The Only Thing Worse Than Being Talked About: Retail Theory

Fallen Son Iron Man - Stolen from NewsaramaOver at his blog, Alan David Doane picked up on the fact that The Beguiling doesn’t participate in the “First Look” program for Marvel or DC, where for a fixed cost you receive preview-copies of their books a week in advance. Tom Spurgeon notices Alan noticing, and then Alan responds. So, uh, here’s what’s really going down:

For a time, we fine folks at The Beguiling were subscribed to both Marvel and DC’s “First Look” program, where for roughly $6 (or $6 plus shipping, where Marvel was involved) we’d get a selection of next-weeks books a week early, to peruse and theoretically to inform us and/or get us excited about the books. We dropped out of the Marvel program early, because it was costing us a little more than $15 a week for the books, which had to be UPS’d to us with a separate shipping charge. $15+ a week for like $12 retail worth of comics? I don’t know about you, but the ‘usefulness’ of the information contained therin just wasn’t justified by the cost. I’ve got no problem spending $60 a month to significantly increase our sales (spend money to make money, etc.), but the cost/benefit ratio never worked out for us.

DC Comics, on the other hand, completely discontinued theirs a few months back, when they moved to the FOC (or adjust your orders 3 weeks before the books come out) system. Apparently, they didn’t think they could do both… Marvel can, it just costs us $15 in UPS fees. In all honesty we liked the DC First Looks well-enough, although any book that might have enough ‘hot’ stuff in it as to actually adjust our orders was often left out of the package for fear of spoilers. If you start to think about this very hard at all, you’ll realise this makes the whole endeavour more-or-less pointless, and perhaps that led to DC discontinuing it. DC have always been powerfully, powerfully anal about their ‘secrets’ being ‘spoiled’ even one iota of time before they were ready for them to be out there, and so if they weren’t prepared to release important information, then they were defacto releasing unimportant information, charging us $6 for the priviledge, and probably losing money on it…

exit_wounds.jpgI think the key assertion with Alan’s piece, that we didn’t participate in The First looks because we were concerned with other publishers, it has the ring of truth but it doesn’t hold up. Frankly, we are more concerned with other publishers than with DC or espescially Marvel. Those books sell themselves very well to the dedicated hardcore, and despite some tweaking here or there we stock the books, maintain our selection, and make intelligent recommendations based on existing purchases–it’s easy. Something like the truly-excellent Rutu Modan’s EXIT WOUNDS does require more attention from us, because, despite it being better than anything in the Marvel or DC universes that graced our shelves last week, it’s by an unknown author, it’s her first graphic novel, on a ‘difficult’ subject, and it’s art style and storytelling ‘give good hand’, meaning that the book can be easily recommended once a customer is looking at it. We gotta put more work in on that one, but it’s totally rewarded and makes our days happy and wonderful when we sell lots of them.

But, that doesn’t mean we won’t take every advantage that’s offered to us, from every publisher. The DC First looks worked for us because for $6 a week, we averaged $12-$15 worth of books, meaning that even if not one iota of useful information was gleaned from the books, we got saleable product out of the deal at a good discount, so it’s at best a wash. If Marvel could manage to get their first-look costs down, and could manage to get us the books in salable condition (seriously, those UPS envelopes looked like they’d been stuck in the spokes of someone’s bike wheels to make that “thwap-thwap-thwap” noise), we’d probably sign back up for the program. And I’d know what the big spooky deal is about this week’s EVERYONE IS SAD ABOUT CAPTAIN AMERICA: IRON MAN WEEPS FOR 22 PAGES. My guess is Skrulls, but enh? If we sell out, there’ll be a second printing. If we don’t, then it won’t have mattered what the big deal is. Win-win!

…I should also note that recently Image Comics has started offering a First Look program–For Free!–that makes the most sense out of anyone’s. Chances are that the majority of comic stores are at least ordering one copy of everything DC and Marvel publish, but the same can’t be said of the books published by the fine folks at Image Comics. So Image sends one of more-or-less everything out, for free, to every Diamond account, on the off chance someone who isn’t ordering CASANOVA or FELL or GIRLS or whatever will take a look at an issue and like it enough to try ordering it… or throw it on the rack and sell it, and maybe make a few bucks and increase their opinion of Image a little. It’s a great idea, kudos to whoever come up with it. (Of course, we’re ordering at least one copy of every Image book, but I do appreciate the opportunity to read THE WALKING DEAD a week early when I can).

Anyway, in my ever-humble opinion, smart retailers take every advantage, and determine whether every offer is advantageous or not to their own establishment. So, in that way Alan was definitely correct, we’ll source every book we carry from two or three different distributors and see who offers up the best deal, the best shipping, the timeliest turnaround. We wanna get the books in first and carry them the longest, and get you the best price on them. Putting all of our eggs into the Diamond basket, certainly not the way to do that right now. But if Diamond does step up (and they do, every once in a while) then we’re happy to work with them.

That’s today’s boring retail theory. Sorry.

– Christopher

Shipping June 20th, 2007

Death Note Vol 12 CoverHi there folks. Here are a few of the more interesting comics that are scheduled to ship to The Beguiling Books & Art in Toronto, Canada this week. These books may not show up at all retailers at the same time, but if you see a title here it’s probably at least worth asking your local retailer about. Oh, and the full list of what’s shipping is underneath the cut at the bottom of this post. There are like, 200+ line items this week! Yowzers.

APR074059 DEATH NOTE VOL 12 TP (C: 1-0-0) 7.99
If you’re not so much a fan of the manga, you probably don’t differentiate the series DEATH NOTE–by creators Ohba Tsugumi and Obata Takeshi and published under Viz’s Shonen Jump line–from the rest of the avalanche of titles that are dropped onto comic and book stores every week. No less than 42 brand new manga titles this week, speaking of which. But that really is a shame, as DEATH NOTE is a stand-out work in the field. It’s certainly not perfect, and no one is going to hold it up and compare it to NEW TALES OF OLD PALOMAR #2, also out this week, as a superior work. But DEATH NOTE is a sterling example of excellent comics for a mainstream audience, the middle ground that everyone and their dad is shouting from the rooftops that the comics industry needs more of. DEATH NOTE is what Warren Ellis has been talking about for years, and what Kim Thompson was getting at, in his way, in that little essay about “crap” he wrote a while back. The series has a great high-concept (a notebook which will kill anyone who’s name is written in it), just enough sci-fi fantasy to have widespread appeal, attractive young characters, beautiful art, and an actual considered aesthetic that’s carried throughout the project. Oh, and every chapter ends on a cliffhanger, making it as addictive as crack.

DEATH NOTE ends on volume 12 this week (there is a 13th volume which acts as a guidebook to the series, but the narrative wraps up here) and I think it will easily enter the pantheon of great, lasting series that will define manga as a category as appealing to more than the 12-18 set. Literally anyone I’ve introduced the series to at The Beguiling has come back for more, and if you want to add something really good to your stack of comics this week, see about picking up the first volume for yourself. You’ll curse me for it, 12 volumes and $96 later. 🙂

(Also of Note: Ever the opportunists, the Shonen Jump people had the smart idea of launching 2 new mature-themed series today, hoping to hook the readers who are buying their final Death Note’s. GIN TAMA is a considerably more supernatural version of BLADE OF THE IMMORTAL, while STRAWBERRY 100% is… apparently about cute girls or something, I dunno. Out of my frame of expertise.)

Phonogram TPB CoverJAN071929 PHONOGRAM VOL 1 RUE BRITANNA TP 14.99
I got lost on this series 3 issues in, partly because it started to hit some shipping delays and partly because, despite our best efforts, we kept selling out of the floppies on this supernatural exploration of britpop music. PHONOGRAM picked up readers seemingly with every issue, and our sales and sell-through just kept increasing as the series progressed. I’ve heard almost no word of the series’ overall quality, but at least in terms of sales, the customers–including many new faces–kept showing up right through to the end.

Next time though, guys? Any chance of a cover design where the logo is visible over the top half of the book? It kind of makes racking a bitch.

Repo #1 CoverAPR071850 REPO #1 (OF 5) 3.50
After a detour into a zombie-filled old west, creators of TEENAGERS FROM MARS Rick Spears and Rob G. are back with a new limited series from Image Comics featuring an AKIRA-style setting and repo-men versus an army of sex-clones named Wendy. It sounds like a hoot, and promises lots of mayham and exploding set-pieces, which is both refreshingly honest and will look great, if their past work is anything to go by.

Yotsuba Vol 4 TPB CoverMAY073126 YOTSUBA MANGA VOL 4 TP 9.99
Hah, apparently fan-whinging does accomplish something. The much beloved children’s series gets a new lease on life, which is a victory for charming, funny comics everywhere. One hopes. A wierd little girl named Yotsuba moves into a new neighborhood, and is fascinated by everything she sees. It’s a little like My Neighbor Totoro, but instead of adorable plush animals, there’s an air-conditioner and some bewildered neighbors. Kids? Kids love it, we sell tons. But the grown-ups love it too, which is rare for any property, and it’s nice to see that ADV have wised up and decided to continue releasing it.

For more on the appeal of YOTSUBA, and this volume in particular, check out Tom Spurgeon’s review of this volume at ComicsReporter.com.
 

Continue reading “Shipping June 20th, 2007”

Anime North – Wish You Were Here 3

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Canadians love that Tim Horton fellow.

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I had to post a better picture than the last one of Jamie, just so he’d speak to me again.

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Svetlana Chmakova, signing at The Beguiling table on Saturday. She had a huge line.

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Since Kai was good enough to make a post on my blog, and since I didn’t fuck his mother in return, I’ve instead decided to post this picture. Also, the following pictures were taken by Kai:

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Awwww! That’s ADORABLE.

– Chris

Svetlana Chmakova Profile

Dramacon Volume 2We’ve done 3 or 4 events with Canada’s own Svetlana Chmakova at The Beguiling, and she’s always been a wonderful and gracious guest. In advance of Anime North, Canada’s largest manga and anime convention, The Toronto Star just did a profile of Svetlana and her work, including Dramacon for Tokyopop, Adventures of CG for CosmoGirl Magazine.

I… think… the print version of The Star actually has a comic strip by Svet in it, though I’m not sure? I’ll check when I’m at the store later today. But yeah, it’s a nice little profile and I’m glad Svet is one of the new creators really making a go of the OEL manga thing. Though I don’t talk about it as much due to drama my fears regarding the Tokyopop contracts are still there, and I’m really happy when it looks like a creator within that system is succeeding and branching out beyond it.

More at: http://www.thestar.com/article/211329

– Chris

A Conversation about Free Comic Book Day

Comics Festival 2007 - Mal CoverHey Chris, how you doing?

Oh, not bad. A little stressed. Got a lot going on this weekend.

Really? Like what?

Well, Saturday is Free Comic Book Day, for starters. This year I published a book for FCBD. It’s called Comics Festival! 2007, and it’s chock-full of Canadian creators doing brand new comics.

That sounds pretty cool.

Oh it is, it is. It’s got covers by Darwyn and Mal, which are both awesome, and I’m super-proud of the content too. I think we did a great job on it.

Sounds good, can I check it out online anywhere?

Actually, funny you should ask. I just completed a website for the book. If you point your browser to http://www.torontocomics.com/tcaf/fcbd/ you can find out all about the book, including contributor biographies, information on selected stores that are guaranteed to have the book in stock, and some general info on Free Comic Book Day.

Cool! Hey, I just checked and it says you’ve got a different book online for free…

Yes, we do. See, we did another Comics Festival back in 2005, and I decided the time was finally right to put the whole thing up online. If you head to http://www.torontocomics.com/tcaf/fcbd/2007/05/comics-festival-2005-part-0.html you can now read 2005’s Comics Festival completely free of charge, just the way God intended. It’s a Free Comic Book Day, even for people that can’t make it out to a comic book store tomorrow.

That’s really great, I’m glad you could do that.

Me too, I just wish it didn’t take two years. Still, I think the material in there is really strong, and holds up well. Kagan McLeod’s strip in particular is one of his best.

So what’s The Beguiling doing for Free Comic Book Day?

Actually, we’re having a little mini festival out in front of the store. 16 different comics creators will be dropping by throughout the day to sign comics, including many of the creators in Comics Festival! like Cameron Stewart, Ryan North, and Kean Soo. Oh, and J. Torres, the writer of Legion of Superheroes in the 31st Century will be there too. You can find out more about it at The Beguiling’s website, http://www.beguiling.com/ .

Isn’t Scott McCloud coming soon, too?

Actually, Scott McCloud is droping by Toronto on Sunday night! He’ll be doing his lecture for Making Comics, and signing. Tickets are $10. Oh, and he’s dropping by The Beguiling Monday night as well, for a signing at 6pm, which is free, but 2 hours less lecturey.

Let me guess, all of this info is at http://www.beguiling.com as well?

You’re getting good at this!

I’ve had a lot of practice. What’s up after that?

I’ll probably sleep for a couple of days, and then start worrying about Anime North.

I was kind of hoping that maybe you’d start blogging again. Something other than a press release, or a shipping list.

Hey, me too pal. That’s just the way it goes. Hopefully I’ll see everybody with meaningful content next week. Until then, thanks for hanging out for a little while.

Any time.

– Christopher

ANNOUNCE: Scott McCloud in Toronto May 6th

PLEASE INCLUDE IN YOUR EVENT LISTINGS

The Varsity – University of Toronto presents

SCOTT McCLOUD IN TORONTO
Understanding, Reinventing, and Making Comics

Sunday, May 6th, 7PM
OISE Theatre, 252 Bloor St. West
(At Bloor St. W. and St. George Subway Station)
Tickets: $10 in Advance, $15 at the door
Available at The Beguiling, 601 Markham Street

In association with The Toronto Comic Arts Festival Aug. 18-19
and The Beguiling Books & Art 20th Anniversary

WWW.TORONTOCOMICS.COM

TORONTO, Ontario – The Varsity, Canada’s largest student newspaper, is proud to present SCOTT MCCLOUD, the author of UNDERSTANDING COMICS, in the exclusive Canadian presentation of his world-renowned visual lecture Understanding, Reinventing, and Making Comics. McCloud’s presentation on comics, storytelling and web technology has packed lecture halls at Harvard University, MIT, The Smithsonian, Microsoft, IBM, and Pixar. Now, McCloud brings his expertise to Toronto on Sunday May 6th.

MAKING COMICS, McCloud’s third exploration of the emerging graphic novel medium (written in graphic novel form, of course) was recently published by Harper Collins to wide acclaim. In a truly unique move to the world of publishing, McCloud and his entire family (wife Ivy, and daughters Winter and Sky) have embarked on the Making Comics 50 State Tour, celebrating the release of the volume in all 50 U.S. states (with a special stop in Toronto!). Featuring daily blog updates of the tour by the entire McCloud clan and a whirlwind of press coverage, the tour has been a phenomenal success.

“We couldn’t be happier to help in bringing Scott McCloud to Toronto” said Peter Birkemoe, owner of The Beguiling and co-sponsor of the event. “At a conservative guess, we’ve sold thousands of copies of McCloud’s books, with his newest really appealing to the burgeoning segment of the population—young and old—interested in creating their own graphic novels.”

“McCloud’s books speak to more than just fans of comics,” said Christopher Butcher, the co-founder of the Toronto Comic Arts Festival. “McCloud’s theories on comics—storytelling, narrative, and technology—have broad applications in the fields of graphic design, writing, and interactive multimedia. Understanding Comics and Making Comics have bolstered the claim that combining words and pictures to convey information are universal, and that comics and graphic novels as a medium really are for everyone.”

THE EVENT:
Scott McCloud: Understanding, Reinventing, and Making Comics
visual lecture presentation will be held Sunday, May 6th at The OISE Theatre, 252 Bloor St. West (at St. George Subway Station). The doors to the event will open at 7pm, with McCloud taking the stage roughly 30 minutes later.

Tickets are $10 per person, available in person at The Beguiling Books & Art, 601 Markham Street, Toronto. Tickets are available via phone at The Beguiling, 416-533-9168, Monday-Friday 11am-7pm. Advance ticket prices valid until and on Saturday May 5th, 2007. All tickets are for general admission seating. This event is appropriate for all ages.

Please note: This event is strictly limited to only 450 tickets, available on a first-come, first-served basis.

THE BOOKS:
Understanding Comics, Reinventing Comics, and Making Comics are published by HarperCollins Canada, and are currently in stock at The Beguiling. Copies of all books will be for sale at the event.

ABOUT THE AUTHOR:
Scott McCloud
is the award-winning creator of Zot!, Understanding Comics, and Reinventing Comics. His books are available in sixteen languages. Sin City creator Frank Miller called him “just about the smartest guy in comics.” He has given Visual Lectures on Comics and Technology at destinations as diverse as Harvard University, Electronic Arts, The Smithsonian, Microsoft, SXSW, and Pixar.

The Making Comics 50 State Tour began in New York City in September 2006, and will end in Hawaii in August 2007. The official tour blog is online at http://community.livejournal.com/mccloudtour.
 
MEDIA QUERIES:
For queries regarding the event, contact Christopher Butcher, manager of The Beguiling, 416-533-9168 or via email at: chris@beguiling.com.

This event is made possible with generous support of
The Varsity – University of Toronto, HarperCollins Canada, The Beguiling Books & Art,
and The Toronto Comic Arts Festival, August 18-19 2007

www.torontocomics.com

 

So how did the Bryan Talbot event go?

Really well, actually!

We had a turnout of about 40 people I think? We sold an absolute ton of books too, which was nice. Bryan’s talk was mostly drawn from Alice in Sunderland, meant to be heard by an audience who hadn’t yet read the book. Despite having already read it, I enjoyed it, and the book too. Afterwards Bryan was quite gracious and signed book after book for all who’d attended, though I don’t think he was sketching…? You can check out a further review of the event by Bob from the Four Realities Blog, as it looks like he had a good time as well.

Also of note, while Mr. Talbot was in town he gave an interview to SPACE (Canada’s answer to the Sci-Fi network, for those of you not in the know). SPACE head honcho Mark Askwith wrote to let me know that the interview is now online! Head over to http://www.spacecast.com/hypaspace.aspx and just look for Bryan Talbot’s name in the right-hand column.

What’s an event-report without pictures? Thanks to customer Andrew Specht for taking these for us.

Mark Askwith and Bryan Talbot
Space’s Mark Askwith chats with Bryan Talbot during the short interview session that followed the lecture.

Bryan Talbot and Christopher Butcher
Me thanking Mr. Talbot, and announcing The Beguiling’s plans for Free Comic Book Day and our Scott McCloud event.

Talbot and his signing line...
A small part of the line of folks waiting for Mr. Talbot’s signature.

Bryan Talbot talks to a few of his fans.
Bryan Talbot chats with a couple of his fans.

Lorna Toolis, Bryan Talbot, and Peter Birkemoe.
Lorna Toolis from The Merill Collection, Bryan Talbot, and The Beguiling’s owner Peter Birkemoe.

Thanks to The Merill Collection at The Lillian H. Smith branch of the Toronto Public Library for hosting the event, and to Bryan and Mary Talbot for being wonderful guests.

– Christopher
(Photos Copyright 2007, Andrew Specht)

Bryan Talbot in Toronto Monday Night

Alice in SunderlandA Conversation with Bryan Talbot
In support of his new graphic novel ALICE IN SUNDERLAND

Monday, April 16th, 2007, 6PM
The Merril Collection (Lillian H. Smith Library, 239 College St.)
Free to attend.

Hosted by SPACE’s Mark Askwith

Bryan Talbot is coming to Toronto! The creator of One Bad Rat, Luther Arkwright, and the artist of The Sandman Special #1: The Song of Orpheus is touring North America in support of his massive new graphic novel, Alice In Sunderland.

Talbot will be doing a presentation from the work, and will be interviewed on stage by Mark Askwith from the SPACE channel.

We’re very excited to see such an esteemed creator visiting us all the way from the U.K., so save the date and make sure to come out for this rare appearance. Both The Tale of One Bad Rat and the brand-new Alice In Sunderland are available for sale at The Beguiling now!

– Christopher

Catching Up: X-Files Movie?

Since my last “Catching Up” post went over so very, very well, I figured it was time for another. Here’s what the last 4 days of Google Reader have turned up:

x-files.jpgHollywood.com has David Duchovney confirming a new X-Files movie is in the works. According to Duchovney, “This week, they’re starting some kind of road towards doing it (the film). Gillian and I both want to be in it now. We’re happy to do it.” How about that eh? Time heals all wounds, as does a pretty thoroughly unspectacular post-X-Files career… On a related note, my employer has a ton of original X-Files art for sale by X-Files comics adaptation artist Sean Scoffield. There’s also art from the Queer as Folk TV Show, the movie eXistenZ, and the recent Underworld mini-series from Marvel Comics. Just Saying.

 

– Video Game website “Gameasutra” has an article up on being out and LGBT in the video gaming industry. The answers are very, very similar to what I hear from gays in the comics industry, so in lieu of any such articles on comics, I figured it was worth pointing out to the industry-watchers who watch this blog. Here’s a good quote from the opening:

Jeb Havens, probably one of the most visible and vocal LGBT developers, says, “It’s not like there’s only a handful” of gay people making games, “but there’s no presence or community. There’s no ‘gay’ face to it.”

I’d love to write a similar article about LGBT creators and industry folk in comics, particularly within the larger realm of blogging, but with no time to spare it’s not gonna happen. C’est la vie, but go read this one: it’s really well done. Thanks to GayGamer.net for the link.

 

– The best part about my job is selling good comics to people. There’s a special kind of magic to selling someone the first volume of The Invisibles, or giving them Scott Pilgrim for the first time. It honestly makes all of the other stuff, like selling Civil War, totally worthwhile. I was reminded of this by Matt Forsythe back in the comments to my Taiyo Matsumoto post, as it looks like just went out and dropped a bunch of coin on Matsumoto books. Nice! This is why I was so pleased to see this nostaligic remembrance of comics retail from Richard Bruton at the blog Fictions, about his time at Nostalgia & Comics in Birmingham:

“The rarest of prizes though, the really fun one was when a customer would come in and tell you that they’d read everything they wanted and could you suggest anything to read. That always made for a fun 10 minutes or so of chat and selling.

“I always sold the books to people with the promise that if they didn’t like them all they had to do was bring it back in and we’d refund the money, no questions asked. To me it seemed the only fair thing to do. After all, this wonderful customer is putting down good money for a book just because I’m telling them it’s wonderful. I’ve spent a little time asking all the pertinent questions to gauge exactly what sort of thing they’re after, but I could always misjudge their comic character and sell them something they hate.

“I’m very proud of the fact that in all my years of doing this, not a single copy has ever been returned. Not one.” – Richard Bruton, Fictions Blog

I don’t have that kind of track record, sadly, but I occasionally let what I think people should be reading get in the way of what they might enjoy reading. I’m doing my best 🙂 Tip of the hat to the Forbidden Planet Blog for the link.

 

I think that’s all for now. The contest details for the Garage Band contest are finished. They’re awesome. Posted later today.

– Christopher