. Going “Retro” Dancing on a Saturday night before Retro was cool. The second time I went to San Diego, Chynna Clugston of Blue Monday fame had a dance party on Saturday night… in REAL San Diego. Not the San Diego where the convention centre is–the tourist area. But you know, up… North. Where people actually live. So me and Elin Winkler from Radio Comix, and maybe a friend of hers? We all piled into a taxi and went $19.00 away from the convention centre to… fuck, I have no idea. At any rate, it was a great little club, the drinks were cheap, and the music was awesome. I think Chynna regularly leads excursions on Saturdays, so if you’re cool enough, see if you can grab an invite.

3. Big Gay Dinner: The First. My friends Scott Robins, Aman Chaudhary, and myself all ended up having a sort of strange sushi dinner in San Diego, and we decided we’d make it an annual event. Being the social convenor that he is, Aman took the reigns and thus, The Big Gay Dinner is born. An off-the-record chance for gay comics fans and professionals to mix in a swanky, fabulous restaurant and lounge, the party’s a lot bigger now than I imagined it would be, but it’s always a great time. That very first one, who would have thought mediocre buffet sushi would have turned into one of the best…and most exclusive… parties in town? Always my fav event of the weekend. Drop me a line if you want an invite.

4. BUTCHERRRRRRR!!!!!: So I was a big loudmouth on The Warren Ellis Forum back in the day, and my first few Comic-Cons were spent attending WEF meet-ups and hanging with friends I’d met there. Sadly, as I got busier in the comics industry (either working for D&Q or doing Beguiling stuff or just mixing social circles) I was spending less time with truly awesome folks like Dan Evans, Charlie Chu, Han, Jason, Travis, Sam Humphries, the DeFractions, and… well, people. I felt bad, but I had like a billion different things to do and 5 days isn’t really long enough. I guess… I guess Dan felt particularly slighted, because one night a few years back, Dan sees me–big guy, red hair, freckles–walking down the street a block ahead of him. And so he calls out to me. BUTCHERRRRRRRRRRRRRRR!!! No Response. Now, I don’t know for a fact that Dan had had anything to drink that night. But he was particularly determined. BUTCHERRRRRRR!!!! only louder this time. Still no response. Did I mention that this person was not me? So Dan, thinking this is me, maybe ignoring/avoiding him? Just starts screaming BUTCHER!!!! louder and louder and following this guy. Him and a few other people. So it turns out, later in the evening, I DO catch up with Dan and those guys at a party on some hotel lawn. And Dan’s like THERE YOU ARE I WAS CALLING FOR YOU. I’m like “dude, what? No, I was off at a party [or something].” And he’s like, “No, we saw you walking down the street and now you’re saying that it wasn’t you cuz you’re embarassed.” They tell me about screaming BUTCHERRRRR!!!!!!! at some big red-headed dude. And I asked Dan “Did you notice have blonde hair this year?” because this is the San Diego where I dyed my hair blonde. We’re talking right-out-of-the-bottle. And Dan’s looking at me like… no… wait… and someone else there says something to the effect of “Oh shit, we were screaming BUTCHER!!!! at some random white guy for like 5 blocks.”

Whoever you were, I’m sorry, but at least I got a great story out of it. Dan still won’t admit it wasn’t me.

5. My first. You never forget your first. Scott Grunewald, the former editor of PopImage, booked a whole hotel for a bunch of WEFers. It was more-or-less god awful (I don’t even think it’s there any more), far away from the show, I was flat broke and a zombie for the whole trip due to some weird sleep stuff. I may owe Scottieboy for the room actuallyl. It was probably the best possible introduction to San Diego, the craziness of it all and the uncertainty and the fact that you just have to make do sometimes and relax and enjoy yourself, because I’ve had a great time at the show ever since. Thanks to Scottie for getting me there in the first place, lo those many years ago (2001- I even just found Han’s photoset from the occasion…). I hope your San Diego is as memorable.

– Christopher
P.S.: I also dyed my hair fuschia later that show. Thanks to Elin for the hair dye, and to everyone else for at least laughing behind my back.

P.P.S.: The worst time I had in San Diego was when James didn’t get me into the Dead Dog Party that all of my friends were at, and I was sad. To get back at him, I’ve never stayed over in San Diego on Sunday night since, thereby ensuring he can’t make it up to me. 

(Press release removed due to formatting wierdness.)

THIS WEEK IN COMIC BOOKS

I READ SOME COMIC BOOKS THIS WEEK. HERE IS WHAT I THOUGHT OF THEM.

allflash.jpgAll Flash Comics #1: It’s so… awkward… and self-congratulatory. Ick. I want to say “Hey, Karl Kerschl’s art was the best thing about this” but then I’m sorta-friends with Karl and my opinion is suspect. I dunno. I was reading it and it’s exactly not-bad, not-good in the way that many (most?) superhero comics are these days. The multiple art teams, the overliance on history and continuity, the weird torture of the bad guys… None of it stood out as bad or good, it was just “here is a sequence of events that will keep you reading until next month”. Wow. There’s nothing there for people who aren’t long-time, die-hard fans of the character, and even though I’m somewhere in that sphere I was just… I don’t like this at all. And the cover by Seinkewicz is… distressing.

Batman: Harley & Ivy TPB: This collection of three disparate stories featuring Harley Quinn and Poison Ivy is pretty fun stuff, with some nice art through and through. Has anyone ever looked at the subtext… or even the text… of these stories though? Yikes. It’s exactly “Dudes who are attracted to hawt cartoon characters put them into vaguely pervy situations for their own edification,” which is… every single female hero or villain in comics? It’s fun, just don’t read too deeply into… any… of it. Like the women-in-prison-flight ‘homage’ at the beginning of the second chapter of the titular mini-series, where the butch lesbian prison guards get rough with our two hot antiheroines. Actually, that whole last mini-series feels like Paul Dini letting loose after too many years dealing with cartoon censors and Hollywood… It’s interesting, and like I said, fun… if you don’t think too hard about it. Mmmm… probably not for kids.

bigplans1.jpgBig Plans #1: This is a Xeric-grant winning comic that we got in because we more-or-less support every Xeric Comic. It’s a mini-comic though, which is kind of weird, because I’d always assumed that the Xeric thing was to help you do something a little more professional than something that looks like it came off of the Xerox machine. The comics themselves are interesting, each page a six-panel staccato with lots of white-space elevating stories of the mundane into the… what’s less than profound but still pretty interesting? Well-observed, anyway, particularly the terrorism story. If I picked this up at MoCCA for $2, I’d be pretty happy. For it to be solicited through Diamond at $5, I’m less happy. There’s just not enough to it to justify the price tag, and I can’t help thinking that the author’s chosen format won’t really help him get noticed, let alone further develop his career. Maybe I’m wrong, maybe there’s a whole industry for stapled 5.5″x4.25″ comics that I’m unaware of. That are also available at http://www.aronnelssteinke.com/ entirely for free. But yeah, this is one where the format disappointed me much more than I enjoyed the actual content.

Captain America #28: This one felt a bit like a place-holder issue, particularly after the starling revelations and non-stop action of last issue. It’ll read better in the trade. Aside from the bad guys showing you they’re bad by killing a lot of people, and Sharon Carter awkwardly dancing around a few questions… yeah. Brubaker’s setting up the pieces in this issue, which didn’t really grab me the way that the rest of the arc has. Even though it came out a few weeks ago I finally read the newest issue of CRIMINAL, which was similar (setting up the pieces, pulling together the plot, showing what a bad ass you are) and it worked far, far better.

Comics Journal #284: I’ve only skimmed this so far, but man, do I not care about Roger Landridge at all. There’s just nothing there that I find interesting. Anyway, somehow I got sucked into reading Tom Crippen’s piece on the fanboy inside all of us and that was just brutal. Like, massively depressive, mostly because you could insert “There but for the grace of God, go I” after every paragraph. I haven’t seen any online reaction to this column yet–maybe The Journal has stopped being relevant for that sort of thing, I don’t see them stirring up much controversy lately unless it’s fucking with Harlan Ellison–but I’d be curious what anyone else thought. But yeah, I’ve not read much of the rest of it yet. The Gene Yang interview is on my list though.

Don’t Say Anymore Darling: This is a new collection of old short stories from Fumi Yoshinaga, the author of Antique Bakery. It’s mostly yaoi-centric (though there is at least one entirely straight short-story about a marriage that fails due to… well… the crazy, I think) and fans of Yoshinaga’s gentle, humanistic storytelling will probably love this as much as they love everything else she does. Mmm… me included. Granted, I read this while sick in bed with a head-cold so my retention isn’t entirely there, but the stories are all strong little shorts, usually with a nice shock right at the ending to cast the whole thing in a new light just as you end the chapter. I hope the existance of these interesting, sort of random works means that Ms. Yoshinaga is fabulously wealthy and gets to do whatever she wants with manga; I’ll happily keep reading.

Flight Volume 4Flight Volume 4 GN: Reviewing this is basically impossible since 1/3 of the contributors at any given time are friends of mine, but here goes: Another strong entry in the Flight series. More gorgeous art, more lyrical short stories, definitely worth the cover price. The stand-outs are, once again, Clio Chang (this time with a meta-commentary take on the nature of fables) and Kazu Kibuishi (his story featuring duty and tradition butting heads with desire). It’s a handsomely designed and thoughtfully edited collection, each story sticking around just long enough to be enjoyable, and occasionally leaving you wanting more. I’d have hoped though, 5 years in, to see more of the contributors to the book making more of a name for themselves in the industry outside of the anthology. It still seems like a lot of the breakthrough work is in the pipeline, and as nice as 8-24 pages of work is from many of these creators, I feel like 150 pages of the same is what I really want.

Ghost Rider #13 WWH: I haven’t been “reading” Ghost Rider, so I’m assuming that there’s just someone inexperienced or whatever behind the mantle of the character right now, making the first 2/3 of the book an “inexperienced hero fights Hulk in comedy of errors” routine that was occasionally chuckle-worthy. It all comes down to earth at the end though, when we’re reminded that Iron Man is a bastard, and the Hulk is rightfully seeking Vengence on him, leaving The Ghost Rider to fuck off back out of the crossover. Not bad, I guess? Funny, but hardly essential.

Programme #1: Winner of the “Comic that would most be benefitted by re-reading” award of the week. I think I liked this, all gritty, dirty cold war paranoia mixed with ongoing wars and impotent hulking Americans. I’m not sure though, as scenes rarely last for longer than a page or two, and writer Peter Milligan has had some spectacular misfires as of late. But yeah, despite Jog’s excellent breakdown, I kind of want to figure out what’s going on here for myself, and sadly the cursory reading given to FLASH or GHOST RIDER simply won’t do. At least you’re getting your 3 bucks worth.

Shazam: The Monster Society Of Evil #4: The ham-handed political nature of the story is toned-down just enough to be enjoyable rather than distracting, leading to a fun, over-the-top conclusion. Smith has picked up a few tricks out of contemporary young adult fiction here, making the adults-don’t-believe-kids stuff just annoying enough as to make the kid in me want to jump up-and-down in place going COME ON ALREADY!, which means it’s working. The ending has plenty of heroics, gross moments, a monster-punching or two, and sets the stage for great things to come… which is why what comes next is so depressing. (“Hey kids! That character you just grew to love? HE’S DEAD NOW. Also, his little sister has grown up into a goth cheerleader. Enjoy!”) I’m also wondering about the artificiciality of serialization breaks and their negative effect on the story… but that’s for a bigger discussion down the road.

The Order #1: Sorry Matt. Nothing here grabbed me. And I was actively put-off by the colouring, which couldn’t decide if the lead dude was grey-at-the-temples or not. I’ll read the next issue I guess, but this wasn’t your best stuff and I really, really want Casanova #8 now.

Warren Ellis’ Black Gas 2 #3: I still, honestly, can’t believe that Ellis would let a comic be named after his (presumably) deadly farts. Did no one think about what this would be called? Or maybe they did, and that’s perhaps worse. Ah well. BLEAK! SO FUCKING BLEAK! And, if the gas makes everyone crazy and itching to fuck, how did they all manage to pair off into neat boy/girl pairs? Isn’t that… fortunate? I guess? That the zombies don’t have to have the added stress of having their sexual identities challenged? “Fuck, I just tore the face off that guy but at least I’m shagging the dismembered lower-half of a woman instead of being some faggot zombie!” Ah well. it’s Avatar, you get what you pay for, you just usually get it very late.

World War Hulk #2: Totally enjoyable. Whenever anyone asks me if this is any good (specifically because Avengers Disassembled, House of M, and Civil War weren’t) all I need to say is “Well, Hulk DOES Smash.” I don’t go out of my way to promote this because, quite frankly, I don’t have to. Hulk fucks shit up, which is really all you need from a Hulk comic in the first place and that most stringent of conditions is met? People gladly part with their four dollars. Hulk Smash.

I also ready a bunch of stuff from previous weeks like SILVERFISH (alright), PHONOGRAM (alright I think, not sure about it), and some assorted manga. i guess being sick has it’s up-sides.

– Christopher

Two New TCAF Postcards for San Diego

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Thanks to Evan Dorkin, Sarah Dyer, and Bryan Lee O’Malley.

Oh, and since I’m posting TCAF stuff anyway? Here’s the current guestlist:

Kei Acedera – Atilla Adorjany – Adrian Alphona – Kalman Andrasofszky – Neelam Arora – Adam Aylard – T. Edward Bak – Andy Belanger – Roxanne Bielskis – Caitlin Black – Joe Bluhm – J Bone – Rupert Bottenberg – Vera Brosgol – Chester Brown – Jeffrey Brown – Sam Brown – Brendan Buford – Patrick R. Burger – C.B. Cebulski – Scott Chantler – Shawn Cheng – Brian Chippendale – Bobby Chiu – Svetlana Chmakova – Michael Cho – Jeff Clayton – Becky Cloonan – Joey Comeau – Michael Comeau – Darwyn Cooke – Danielle Corsetto – Nick Craine – James Davidge – Eleanor Davis – Willow Dawson – Arthur Dela Cruz – Evan Dorkin – Sarah Dyer – Sara Edward-Corbett – Matthew Ellis – Suley Fattah – Ray Fawkes – Tim Fish – Brendan Fletcher – Matthew Forsythe – Line Gamache – Shannon Gerard – Marcel Guldemond – Clayton Hanmer – Cheese Hasselberger – Scott Hepburn – Sam Hiti – Emily Holton – Mike Huddleston – Kevin Huizenga – Tom Humberstone – Kathryn Immonen – Stuart Immonen – Azad Injejikian – Damien Jay – James Jean – Tom K. – Karl Kerschl – Jason Kieffer – Eric Kim – Blair Kitchen – Mike Kitchen – Chris Kuzma – Michelle Laframboise – Dave Lapp – Hope Larson – Jeff Lemire – Stef Lenk – Jon Lewis – Melanie Lewis – Gareth Lind – Jason Loo – Steve MacIsaac – John Malloy – Steve Manale – Nick Maandag – Jason Marcy – Peter Maresca – John Martz – Joe Matt – Johane Matte – Billy Mavreas – Alana McCarthy – Sean McCarthy – Tyrone McCarthy – Brian McLachlan – Carla Speed McNeil – John Mejias – Rosemary Mosco – Evan Munday – Dan Nadel – Michael Noonan – Joe Ollman – Bryan O’Malley – Ramon Perez – Lorenz Peter – Rena Piccolo – Paul Pope – Nick Postic – Zen Rankin – MK Reed – Paul Rivoche – Dave Roman – Jim Rugg – Andy Runton – Frank Santoro – Vanessa Satone – Tom Scioli – Lianne Sentar – Seth – Ben Shannon – Marc Siegel – Dave Sim – Josh Simmons – Fiona Smyth – Karen Sneider – Kean Soo – Richard Stevens – Cameron Stewart – James Sturm – Craig Taillefer – Tara Tallan – Jillian Tamaki – Diana Tamblyn – Jamie Tanner – Raina Telgemeier – Jason Thompson – Peter Thompson – Matthew Thurber – J Torres – Gia-Bao Tran – Noel Tuazon – James Turner – Jose Villarubia – George A. Walker – Rob Walton – Drew Weing – Lauren Weinstein – Joey Weiser – Matt Wiegle – Steve Wilson – Zach Worton – David Yoder – Ryan Yount – Chip Zdarsky – Jim Zubkavich.

TCAF: AWESOMEZORZ

– Christopher

NotComics: cro2@212.net

Sorry for the interruption, but this is just an FYI that it looks like my old cro2@212.net e-mail address is over and done with. I had that address for like 10 years, and I’m sad to see it go. I mean, if you want to find me it’s not like it’s hard or anything, but still. Sad days.

(All the other ones still work.)

– Chris

Comics Journalism with The Simpsons.

vuitton.jpgJoe Sacco better watch his back, because Matt Groening and The Simpsons are entering the comics-journalism race. Their beat? Fashion.  In the August issue of Harper’s Bazzar magazine, Simpsons illustrator Julius Preite creates a fabulous 8-page spread that follows the new first family to Paris with former model Linda Evangelista for Paris Fashion Week.

The feature is dripping with fashionistas including Donatella Versace (who I only think of as a character played by Molly Shannon actually…) Karl Lagerfeld, Jean Paul Gaultier, Marc Jacobs, and many more, all caricatured Simpsons-style.

Sure, it’s all just (incredibly clever) promotion for this summer’s The Simpsons Movie, but original content like Homer Simpson making fun of the (relatively) newly-skinny Karl Lagerfeld is the kind of advertorial content that I can get behind.

This isn’t the first time that comics and fashion have mixed, with the fashion industry having a historical relationship with illustration and the comics medium. Quite a while ago, Maurice Vellekoop did reportage from Paris Fashion Week in comics format, appearing in Time Magazine. Just recently Toronto’s own Kagan MacLeod covered Toronto Fashion Week for The National Post through comics and illustration, alongside more traditional reportage.

While I enjoy the Vuitton illo to the right, you’ve got to Gaultier with Maggie in his purse like some sort of miniature dog. Apparently chihuahua’s are so last season. This year: Babies. You can check out the entire feature at The Fashionista Blog.

– Christopher
Thanks to Nathalie for the heads-up.