Liveblogging The Feb 2010 Previews – Part 1

I am a comic book retailer in Toronto, Canada. I do lots of my ordering from Diamond Comics Distributors’ PREVIEWS catalogue, which solicits products coming 2 months (or more) down the road. This month’s order, the February catalogue for items beginning to ship in April, is due in a little more than 24 hours. I have not yet cracked the spine of the catalogue, despite my orders being due. Join me now for my rushed, off-the-cuff reactions to what the comics industry has to offer this April.

6:55pm: The Covers this month are… well the Iron Man one is nice, the Brightest Day one is meh, but at least they’re both tied to salable product. And have no doubt, both of those products will sell well.

It is nice when the ordering catalogue I order my comics from is interested in helping me sell comics…

7:01pm: Man, I’m not even going to pretend to read those front pages of the previews catalogue this month. I can’t deal. I will just jump right into Page 25: Dark Horse!

Page 26 actually. We got an original series from DH called “HELLCYON” which is… a dude in an orange Kaneda-from-Akira jumpsuit on a bitchin motorcycle that ALSO turns into a robot. Looks like a sort of “sum of its parts” thing for people that are livid that there isn’t a volume 7 of Akira. I am not against this, but it doesn’t look like it’s bringing a lot to the party.

Meanwhile, Page 33 sees a resolicit for THE END LEAGUE VOLUME 2, which now collects the entire last half of the series. I have no idea if this series ended well, or if it even ends rather than just… stops… due to lack of sales? Ihope it’s a good conclusion, I really liked the first half.

7:09pm: Still on DH, page 35: 600 page omnibus featuring ALL of Frank Miller and Dave Gibbons’ MARTHA WASHINGTON? For $30? Sounds like a plan. THE LIFE TIMES OF MARTHA WASHINGTON IN THE TWENTY-FIRST CENTURY drops June 30th.

Hahaha… oh shit, I totally just laughed out loud. Apparently on page 36 they are, in fact, re-soliciting Jim Steranko’s RED TIDE, which may have been solicited during the very first month I worked as a comics retailer…. in like 1997 or something? Hey, I hope it comes out, don’t get me wrong, but I’m not holding my breath.

7:19pm: Page 44 has a brand new HELLBOY collection! VOL 10: THE CROOKEDMAN AND OTHERS collects the Mignola/Corben mini-series, and a couple of short stories and one shots not previously collected. All for $18, June 23rd.

7:21pm: Flipping the page reveals one of my favourite books of the month…! BEASTS OF BURDEN HC collects the recent 4-issue mini-series from Evan Dorkin and Jill Thompson, one of my favourite minis of 2009 and a gripping, funny, beautiful adventure story on the whole. It also includes all of the “Dark Horse Book Of…” prequel short stories and maybe some extras. 168 pages for 20 bucks in hardcover, coming June 16th.

Seriously, one of the best books in the catalogue this month! Pick this one up, or at check out the single issues still available from better comic book stores everywhere…

7:27pm: In the category of delightful extravagances comes THE ART OF BLADE OF THE IMMORTAL on page 50, a 160 page hardcover for $29.99. BotI creator Hiroaki Samura is an amazing illustrator as well as being a great comics guy, should be a lovely book…

7:30pm: And now we’re onto the DC COMICS section, page 63. I don’t really have a lot to add about the Brightest Day stuff. It’s gonna sell to fans of the material, we’ve got really good tracking on it thanks to 9 or 10 months of BLACKEST NIGHT. I will say that I appreciate DC offering full-returnability (with a small penalty) on the first 6 issues to build up interest, that’s definitely the right way to launch a series like this… and That recentlyannounced white ring dealy isn’t going to hurt either. Ultimately, it looks like a successfully-positioned launch. Good for them. (Likewise, I have little to add about Flash or JLA, though at least they managed to get some cover art for JLA this month…)

7:37pm: Meanwhile, I do think it’s very interesting that they’re putting out BLACKEST NIGHT DIRECTOR’S CUT (page 68), which seems to be a bunch of the trade paperback bonus material in its own book. I actually can’t figure out how much to order, because it seems like all the secret-reveals it promises are gonna end up on the internet within hours of being printed… Still, there are a lot of completists out there. I’ll order low and bump it up if we’ve got a lot of pullfile customers who want it.

On page 69 comes the original Joker graphic novel ARKHAM ASYLUM: MADNESS by Sam Kieth. Given how well Arkham Asylum-anything stuff is selling thanks to the game, and with the JOKER ogn firmly in mind, we’ll be doing a solid initial order on this one.

7:46pm: So the FIRST WAVE stuff. I dug that Batman/Doc Savage crossover from a while back, I thought Phil Noto’s art was a nice fit for Azzarello’s script. It updated the characters but didn’t pull things too far away from what people like about them… But the cover for DOC SAVAGE #1 by JG Jones just looks… Stiff? Old? I dunno. I think about how John Cassaday updated the character in Planetary, and that really worked. This… I’m not feeling it.

That said though, THE SPIRIT #1 with a cover by Ladronn? That looks great, really contemporary but still gritty and energetic, and I absolutely love what Tony Harris did for the variant cover on FIRST WAVE #2. I think paying homage to the pulp past but updating the books is the way to go… I’m just not convinced that Jones’ look suits the new direction. Got my fingers crossed though.

8:02pm: I haven’t forgotten about you guys, there was just a whole-lotta nothing in the middle section there. Well, nothing worth pulling out and noting, I guess.

All of that changes on page 87, with the long, long-awaited COVER RUN: THE DC COMICS ART OF ADAM HUGHES. In work for a very long time I believe, this will collect all of Hughes covers in one place, alongside prep-work, commentary, and more. Should basically sell-itself, so long as the presentation and printing are up to snuff. $40 for 208 pages, page 87, HC.

Also on Page 87 is the Deluxe HC collection BATWOMAN: ELEGY, collecting the first 8 issues of Rucka and Williams’ Detective Comics run. The oversized HC will show off Williams’ art very nicely, and at onl $24.95 for 192 pages it’s actually pretty reasonably priced. I’m not usually one for HCs, but given the size and price-point (and Williams being awesome) I might just pick this one up.

8:10pm: Huh, page 90, it looks like starting with the Willingham run onJustice Society, they’re going to skip the ridiculous premiere HCs and go straight to the trade paperback. Our sagging shelves thank you, DC. JUSTICE SOCIETY: BAD SEED is the first out of the gate.

Meanwhile, on the opposite page [91] comes the oversized HC collection of Grant Morrison & Co’s SEVEN SOLDIERS OF VICTORY VOLUME 1, weighing in at $40 and 400 pages. Collecting the first half of the series. I’ll be picking that one up.

Ooo, and on page 94 it looks like DC are doing a whole new round of WHAT’S NEXT samplers to introduce people to their trade paperback lines. Anything with a media-tie in it looks like. Check out $1 introductory issues of BATMAN & ROBIN, HUMAN TARGET, GREEN LANTERN, THE LOSERS, and EX MACHINA.

8:19pm: Well that certainly took long enough. Now on issue #15, BILLY BATSON AND THE MAGIC OF SHAZAM finally gets a trade paperback collection of the first six issues. 144 pages for $12.99. DC, guys, step it up a little if you can eh?

And while I am speaking to DC’s kids collected editions dept (heh), where are the rest of the themed collections from CARTOON NETWORK ACTION PACK? You guys must’ve done 2 or 3 hundred pages of BEN10 by now. Do you think you could manage a trade paperback collection? Or a new Looney Tunes maybe? It’s a little depressing, given your wealth of material and your vast resources how few kid-oriented collections are coming out. I know the digests didn’t pan out the way that you wanted, but… still…

8:29pm: Apparently it’s THE month for long, long delayed projects! NEIL YOUNG’S GREENDALE HC has been in the works since at least 2007, although the rumours extended back even further. While originally Joe The Barbarian artist Sean Murphy was on board for the book, in between concept and execution the art chores were handed to Cliff Chiang, one of my favourite mainstream comics illustrators. As for the book itself, there’s no previews up online anywhere I could see, but I trust Chiang to deliver a pretty-looking book. I can’t say I’ve enjoyed Dysart’s work, but I’m willing to give it a shot. Either way, it’s going to make a hell of a media splash, particularly here in Canada. We’ll be invested in it. 160 pages of original graphic novel for 20 bucks, drops June 9th.

8:43pm: Page 112, does anyone else think it’s wierd that CODENAME KNOCKOUT VOLUME 1 is getting collected? Did it get optioned somewhere and I missed it? Still, big ups to Robert Rodi for the royalties that’ll get sent his way. 🙂 160 pages, $19.99, ships May 19th.

Stuck Rubber Baby - New HC edition art by Howard Cruise

8:47pm: Wow, very good month for Vertigo…! On page 118 they’ve got SWEET TOOTH v1: OUT OF THE WOODS, collecting the first 5 issues of Jeff Lemire’s new ongoing series for just $10. Same page has Lemire’s original graphic novel THE NOBODY in softcover for $15. I’m just going to insert a little plug here, and mention that Jeff Lemire will be one of our featured guests at The Toronto Comic Arts Festival, may 8-9 in Toronto Canada. For more visit http://torontocomics.com.

Ahem, that out of the way, let’s look at the opposite page (119) and see a brand new edition of Howard Cruise’s STUCK RUBBER BABY, an incredibly, visceral semi-autobio account of the civil rights movement, the gay rights movement, and women’s librartion in 1960s America. It’s a great, great graphic novel and deserves considerably more acclaim than it’s ever gotten. I certainly hope that this new edition (with an introduction by Alison Bechdel!) will draw it some deserved acclaim.

8:53pm: Well how about that! It’s the long-awaited sixth volume of Fred Gallagher’s hit webcomic MEGATOKYO! This one collects chapters 9 and 10 of the online series 240 pages for 11 bucks. Not that I’m DC or Fred Gallagher, but if I WERE DC or Fred Gallagher I’d maybe do more frequent, thinner collections of this series so it isn’t 3 years between new collections. Just a friendly bit of free advice… (Page 122)

9:09pm: Okay! We’re back and on page 138, THE IMAGE COMICS SECTION! What wonderful stuff as Image got for us this month? Why, it’s TURF #1, the first issue of the mini-series by UK television presenter, documentarian, and comics-uberfan Jonathan Ross. Showing excellent taste, Mr. Ross has brough Tomy Lee Edwards along for the ride, in this cross between 1920s gangsters, vampires, and a crashed spaceship. I came across a preview of this one in last week’s THE WALKING DEAD #70 and I dug it, and it turns out the same preview is duplicated here in the Previews starting on page 140. It’s really solid, and then a spaceship lands (which is a little jarring) but, all-in-all, it’s a pretty compelling first few pages (a little dense though…). Definitely going to be a neat first issue.

9:14pm: Wow, it looks like everyone’s getting on the dollar-comic bandwagon, and Image Comics is releasing 10 different first issues for just a buck a pop (p144-145). I… I don’t think I’m down with most of’em, to be honest. I’d say we’re going to do really big orders on The Walking Dead, Chew, and Invincible, solid orders on Age of Bronze, Girls, and Proof, and… well, it’s nice that the Image-founder superhero books are there, I just don’t see their usefullness to me and my store. Of course, maybe those are the four that are going to net the highest sales. Diff’rent strokes.

9:39pm:THE LIGHT #1 is… it reminds me a lot of the current apocalyptic road trip fiction that’s going down right now, with The Road and Book of Eli and Blindness and all that. I can’t tell if it’s too close, and it’s not going to appeal, or if it’s just into that niche of contemporary fiction and will, instead, do awesome. Then again, maybe it’s more of a trade paperback book anyway? Hmm. Conservative order, hope for reorders.

9:42pm: So, let’s play a little game where we look at the last few issues of in-store dates for Spawn, in honour of the Due-April-2010 solicitation for SPAWN #202.

Spawn #191 – Due April 09, Shipped April 29th (so far, so good)
Spawn #192 – Due May 09, Shipped June 3rd (oops, slipped a week or two)
Spawn #193 – Due June 09, Shipped July 1st (almost picked up the slack!)
Spawn #194 – Due July 09, Shipped July 29th (way to go, back on schedule!)
Spawn #195 – Due August 09, Shipped October 21st (Uh oh).
Spawn #196 – Due September 09, Shipping March 3rd, 2010 (oh noes…)

There’s just a tiny peek into my world.

Now, ask me how many times I’ve been asked for WALKING DEAD VOLUME 5 HC in the last week, due out before Christmas (seven).

9:53pm: Meanwhile, in happier news, Jeff Parker and Steve Lieber have hit every on-sale date for their new mini-series UNDERGROUND, a spelunking adventure comic with great characterization and art. If you somehow passed on the mini-series (the final issue ships this week), definitely don’t miss out on the UNDERGROUND TP, coming this April. 126 pages, $15, fine fine adventure comics. (page 158)

10:00pm: Okay, and we’ve just finished out the Image section and we’re on to MARVEL! Kids, switch over to your Marvel Previews.

Page 1 and… Dude, I’d really like to be on-board for “Leonardo Da Vinci, Agent of S.H.I.E.L.D.” but I do not think I am. I’m sorry. Though kudos to Dustin Weaver for doing a bang-up Traves Charest impression with that cover. Really, bravo, that’s some very good Charesting.

10:04pm: Page… 4. “Iron Man by Design Variants”. Every issue this month will have a variant cover with artists doing their take on the Iron Man armour. I’m not really blown away by any of the art on display, sad-to-say.

Flipping the page and we get to the actual comics. SIEGE #4 wraps up the mini-series with the return of Iron Man. The following pages seem like epilogue after epilogue, which makes me wonder if they’re going to make any attempt to collect this in a way that makes sense to the story, or if they’re going to go the normal route of a half-dozen inter-related collections that add up to “what happened”. Because, it would be nice if they could just put out “stories” every once in a while.

10:08pm: Ultron looks fun to draw. (page 10)

10:09pm: I can’t be the first person to say this, but here goes:

“Bryan Hitch is drawing NEW AVENGERS FINALE? Here’s hoping that that the first issue of that new Avengers series doesn’t give away what happens in it. Or the second issue. Or the third issue.”

Ba-dum-bum.

10:14pm: Huh, Marvel’s adapting Philip K. Dick’s ELECTRIC ANT with a five issue mini-series. That’s pretty cool.  I think I’d seen reference to that, but didn’t realize it was coming so soon. Written by David Mack, cover by Mr. Paul Pope, though I’m not familiar with interior artist Pascal Alixe.

10:18pm: So… Marvel is solciting the second printing of “Deadpool Corps #1” alongside the first printing of that issue. That’s… well, whatever.

10:20pm: Oooo! Page 34 has the first issue of Brendan McCarthy’s three-issue Dr. Strange story, cleverly called SPIDER-MAN: FEVER #1 so that people that think they don’t like Dr. Strange will pick it up. McCarthy’s a great artist and has a truly unique voice in comics, it’s frig’n bizarre to see him doing a mainstream marvel book but shit, why not right? Awesome days. Another one of my picks of the month.

Oh, 32 pages, $3.99.

10:26pm: So FALL OF THE HULKS leads into WORLD WAR HULKS? But FALL OF THE HULKS: SHE HULKS is still going on when the WWH book starts. Poor planning, or just a mini-series redundant to the main ‘through’ of the series?

10:30pm: Page 56 and 57 have Marvel relaunching their young-readers line, with SPIDER-MAN #1 and SUPER HEROES #1, both with a “Marvel Adventures” tag on the cover, but seemingly not in the solicit description. Still, that cover by Karl Kerschl is lovely on Spidey #1, and the books sell consistentlyhere at the store. Here’s hoping that the relaunch will see a boost in sales.

10:37pm: I know it’s for a good cause and all, but the fact that NEMESIS #2 by Mark Millar, solicited for April, wasn’t so far along in the production schedule that Millar could auction off the name of the character? It does not fill me with confidence that this series will come out on a schedule any different than Kick-Ass, which is to say a sort-of pathetic schedule.

10:47pm: Okay, that’s it folks! Thanks for reading! We’ll pick it up tomorrow morning with the back-half of the catalogue, and all of the wonderous new books sure to be contained within!

– Chris

Oh, Nick Simmons

Oh Nick Simmons. I kind of wanted to post a spirited defense of you using scans of Even A Monkey Can Draw Manga, but I had to draw the line when you weren’t just biting BLEACH, but biting BLEACH FANART. Like… yow, lowest of the low.

Deb Aoki spent the night asking difficult questions on Twitter, about the difference between what Simmons did and what thousands of anime-convention artist alley kids do every year, when they sell their own illustrations and stories based on the work of famous manga creators like Tite Kubo. The short answer is that anime fandom sat up and said “NO! We do what we do out of love and have very strict rules about that sort of thing!” and blah blah blah, which basically ammounted to “It’s us doing it so it’s okay, but Nick Simmons is them, so he’s a pariah we’re all going to tear our garments over.”

Got news for you, champs.

When you sell illustrations, or short stories, featuring your favourite characters, you’re entering into exactly the same dirty world of “commerce” that poor Nick Simmons did. You may be, in your head, doing it in ‘tribute’ to the manga or the creator, but out in the real world? You’re ripping him off, just like Nick Simmons did. You’re more honest about your sources, but you’re less creative. You may even have a much higher degree of craft, but as soon as you violate someone’s copyright or IP in that way, making money based on (legally and artistically) derivative works? You’re all just a batch of Nick Simmons, building your careers on the backs of others creators.

Are there lots (lots) of people who do it? Yes. Is their a “community” of like minded people all telling each other that what they do is okay? Fuck yeah! Does it make a lick of difference…?

Here’s the thing: I’ve got infinitely more respect for obvious thief Nick Simmons than I do for the legions of artist-alley dwellers selling mass-produced copies of their fanart for characters. Nick Simmons is (badly) taking his influences and turning them into something (horribly derivative but at least nominally) “new”. It’s not original, it may not even be good, but every artist or writer is comprised mainly of the sum of their influences and experiences. But at least Simmons on his first shot out of the gate managed to synthesize all that shit into something other than “Here is a terribly drawn portrait of two BLEACH characters making out, in tribute to an author who clearly never wanted this to happen or he’d have done it himself. I am charging $10 for this colour photocopy.”

Paying “tribute” to an author like Kubo by selling work based on his creations is about the same as “building his popularity” by distributing illegal scans and fansubs of his work, I personally put the two in exactly the same category: complete fucking fiction.

What I’m saying is Nick Simmons’ behaviour is embarrassing and the work is getting the smackdown it deserves. But North American anime “fandom” for their legion of sins have no reason to be so comfortable in their condemnation, particularly because the behaviour they condone–and celebrate–is worse.

– Chris
P.S.: I love fan creations, I am happy that people legitimately pay tribute to artists they love on DeviantArt and in the myriad of Fanfic communities. Sell that work and you cross a line.

Edit Sat Feb27: Normally, I wouldn’t bother approving some of the stuff in the comments section, because there’s a combination of wrong-headedness and pomposity from a bunch of alias’d anime fans that’s off-putting at best, but I decided this time out to let the comments ride. Mostly because I think that the more ridiculous comments speak for themselves, but I also kind of knew that this would be a contentious one going in. As such, I don’t particularly recommend reading the comments here, but instead would recommend that the most compelling rebuttal to my ideas comes from Simon Jones at Icarus Comics, http://www.icaruscomics.com/wp_web/?p=4319, and you should check those out if you’re interested in more on the subject.

For my part, I do understand that plagiarism is bad news, but then I didn’t think that need to be stated. Instead my position was (and still is) that the culture of complacency and all of the mealy-mouthed defence for selling unauthorized work based on a creator’s IP that permeates anime fandom? Far, far worse than any individual instance of plagiarism, no matter how famous the plagiarist is. Seriously, the general attitude of North American Anime & Manga Fandom with its fansubs, it’s scanlations, it’s complete disregard for intellectual property, ethics, or fairness in the face of what they want (everything) and what they want to pay for it (nothing) is so much more utterly damaging to Tite Kubo, to manga and anime, and to Art and Artists hoping to make a living from their Art, than Nick Simmons could ever hope to be. Get your own house in order before crucifying this guy.

Thanks for reading!

– Christopher

Mangastuds…?

Hey there, I know I’m not updating but there’s not much to be done about that at the moment. As it is I’m late for work because I was too exhausted to get outta bed this morning. 🙁

But! I am busy doing cool comics stuff for you to read… and to listen to…!

This weekend I was invited to sit in on Deb Aoki’s guest-roundtable for the podcast INKSTUDS, as host Robin Mconnel is taking a two week break from the show. It’s the “Mangastuds” edition, which is hilarious, and features myself, Deb Aoki of manga.about.com, David Welsh of the the Precocious Curmudgeon blog, and Ryan Sands of the Same Hat blog. All lovely people with stuff to say about manga.

The best part? It’s all about “indy manga”, or comics from Japan that might naturally appeal to the tastes of indy comics fans (and creators) here in North America. I think it turned out pretty neat, with lots of recommendations for great work to check out. If you visit the Inkstuds website you can listen to the podcast and get a recommended reading list based on the titles we described in the podcast.

I also wrote a review this week that should be going up any day, I’ll pop in here when it does.

Things should calm down around Saturday afternoon/Sunday, so I’ll likely start blogging in earnest again then.

Thanks,

– Christopher

Cool Stuff To Click On

ITEM! I was once again invited to be a guest on the SPACE Podcast, on February 12th. For those of you not in the know, SPACE is Canada’s science fiction and fantasy television network, sort of like Syfy in the states. Host Mark Askwith and I spent about 30 minutes talking about Sci-Fi manga series and what might appeal to SPACE viewers. I covered the history of Sci-Fi manga in English as best I could (including the awesome PHOENIX by Osamu Tezuka), and then recommended four contemporary series: Naoki Urasawa’s PLUTO and 20TH CENTURY BOYS, Tsutomu Nihei’s BIOMEGA (all from Viz), and the upcoming TWIN SPICA from Kou Yaginuma (Vertical) to appease the increasingly cranky Ed Chavez. Please go listen! 🙂

ITEM! Jim Rugg is having an AFRODISIAC ART CONTEST, in support of the spectacular new hardcover release of AFRODISIAC, from AdHouse Books. Basically, great an art object that features (or references?) Afrodisiac, and you could win prizes! Like that neat piece of art there!

ITEM! Ryan Sands from SAME HAT! is building a list of the first manga published in English. So far he’s received input and assistance from tons of smart folks, and the list is pretty surprising too. The first-ever manga in English, a fan-translation of Barefoot Gen, is excerpted above.

BONUS ITEM! SAME HAT! also has news of a massive exhibit of GARO, the influential alternative Japanese manga anthology from the 60s and 70s, to take place in New York City just following MoCCA. Go check it out.

– Christopher

Random Japan: Bridge to Odaiba

We got to Odaiba a little later than I wanted, and ended up missing a chance to see the lit-up Gundam do its whole thing. It had been powered-down for the night, but was still impressive. What was maybe more memorable was the view back across the bay to Tokyo.

– Chris