Things I Learned On Vacation: It’s not that hard to do the right thing.

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A few weeks ago I took a little vacation from my day job selling comics for The Beguiling, to head out to Seattle and sell some comics for my friends at Udon. They exhibited at the Penny Arcade Expo, or PAX, in Seattle, WA, a video-game convention hosted by the popular webcomic Penny Arcade. They’re really strict about who does or doesn’t get to exhibit at their show (though anyone can attend), and it’s the incredible devotion of the Udon guys to the Street Fighter videogames that got them through the door. I had a fun time, ate some great food, hung out with cool folks, and played a lot of Bomberman on my DS… I really gotta buy that at some point.

Anyway, the above notice was posted by the entrance ways to the exhibit hall, and a version of it appeared in the convention booklet that every attendee was given. Notice #5 there? It doesn’t take a genius to realize that getting a bunch of folks all in one place and getting them amped up, and maybe even a little turned on? There need to be some ground-rules laid out. The PAX guys throw an outstanding convention, really top-notch, and figuring out little things like this help a lot. Better still, security guards were both centralized and roaming, they received solid training, and there was never someone more than a yelp away. It was a safe, attentive, and solidly planned event. An event that ballooned from under 3,000 people 5 years ago to more than 50k this time out, with only the most minute of growing pains.

Why is this so hard for comics? Why all the hand-wringing and endless debate about nothing? It’s just like the bullshit about drinking or not drinking at the Hyatt during San Diego… endless chat and recrimination and “fun” suggestions and “concerned” suggestions and nerds marching to “a different drummer” but in the end? Just do the right thing. It’s not even hard. You’d think it was, but it’s not.

John DiBello is by all accounts a nice guy. I’ve never met him but people I like vouch for him, so that’s really all it takes–he’s a nice guy. He witnessed some pretty severe-sounding sexual harrassment at Comicon this year, tried to do something about it, and then realized that the biggest comics event in North America doesn’t have a policy on sexual harassment at their show… So he made some noise about it. Seems pretty open and shut, right? But… Angry nerds are still cluttering up comments sections with this stuff though, arguing against it, against him. But yeah, you can go to PAX and they (proudly, even) post right at the front door “Don’t be a dick guys, we’re all here to have fun.” and it’s not controversial, it’s not a problem that needs to be solved with zany solutions or protesting against organizations by giving them our money (I mean come on…). Some people just get it, and do the right thing. So, do it.

It’s funny, the first time I went to the Ad-Astra science fiction convention in Toronto, a small, fan-run and fan-oriented event north of the city, I kinda chuckled when I got to the part in their convention program about proper behaviour for attendees, and that included unwanted sexual advances… I mean, what kind of nerd needs to be told not to touch someones tits or that not everyone wants to hug you? But as soon as a friend I was hanging out at the show with expressed that same disbelief out loud, it clicked for me–this is a sexualized environment. Some people are going to be wearing little clothing, some people are being paid to be friendly (up to a point), some people are going to be demonstrative about their… affections. And that might give someone the wrong impression–that impression being “Holy shit she just made out with that guy I’ma gonna make out with her too!” There’s nothing wrong with setting ground rules.

It’s not like I don’t understand why certain comics folks get a little defensive about stuff like this… The idea is that having a sexual harassment policy means that you need a sexual harassment policy because comics people can’t be trusted to behave themselves. But guys (And It Is All Guys), that’s not the case. Every modern company of more than 4 or 5 people has a sexual harrassment policy, I’m pretty sure you need to have one by law in most places. Every con should have one just like every con should have rules regarding people taking pictures in the aisles, people with carts full of long boxes of books to be signed, and even when the doors open to let people in. That just ensures that a show happens that’s well organized, where everyone is on the same page, and if someone does behave badly there’s a clear statement saying “you shouldn’t have done that” and a very clear set of reprecussions for that person (“gtfo”).

So let’s take a cue from our kissing cousins over at PAX; there’s nothing wrong with telling people how to behave at your event, period. It not that hard to do the right thing.

– Christopher
P.S.: This is nice to read.

I am not dead.

chris-crop.jpgI’m not dead, I’m just on vacation. Well, a 4 week series of vacations actually. It’s been pretty good. I hand-wrote a blog entry today though, so I’ll probably type that up and post it tonight or early tomorrow…
Hope you’re all having a lovely summer.

– Chris
P.S.: This photo was taken last weekend actually, I’m less beardy at the moment.

Good Books Are Good

Hey, I actually got a chance to check out some of Kramers Ergot 7 while I was in San Diego. It was already on my buy list, honestly, because I’ve got all the other ones and the creative line-up sounds amazing. But the stuff that I’ve read and glanced at is really is top-notch… It’s probably going to make things worse, not better, if this thing is really good right? Like, people will be more upset that they can’t afford it? I can’t tell if it being good will make people more or less angry about the price. Maybe if it’s bad they’ll be happier, because that’ll justify their insane hating? Or passive-aggressive non-opinions?
Actually, haha, actually the whole argument reminds me of an Achewood comic where roast beef gets a new shirt. He gets this shirt from a girl who likes him and he tries it on and feels pretty good. Then:

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Except it’s not just in his head, those are real people doing that. For tonight’s performance, the roles of the angry cartoon animals that exist inside the depressed cat’s imagination will be played by people in the comics industry. It’s kind of amazing and awful at the same time? Like, people gathered down to shout-down a project that they personally feel is too ostentatious? Can you imagine if this happened in other media? Like people protesting The Batman movie because Christopher Nolan didn’t remake the Adam West one? Haha… So sad/awful/amazing.

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Keep hope alive, guys.

– Chris

Monster: I’m sorry, there’s nothing you can do.

From MightyGodKing:

“…whilst in the Beguiling, Chris Butcher worked his evil wiles upon me by offering me a “if you don’t like it, we’ll refund it” deal on the first volume of Naoki Urasawa’s Monster, presumably because he knows I don’t read much manga and wants me to buy more manga so I can personally finance his next trip to Japan. Dramatic manga – at least what I’ve read – can run very hot and cold for me, missing as often as hitting. The translated dialogue in particular often tends toward the powerfully melodramatic at the best of times, and when I have a problem with dialogue I have a problem with the whole comic more often than not. (It’s easier when the story plays the dramatic dialogue for laughs, which is why I think comedic manga tends to be more popular in the West.) Thankfully, Monster’s first volume isn’t a glaring offender in this regard, and the plot (doctor saves child’s life, child grows up to become serial killer – but it’s more complex and tense than that by half) is actually pretty compelling. I shall pick up later volumes, I believe. DAMN YOU, BUTCHER!” 

And I got you to blog about it. Check and mate, sir.

– Chris

Doug Wright Awards Winners

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This past Friday evening the 2008 Doug Wright Awards (for books published in 2007) were handed out in a lovely evening event in Toronto. Unfortunately I couldn’t make it out myself, but by all accounts it was a well-attended and well-liked evening with a fun after party. Congratulations to the winners:

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2008 Doug Wright Award for Best Book: The Magical Life of Long Tack Sam, by Ann Marie Flemming.
Published by Riverhead Books. http://us.penguingroup.com/static/html/riverhead/index.html

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2008 Doug Wright Award for Best Emerging Talent: Jeff Lemire, for Tales From the Farm and Ghost Stories.
Published by Top Shelf. http://www.topshelfcomix.com/

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2008 Pigskin Peters Award for Nominally Narrative Cartooning: Milk Teeth, by Julie Morstad
Published by Drawn and Quarterly. http://drawnandquarterly.com/

In addition, Canadian cartoonist Lynn Johnston, best known for newspaper strip series For Better or For Worse was inducted into The Giants of The North, The Canadian Cartoonists’ Hall of Fame.

For more information on Doug Wright and the awards, visit http://www.wrightawards.ca/.

– Christopher

Comics: Embrace The Awful

We are the only industry that so loves its Colonel Parkers and so distrusts its Elvis Presleys. That managers and makers have spent equal time this summer preening in the spotlight of appreciation brought by a world starved for idiosyncratic creation shows just how damaged we’ve become.” – Tom Spurgeon, ComicsReporter.com

Tom offers a lovely riposte to reaction to current events, but not only current events.

– Chris

Reviews?

Hey there, readership. I’m going to start doing reviews at least once a week, to sharpen my critical writing a little and send more concerted promotion at a few deserving titles… Seriously NBM has sent me like 6 or 7 great books already this year, I should probably mention a couple of them. Anyway, I read and like books almost regardless of genre or intended age, and my main area of interest is basically the exact same as Jog’s main area of interest when it comes to reviews, and he’s fucking awesome. I don’t entirely see the point in doubling up on that… So I figured I’d throw it open to you guys to see what you’d like to read on the site… Kids comics and graphic novels? Sort through the slush to find the good superhero books? Shoujo manga? Art Comix? Only works originating from Europe? Finish up my Casanova or First Second Review series? Should I not be so sensitive and start out with Disappearance Diary and The Missing Girl or whatever? Do a sort of Chris Sims thing and pick some awful piece of trash like Tarot and/or Anita Blake and review every issue?
I’d love to know what you think, if you have any thoughts on the subject.

– Chris

[PR] Apocalipstix Launch in Toronto August 6th

[Hey there! If you’re reading this could you please do me a favour and spread the word to anywhere that might be appropriate? I’d appreciate it a bunch. – Chris]

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THE APOCALIPSTIX: RAGNAROCK PARTY

The Official Launch for the new Graphic Novel

Wednesday, August 6th, 8PM
REVIVAL BAR, 738 College St., Toronto
ALL AGES + NO COVER

http://www.facebook.com/event.php?eid=25642968337

TORONTO, Ontario –THE APOCALIPSTIX is the new graphic novel by Toronto authors Ray Fawkes and Cameron Stewart, and fresh from their sold out pre-release at the San Diego Comic Convention these two top graphic novelists return to “play” their hometown with a book launch party featuring bands, prizes, and more, Wednesday, August 6th, at Revival Bar, 783 College St.

“It’s like Josie and the Pussycats meets Mad Max!” enthused Christopher Butcher, manager of The Beguiling, Canada’s premier retailer of comics and graphic novels. “Ray Fawkes and Cameron Stewart are top comics talents and The Apocalipstix is their best work yet… We’re anticipating the folks who loved the indy graphic novel SCOTT PILGRIM really getting into this one. I mean, three girls in a band after the end of the world, what’s not to like?”

THE APOCALIPSTIX: RAGNAROCK PARTY will feature musical performances by Toronto surf-punk band Terror Lake and all girl teen punk band DAME, and there’ll be door prizes and giveaways! Creators Ray Fawkes and Cameron Stewart will be signing and sketching for all comers! The event is all ages and features no cover charge! Revival Bar is located at 783 College St. at Shaw. Doors for the event open at 8PM, with the bands going on starting at 9:30pm.

ABOUT

Book: THE APOCALIPSTIX is a brand new 200 page graphic novel published by Oni Press. You can find out more about the graphic novel online at http://apocalipstix.com. The Apocalipstix is currently in stock at The Beguiling (601 Markham Street, near Bathurst St. & Bloor St. W), and will be available at the event.

Authors: Ray Fawkes is the Shuster Award Nominated author of Mnemovore and numerous graphic novellas and short stories, and can be found online at http://rayfawkes.com. Cameron Stewart the award-winning artist of Seaguy and The Invisibles, and the author of the serialized graphic novel Sin Titulo, and can be found online at http://cameron-stewart.com and http://transmission-x.com/.

Bands: Terror Lake can be found online at http://www.terrorlake.ca/. DAME can be found online at http://www.myspace.com/dameband.

MEDIA QUERIES: Christopher Butcher, Manager of The Beguiling, 416-533-9168, or via e-mail at chris@beguiling.com.

– Chris