Things I Learned On Vacation: It’s not that hard to do the right thing.

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A few weeks ago I took a little vacation from my day job selling comics for The Beguiling, to head out to Seattle and sell some comics for my friends at Udon. They exhibited at the Penny Arcade Expo, or PAX, in Seattle, WA, a video-game convention hosted by the popular webcomic Penny Arcade. They’re really strict about who does or doesn’t get to exhibit at their show (though anyone can attend), and it’s the incredible devotion of the Udon guys to the Street Fighter videogames that got them through the door. I had a fun time, ate some great food, hung out with cool folks, and played a lot of Bomberman on my DS… I really gotta buy that at some point.

Anyway, the above notice was posted by the entrance ways to the exhibit hall, and a version of it appeared in the convention booklet that every attendee was given. Notice #5 there? It doesn’t take a genius to realize that getting a bunch of folks all in one place and getting them amped up, and maybe even a little turned on? There need to be some ground-rules laid out. The PAX guys throw an outstanding convention, really top-notch, and figuring out little things like this help a lot. Better still, security guards were both centralized and roaming, they received solid training, and there was never someone more than a yelp away. It was a safe, attentive, and solidly planned event. An event that ballooned from under 3,000 people 5 years ago to more than 50k this time out, with only the most minute of growing pains.

Why is this so hard for comics? Why all the hand-wringing and endless debate about nothing? It’s just like the bullshit about drinking or not drinking at the Hyatt during San Diego… endless chat and recrimination and “fun” suggestions and “concerned” suggestions and nerds marching to “a different drummer” but in the end? Just do the right thing. It’s not even hard. You’d think it was, but it’s not.

John DiBello is by all accounts a nice guy. I’ve never met him but people I like vouch for him, so that’s really all it takes–he’s a nice guy. He witnessed some pretty severe-sounding sexual harrassment at Comicon this year, tried to do something about it, and then realized that the biggest comics event in North America doesn’t have a policy on sexual harassment at their show… So he made some noise about it. Seems pretty open and shut, right? But… Angry nerds are still cluttering up comments sections with this stuff though, arguing against it, against him. But yeah, you can go to PAX and they (proudly, even) post right at the front door “Don’t be a dick guys, we’re all here to have fun.” and it’s not controversial, it’s not a problem that needs to be solved with zany solutions or protesting against organizations by giving them our money (I mean come on…). Some people just get it, and do the right thing. So, do it.

It’s funny, the first time I went to the Ad-Astra science fiction convention in Toronto, a small, fan-run and fan-oriented event north of the city, I kinda chuckled when I got to the part in their convention program about proper behaviour for attendees, and that included unwanted sexual advances… I mean, what kind of nerd needs to be told not to touch someones tits or that not everyone wants to hug you? But as soon as a friend I was hanging out at the show with expressed that same disbelief out loud, it clicked for me–this is a sexualized environment. Some people are going to be wearing little clothing, some people are being paid to be friendly (up to a point), some people are going to be demonstrative about their… affections. And that might give someone the wrong impression–that impression being “Holy shit she just made out with that guy I’ma gonna make out with her too!” There’s nothing wrong with setting ground rules.

It’s not like I don’t understand why certain comics folks get a little defensive about stuff like this… The idea is that having a sexual harassment policy means that you need a sexual harassment policy because comics people can’t be trusted to behave themselves. But guys (And It Is All Guys), that’s not the case. Every modern company of more than 4 or 5 people has a sexual harrassment policy, I’m pretty sure you need to have one by law in most places. Every con should have one just like every con should have rules regarding people taking pictures in the aisles, people with carts full of long boxes of books to be signed, and even when the doors open to let people in. That just ensures that a show happens that’s well organized, where everyone is on the same page, and if someone does behave badly there’s a clear statement saying “you shouldn’t have done that” and a very clear set of reprecussions for that person (“gtfo”).

So let’s take a cue from our kissing cousins over at PAX; there’s nothing wrong with telling people how to behave at your event, period. It not that hard to do the right thing.

– Christopher
P.S.: This is nice to read.

I am in Seattle.

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“The bluest skies I’ve ever seen weren’t in Seattle. The greenest hills I’ve ever seen weren’t in Seattle. When I arrived in that coastal town, there was only shades of gray.” – Bruce McCollough

So I’m in Seattle at the Penny Arcade Expo. No fanfare, no sound and fury, I just showed up like a Ninja. So far, not including my boothmates from Oni and UDON, I have seen exactly 5 comic book people at this event: John Green, COrey Lewis, Ryan Yount, Marion Vitus, and Ed Brubaker. This is not a comic book show or really of any interest to comics people… although the guy walking around dressed as The Tick might lead you to believe otherwise.

Why am I here? Is this really a vacation? WTF? I wrote this on the plane on the way in Thursday morning, trying to sum up my own feelings on the event:

I am currently on my way to PAX and I have no idea why I’m going. Well, I know why. My friend Jim asked me if I could help him out at the UDON booth, and I said yes. Thinking about it now, part of me wanted to do this for the work aspects… to see how the Penny Arcade guys run their event. I run an event too–the Toronto Comic Arts Festival–and while TCAF & PAX started at around the same time, last year PAX’s attendence was roughly 37,000 people, and TCAF managed about 6500 over the course of a half-dozen festival events… I want to see how the show has managed to grow, and why, but also how they manage that many attendees all at once! Maybe it’s just hubris, but I can totally see a time when TCAF could be this big, or bigger, and attending PAX in the first few years to see how the show works makes a lot of sense to me. To see ways we can improve, add features and value for attendees. Ideas to steal.

The other reason I wanted to go, and this is the crazy one, is that I just love conventions. Love’em. I love theshow floor, the panels, the events… I love sleeping on hotel beds, using hotel pools, getting to see at least a small part of a new city. I like meeting people, and getting a chance to interact with the people I’ve already met. I almost always have a great time at cons–San Diego this year was fantastic–and I’m kind of expecting that this will be no different. Actually, scratch that, it will be different because I’ve got no horse in this race. PAX is a video game con, with video game industry people and video game fans and video game obligations and… I’m a comics guy. Even me, your humble blogger, I try to be… well I have to be… “on” at comics shows. Or book events for that matter. But this? This is a vacation to a place where you speak the language but the culture is totally different. Where you can observe (and even interact!) without affecting the proceedings. I will be in the mist, chilling with the gorillas and we’ve all got Nintendo DS’s. I can sell comics in my sleep, I’ve been to over 50 conventions in my lifetime, the “work” part of this will be easy. That just leaves fun and frolic and a drink or two. Maybe.

I can’t think of a better reason to go away for the weekend.

– Chris

Now it’s Sunday afternoon, and I’m out in the lobby using their free wireless and taking pictures of people walking by. It’s been a pretty fun weekend, we sold the UDON booth out of almost every book they had (the manga didn’t move quite as well as everything else, but it still did solid). I’ve actually gotten 3 really good nights’ sleep, and I feel like I learned an awful lot from these guys. I even got to have a quick conversation with some people from Reed Exhibitions, the folks that will be helping the PAX show expand to the east coast (and the folks who put on the New York Comic Con). That’ll be interesting.

I’ll probably have a more thorough wrap-up of the event later, but for now, I’m having a great time, and I’m going to go finish up the day.

L8rs…

– Chris

I am not dead.

chris-crop.jpgI’m not dead, I’m just on vacation. Well, a 4 week series of vacations actually. It’s been pretty good. I hand-wrote a blog entry today though, so I’ll probably type that up and post it tonight or early tomorrow…
Hope you’re all having a lovely summer.

– Chris
P.S.: This photo was taken last weekend actually, I’m less beardy at the moment.

Good Books Are Good

Hey, I actually got a chance to check out some of Kramers Ergot 7 while I was in San Diego. It was already on my buy list, honestly, because I’ve got all the other ones and the creative line-up sounds amazing. But the stuff that I’ve read and glanced at is really is top-notch… It’s probably going to make things worse, not better, if this thing is really good right? Like, people will be more upset that they can’t afford it? I can’t tell if it being good will make people more or less angry about the price. Maybe if it’s bad they’ll be happier, because that’ll justify their insane hating? Or passive-aggressive non-opinions?
Actually, haha, actually the whole argument reminds me of an Achewood comic where roast beef gets a new shirt. He gets this shirt from a girl who likes him and he tries it on and feels pretty good. Then:

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Except it’s not just in his head, those are real people doing that. For tonight’s performance, the roles of the angry cartoon animals that exist inside the depressed cat’s imagination will be played by people in the comics industry. It’s kind of amazing and awful at the same time? Like, people gathered down to shout-down a project that they personally feel is too ostentatious? Can you imagine if this happened in other media? Like people protesting The Batman movie because Christopher Nolan didn’t remake the Adam West one? Haha… So sad/awful/amazing.

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Keep hope alive, guys.

– Chris

Monster: I’m sorry, there’s nothing you can do.

From MightyGodKing:

“…whilst in the Beguiling, Chris Butcher worked his evil wiles upon me by offering me a “if you don’t like it, we’ll refund it” deal on the first volume of Naoki Urasawa’s Monster, presumably because he knows I don’t read much manga and wants me to buy more manga so I can personally finance his next trip to Japan. Dramatic manga – at least what I’ve read – can run very hot and cold for me, missing as often as hitting. The translated dialogue in particular often tends toward the powerfully melodramatic at the best of times, and when I have a problem with dialogue I have a problem with the whole comic more often than not. (It’s easier when the story plays the dramatic dialogue for laughs, which is why I think comedic manga tends to be more popular in the West.) Thankfully, Monster’s first volume isn’t a glaring offender in this regard, and the plot (doctor saves child’s life, child grows up to become serial killer – but it’s more complex and tense than that by half) is actually pretty compelling. I shall pick up later volumes, I believe. DAMN YOU, BUTCHER!” 

And I got you to blog about it. Check and mate, sir.

– Chris

Postponed, Not Canceled at Tokyopop? Is that like how ADV still publishes manga?

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According to a new article published today at Publisher’s Weekly Comics Week, Tokyopop Marketing Director Marco Pavia has stated that many of the books listed as “canceled” in releases on blogs and from Diamond are not actually canceled, just postponed while awaiting a rescheduling.

“However, Pavia says the books on both lists were postponed, not permanently canceled. “We obviously have restructured our publishing program and are going month by month with fewer titles,” he says. That requires going back to the license holders to discuss the new schedules. “We are talking about either revising the schedule or looking at alternatives such as online [publication],” he says. While he did not rule out dropping some titles, he says, if that happens, “We will certainly let everyone know.” ” – Publisher’s Weekly Comics Week

I think it’s important to note that Tokyopop has refused to outright state that any title is canceled through any official channels, and the only public reports of complete book cancellations have come from the creators of affected work, like last week’s announcement from Shutterbox creator and Voice Of Gir Rikki Simmons that Shutterbox would not continue with Tokyopop. It’s entirely within Tokyopop’s right to be cagey about their publishing plans, they’ve got no impetus or even reason to announce that they’ve dropped a license… That’s exactly the sort of thing that gives your competitors a competitive edge.

That said, a complete list of cancellations was never released, was it? I sort of assumed that the list I got would’ve eventually leaked its way to the net but I suppose not. Well then, in the interests of clarity, here is a list of every title originally scheduled by Tokyopop for release to the book trade in Fall 2008 that is no longer being released to the book trade in Fall 2008. Whether these are eventually coming, or not, not even Tokyopop can say, apparently.

A FLAME INFERNO Volume 1  -  Dal-Young Kim, Gwang-Hyun Kim
ADOMANT  -  Nam Kim
AFTERLIFE Volume 2  -  Rob Steen, Stormcrow Hayes
AI YORI AOSHI: VOLUMES 1-3 COLLECTION  -  Kou Fumizuki
ARCANA Volume 10  -  So-Young Lee
ASPIRIN Volume 2  -  Eun-Jeong Kim
ATELIER MARIE AND ELIE -ZARLBURG ALCHEMIST- Volume 5  -  Yoshihiko Ochi
BATTLE OF THE BANDS  -  Steve Buccellato
BECK:MONGOLIAN CHOP SQUAD Volume 13  -  Harold Sakuishi
BECK:MONGOLIAN CHOP SQUAD Volume 14  -  Harold Sakuishi
BEYOND THE BEYOND Volume 5  -  Yoshitomo Watanabe
BLANK Volume 2  -  Pop Mhan
BLAZIN’ BARRELS Volume 11  -  Min-Seo Park
BLOOD SUCKER  Volume 8  -  Aki Shimizu, Saki Okuse
BOYS OF SUMMER THE COMPLETE SEASON  -  Chuck Austen, Hiroki Otsuka
BRAVE STORY Volume 6  -  Miyuki Miyabe, Yoichiro Ono
CHIBI VAMPIRE: VOLUMES 1-3 COLLECTION  -  Yuna Kagesaki
CHRONICLES OF THE CURSED SWORD Volume 23  -  Beop-Ryong Yeo, Hui-Jin Park
CIEL Volume 1  -  Ju-Yeon Rhim
DARK MOON DIARY VOL 2  –
DEMON FLOWERS: KURUIZAKI NO HANA Volume 4  -  Mizuki Hakase
DEMON FLOWERS: KURUIZAKI NO HANA Volume 5  -  Mizuki Hakase
DISNEY’S FAIRIES: TINKERBELL  –
DRAGON HUNTER Volume 19  -  Hong Seock Seo
DRAGON SISTER! Volume 3  -  Nini
DRAGON VOICE Volume 11  -  Yuriko Nishiyama
EARTHLIGHT VOL 3  –
FEVER Volume 3  -  Hee Jung Park
FORGET ABOUT LOVE Volume 2  -  Sang-Eun Lee
FOXY LADY Volume 2  -  Ayun Tachibana
FOXY LADY Volume 3  -  Ayun Tachibana
FRUITS BASKET ULTIMATE EDITION Volume 4  -  Natsuki Takaya
FULL METAL PANIC! (NOVEL) Volume 4: ENDING DAY BY DAY: PART 1  -  Shikidouji, Shouji Gatou
GAKUEN HEAVEN-NAKAJIMA One Shot -  Spray, You Higuri
GANKUTSUOU Volume 1  -  Hidenori Matsubara , Hisashi Kagawa, Shuuichi Kouyama
GATCHA GACHA Volume 8  -  Yutaka Tachibana
GENJU NO SEIZA Volume 8  -  Matsuri Akino
GOOD WITCH OF THE WEST, THE (NOVEL) Volume 3  -  Noriko Ogiwara
GOSICK Volume 2  -  Hinata Takeda, Kazuki Sakuraba
GRAND THEFT GALAXY Volume 2  -  Jim Jimenez, Tricia Riley Hale
GUARDIAN HEARTS  Volume 2  -  Sae Amatsu
HANNAH MONTANA Volume 10  -  Disney
HANNAH MONTANA Volume 7  -  Disney
HANNAH MONTANA Volume 8  -  Disney
HANNAH MONTANA Volume 9  -  Disney
HARUKAZE BITTER BOP  Volume 3  -  Court Betten
HOTEL AFRICA Volume 3  -  Hee Jung Park
I WISH… Volume 3  -  Hyun-Joo Seo
I-DOLL Volume 3  -  Mi-Ae Choi
INITIAL D Volume 33  -  Shuichi Shigeno
JADE OF BANGO Volume 2  -  Ae-Ju Yim, Jin-Ju Yim
J-POP IDOL Volume 2  -  Original Story By Millenni+M, Script & Art By Toko Yashiro
KARMA CLUB Volume 2  -  D.J. Milky, Mark Seidenberg, Michael Dobrzycki
KAT & MOUSE Volume 4  -  Alex De Campi, Federica Manfredi
KINDAICHI CASE FILES, THE BURIAL FRANCS  -  Kanari Yozaburo, Sato Fumiya
KING CITY VOL 2 –
KINGDOM HEARTS(?)  -  Shiro Amano
KINGDOM HEARTS II(?)  -  Shiro Amano
KOIHIME SOUSHI One Shot -  Koge Dobo
LAGOON ENGINE Volume 6  -  Yukiru Sugisaki
LAGOON ENGINE Volume 7  -  Yukiru Sugisaki
LIFE Volume 10  -  Keiko Suenobu
LIFE Volume 11  -  Keiko Suenobu
LILING-PO Volume 9  -  Ako Yutenji
LITTLE QUEEN Volume 8  -  Yeon-Joo Kim
LOVE MODE Volume 11: (YAOI)  -  Yuki Shimizu
MAGIC MOON  LEGACY OF MAGIC MOON   -  Wolfgang And Heike Hohlbein
MAIL ORDER NINJA  -  Erich Owen, Joshua Elder
MARTIN AND JOHN Volume 2  -  Hee Jung Park
MISSING (NOVEL) Volume 3: THE HANGED MAN: PART 1  -  Gakuto Coda
MISSING (NOVEL) Volume 4: THE HANGED MAN: CONCLUSION  -  Gakuto Coda
MOBILE SUIT GUNDAM ECOLE DU CIEL Volume 9  -  Haruhiko Mikimoto
MY CAT LOKI Volume 3  -  Bettina M. Kurkoski
NEVER GIVE UP Volume 9  -  Hiromu Mutou
NOSATSU JUNKIE Volume 7  -  Ryoko Fukuyama
OFF*BEAT Volume 3  -  Jen Lee Quick
PANTHEON HIGH Volume 3  -  Paul Benjamin, Steven Cummings
PICK OF THE LITTER Volume 5  -  Yuriko Suda
PLANET BLOOD Volume 9  -  Tae-Hyung Kim
POISON CANDY Volume 2  -  David Hine, Hans Steinbach
PSY-COMM Volume 3  -  Jason Henderson, Ramanda Kamarga, Tony Salvaggio
QUEEN’S KNIGHT, THE Volume 13  -  Kim Kang Won
QUEEN’S KNIGHT, THE Volume 14  -  Kim Kang Won
ROLLING Volume 2  -  Geo, Ji-Sang Sin
RURE Volume 4  -  Da-Mi Seomoon
SATISFACTION GUARANTEED Volume 8  -  Ryo Saenagi
SAVER Volume 7  -  Eun-Young Lee
SEDUCTION MORE BEAUTIFUL THAN LOVE Volume 3  -  Hyun-Sook Lee
SESAME STREET Volume 4: ELMO AND ABBEY SEE A DINOSAUR  -  Sesame Workshop
SESAME STREET Volume 5: ELMO AND ABBEY IN WONDERLAND  -  Sesame Workshop
SHIN MEGAMI TENSEI (KAHN) Volume 3  -  Kazuaki Yanagisawa
SHORT SUNZEN! Volume 3  -  Susugi Sakurai
SILVER DIAMOND Volume 3  -  Shiho Sugiura
SNOW Volume 2  -  Morgan Luthi
SORCERER HUNTERS — 100% AUTHENTIC FORMAT Volume 11  -  Ray Omishi, Satoru Akahori
SPEED GRAPHER – NOVEL Volume 1  -  Gonzo, Minoru Niki, Yuusuke Kozaki
STAND BY YOUTH Volume 4  -  Juder, Young-Bin Kim
STAR TREK ULTIMATE EDITION  -  Various
STAR TREK: THE NEXT GENERATION Volume 1  -  Christine Boylan, David Gerrold, Diane Duane, Don Hudson, Fj Desanto
SUPPLI Volume 4  -  Mari Okazaki
TEA FOR TWO Volume 3  -  Yaya Sakuragi
THAT GUY WAS SPLENDID Volume 1  -  Gwiyunni, Ji-Eun Kim
TOKYO TRIBES Volume 7 -  Santa Inoue
TRINITY BLOOD – RAGE AGAINST THE MOONS Volume 4: JUDGMENT DAY  -  Sunao Yoshida, Thores Shibamoto
TRINITY BLOOD – REBORN ON THE MARS Volume 3  -  Sunao Yoshida
UNDERTOWN VOL 2  –
V.B. ROSE Volume 5  -  Banri Hidaka
WE SHADOWS Volume 2  -  Sonny Strait
WHITE NIGHT MELODY Volume 2  -  Selena Lin
YUBISAKI MILK TEA  -  Tomochika Miyano
ZIG*ZAG Volume 4  -  Yuki Nakaji

Some Notes: Longtime readers of the site will notice several titles appearing here that were previously on the chopping block during Tokyopop’s first “maybe we’ll try and publish this stuff online” experiment, which resulted in me freaking out about not getting to finish Dragon Head, which I did, and which is great, btw.

The cancellations seem to be along strict sales lines, which makes the inclusion of two Kingdom Hearts volumes sort of baffling, until you realize of course that they will actually be rescheduled to keep the cash flow more consistent.

Several of the titles above were specifically mentioned as to be rescheduled, like the Chibi Vampire 1-3 collection and the Star Trek books.

I have to wonder if PW asked direct questions of TP or Pavia on this one about specific titles? I know Brigid (the article’s author) is a fan of some of these books, and I’d personally like to know if Beck, Tokyo Tribes, or Fruits Basket Ultimate Edition 4 are actually coming or not… Or if they’d answer the question even if they were asked directly.

– Christopher

Duuuuuuuuuuuuuuuude, AKIRA

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Teletoon is showing AKIRA tonight and it’s just awesome. I mean… you sort of take it for granted that it’s as good as you remembered, but… Dude. AKIRA. DUN! DUN DUN! [bells chime]. DUN! DUN DUN DUN! [chimes].

I swear to you I am not chemically altered in any way, but I am enjoying the hell out of this film.

– Christopher

Doug Wright Awards Winners

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This past Friday evening the 2008 Doug Wright Awards (for books published in 2007) were handed out in a lovely evening event in Toronto. Unfortunately I couldn’t make it out myself, but by all accounts it was a well-attended and well-liked evening with a fun after party. Congratulations to the winners:

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2008 Doug Wright Award for Best Book: The Magical Life of Long Tack Sam, by Ann Marie Flemming.
Published by Riverhead Books. http://us.penguingroup.com/static/html/riverhead/index.html

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2008 Doug Wright Award for Best Emerging Talent: Jeff Lemire, for Tales From the Farm and Ghost Stories.
Published by Top Shelf. http://www.topshelfcomix.com/

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2008 Pigskin Peters Award for Nominally Narrative Cartooning: Milk Teeth, by Julie Morstad
Published by Drawn and Quarterly. http://drawnandquarterly.com/

In addition, Canadian cartoonist Lynn Johnston, best known for newspaper strip series For Better or For Worse was inducted into The Giants of The North, The Canadian Cartoonists’ Hall of Fame.

For more information on Doug Wright and the awards, visit http://www.wrightawards.ca/.

– Christopher

Comics: Embrace The Awful

We are the only industry that so loves its Colonel Parkers and so distrusts its Elvis Presleys. That managers and makers have spent equal time this summer preening in the spotlight of appreciation brought by a world starved for idiosyncratic creation shows just how damaged we’ve become.” – Tom Spurgeon, ComicsReporter.com

Tom offers a lovely riposte to reaction to current events, but not only current events.

– Chris