Shaun Tan in Toronto this Tuesday, October 28th

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300_tales_from_outer_suburbia-1.jpgShaun Tan Signing in Toronto
In Support of his new book, Tales from Outer Suburbia
Tuesday, October 28th, 5pm-7pm
@ The Beguiling, 601 Markham Street, Toronto
Free to attend

The Beguiling is proud to welcome Australia’s Shaun Tan to Toronto, on tour for his new book Tales from Outer Suburbia. Despite being an accomplished and award-winning illustrator, Tan first came to the attention of graphic novel fans around the world for his epic, wordless graphic novel The Arrival. The Arrival won all sorts of awards and brought the extremely talented Tan to the attention of the comics industry, a rare “crossover” and, according to lumnaries like Art Spiegelman, a graphic novel in the truest sense of the phrase.

Tales From Outer Suburbia is a fascinating hybrid storybook and graphic novel, showcasing Tan’s gorgeous art through prose, comics, and gorgeous full-page illustrations. A collection of short stories to be enjoyed by readers from 6 to 60, Tales From Outer Suburbia is exactly the sort of book that could become anyone’s favourite.

The book will go on sale for the first time at this event.

For more on Shaun Tan, check out his website at http://www.shauntan.net/.

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I’m quite excited about this signing. I’m sorry I haven’t mentioned it until now, but if you can manage to make it out you won’t be disappointed. All art from Tan’s new book, Tales From Outer Suburbia, Copyright 2008 Shaun Tan.

– Chris

[PR] Apocalipstix Launch in Toronto August 6th

[Hey there! If you’re reading this could you please do me a favour and spread the word to anywhere that might be appropriate? I’d appreciate it a bunch. – Chris]

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THE APOCALIPSTIX: RAGNAROCK PARTY

The Official Launch for the new Graphic Novel

Wednesday, August 6th, 8PM
REVIVAL BAR, 738 College St., Toronto
ALL AGES + NO COVER

http://www.facebook.com/event.php?eid=25642968337

TORONTO, Ontario –THE APOCALIPSTIX is the new graphic novel by Toronto authors Ray Fawkes and Cameron Stewart, and fresh from their sold out pre-release at the San Diego Comic Convention these two top graphic novelists return to “play” their hometown with a book launch party featuring bands, prizes, and more, Wednesday, August 6th, at Revival Bar, 783 College St.

“It’s like Josie and the Pussycats meets Mad Max!” enthused Christopher Butcher, manager of The Beguiling, Canada’s premier retailer of comics and graphic novels. “Ray Fawkes and Cameron Stewart are top comics talents and The Apocalipstix is their best work yet… We’re anticipating the folks who loved the indy graphic novel SCOTT PILGRIM really getting into this one. I mean, three girls in a band after the end of the world, what’s not to like?”

THE APOCALIPSTIX: RAGNAROCK PARTY will feature musical performances by Toronto surf-punk band Terror Lake and all girl teen punk band DAME, and there’ll be door prizes and giveaways! Creators Ray Fawkes and Cameron Stewart will be signing and sketching for all comers! The event is all ages and features no cover charge! Revival Bar is located at 783 College St. at Shaw. Doors for the event open at 8PM, with the bands going on starting at 9:30pm.

ABOUT

Book: THE APOCALIPSTIX is a brand new 200 page graphic novel published by Oni Press. You can find out more about the graphic novel online at http://apocalipstix.com. The Apocalipstix is currently in stock at The Beguiling (601 Markham Street, near Bathurst St. & Bloor St. W), and will be available at the event.

Authors: Ray Fawkes is the Shuster Award Nominated author of Mnemovore and numerous graphic novellas and short stories, and can be found online at http://rayfawkes.com. Cameron Stewart the award-winning artist of Seaguy and The Invisibles, and the author of the serialized graphic novel Sin Titulo, and can be found online at http://cameron-stewart.com and http://transmission-x.com/.

Bands: Terror Lake can be found online at http://www.terrorlake.ca/. DAME can be found online at http://www.myspace.com/dameband.

MEDIA QUERIES: Christopher Butcher, Manager of The Beguiling, 416-533-9168, or via e-mail at chris@beguiling.com.

– Chris

[PR] Beguiling Original Art Sales in San Diego

seth-concierge.jpgSAN DIEGO, CA: Thanks to their friends at Drawn + Quarterly, The Beguiling Books & Art will be exhibiting at booth #1529 at this week’s Comic Con International: San Diego, in its role as a sales representative for original art. D+Q’s generous donation of exhibition space will allow The Beguiling to present original art from dozens of talented cartoonists including brand-new, never-before offered-for-sale originals from SETH (Wimbledon Green), JASON (I Killed Adolf Hitler), PAUL POPE (Batman Year 100), and FAREL DALRYMPLE (Omega The Unknown).

The Beguiling represents original art sales for more than 40 cartoonists at its online store at Beguiling.com, but this small exhibition at San Diego will allow an unprecedented opportunity for art collectors and fans of these artists to see the original works up close. In addition to brand new works from Seth, Jason, Pope, and Dalrymple, The Beguiling will have work on hand from Drawn + Quarterly cartoonists including Miriam Katin (We Are On Our Own), Sammy Harkham (Crickets), Kevin Huizenga (Or Else, Curses), Jason Lutes (Berlin), Anders Nilsen (Big Questions), Michel Rabagliati (Paul Goes Fishing), Maurice Vellekoop (Vellevision) and dozens of other talented cartoonists.

For fans and collectors who will be in San Diego for the con and would like to save themselves the shipping charges on a piece of original art or two, drop a line to mail@beguiling.com with the title and artist of one of the thousands of pages from our online art store at Beguiling.com and we’ll bring it to the show for you!

Remember, that’s The Beguiling at the Drawn + Quarterly booth, #1529, near Comic Relief, Fantagraphics, Last Gasp, and Artists Alley on the “right” side of the exhibition hall.

ABOUT

The Beguiling is Canada’s premiere retailer of comics, graphic novels, and original comics art. Almost all of the original art that The Beguiling represents is consigned by the artists, ensuring we are able to offer the widest possible selection of material and that the artists get the largest possible chunk of the proceeds. Visit The Beguiling online at http://www.beguiling.com.

Artists with original art represented by The Beguiling include: Jessica Abel, Ho Che Anderson, Jeffrey Brown, Eddie Campbell, Geneviève Castrée, Scott Chantler, Becky Cloonan, Dave Cooper, Jordan Crane, Farel Dalrymple, Kim Deitch, Phoebe Gloeckner, Tomer Hanuka, Sammy Harkham, David Heatley, Paul Hornschemeier, Kevin Huizenga, Jason, Miriam Katin, Jeff Lemire, Jason Lutes, Matt Madden, Kagan McLeod, Anders Nilsen, Bryan Lee O’Malley, Paul Pope, Michel Rabagilati, Brian Ralph, Ron Rege, Graham Roumiey, Sean Scoffield, Seth, Jay Stephens, James Sturm, Maurice Vellekoop, and Steve Weissman.

The Beguiling is a sponsor of The Toronto Comic Arts Festival, May 9-10 2009. For more information visit http://www.torontocomics.com.

The changing face of comics retail.

inoue.jpgI was in New York a few months ago for the official opening of Kinokuniya’s new store opposite Bryant Park. The guest of honour was one Takehiko Inoue, author of the manga Vagabond, Slam Dunk, and REAL. Imagine my surprise when I showed up at the event and the complete run of Vagabond was in-stock and available for purchase… including the very elusive first four volumes, at their new (reduced) price of just $9.95.

These are volumes that, so far as I can tell, were never made available to the direct market. I just checked and Diamond corroborates this story, as they list Volumes 1-4 still having a cover price of $12.95, and worse still, both volume 1 and volume 4 are listed as “Out of Stock, No Backorders.” And at a conservative estimate, they have been, for the better part of a year or two.

It took me until today to realize that I should just contact their book market distributor and see if it was, you know, actually available, or if the copies I saw in New York for the Inoue signing were the end of a print run, or a fluke, or perhaps a mirage.

“Yes, both of those are in stock and available,” says the nice lady at Simon & Schuster.

“Huh.” says I. “I’ll take 10 of each.”

“Confirmed, you’ll have them next week.”

So there you go. A company that has gone exclusive with Diamond for the direct market (meaning: me, the manager of a comic book store), and Diamond is not only not stocking their full line, but has specifically not offered some editions of their work, and is putting out the false signal that the work is out of print.

That’s why I’m not a fan of exclusive agreements.

vagabondvizbig.jpgMeanwhile, none of this will really matter in a few months when the (awesome) VAGABOND: VIZBIG EDITION comes out, as it’ll collect the first three volumes of Vagabond for a paltry $19.99, and since Diamond has already solicited it, this edition should be available for a little while (one hopes). But I did want to illustrate the lengths that some comic shops go to get product in, to stay competitive, and to make sure the good books are represented on the racks… even if it takes us a little while to figure it out.

Have a nice day,

– Christopher

P.S.: We had been scooping up Vagabond 1 and 4 through other sources for a while, so we’ve only really been completely out of stock for a few months, but it’s still a few months too many…

Photo of Takehiko Inoue by Christopher Butcher.

Full Response: Fantagraphics Signs With Diamond

greatspinnerrack.jpgAlthough he was under no obligation to do so, Tom Spurgeon didn’t post the full text of my response to the news that Fantagraphics has signed an exclusive deal with Diamond… It’s a little more balanced and nuanced then what ended up in the CR piece, in my always-humble opinion, so I figured I’d post it here.

We really wish that Fantagraphics had consulted us as their retail partners before they made this move, because we would have said “Good God No, Don’t Do It.” We’re very sympathetic to the general indifference of the Direct Market to good comics, including those that Fantagraphics publishes, and we understand the reasons they made their decision. Speaking from our point of view though, we like the opportunity to deal directly with Fantagraphics, because if Fanta has a book in print, then they will have it in stock. That is not the case with Diamond. Even on the largest publishers that have moved their Direct Market business exclusive with Diamond, publishers like Viz and Tokyopop, our fill rates on in-print books are less than adequate. We hope that Fanta knows what they’re in for on that front.

Not to put too fine a point on it, but as The Beguiling we’re fortunate enough talk to reps from a large number of publishers, great and small, and many of them really aren’t happy with their exclusivity deals with Diamond. No one will go on the record about it of course, because regardless of exclusivity or not they’re still going to be working with Diamond going forward and being openly critical of Diamond is not the best way to get good service from them. So, no one talks about how things are not going the way they had hoped, and everyone re-ups for another few years hoping things will change because hey, everyone else is doing it. Worse still, we’re worried about the sort of “chilling effect” that goes on whenever a publisher signs an exclusivity deal. Fantagraphics better than anyone (thanks to reportage in The Comics Journal) knows the havoc that exclusivity agreements caused direct market retailers, particularly with regards to Image and Dark Horse deciding on Diamond after DC had made their deal. Has the consolidation of the direct market to, effectively, Diamond Comics Distributors, shown a noted increase in stores, sales, or market strength over the past 10 years? Particularly for any company that isn’t Marvel or DC? Not at all, and yet the consolidation continues, leading many publishers to believe that there’s no other way to do business and succeed (or at least stay afloat) in the market.

Honestly, we order the majority of our Fantagraphics product through Diamond, all of our frontlist and the occasional backlist. But when it comes time to do actual store restocks on perennials like Ghost World and the works of Dan Clowes, Love & Rockets, the Ignatz Books, Mome, that order goes to Fantagraphics because of a solid discount, and because if the book is in print, the publisher will have it in stock. Right now Diamond doesn’t seem to have Ghost World in stock, which is perhaps just an unfortunate coincidence. But the first time that we try to order something from Diamond and can’t, and that backorder takes weeks or months (don’t laugh, it happens all the time), and that book would have been available to us direct from Fanta? That’s a lost sale for Fantagraphics and for us, and truly unfortunate.

Hopefully Diamond will keep all of these books in stock under this new deal. Hopefully with thousands of new book-format comics coming out every year, Fanta titles now solely available through Diamond won’t get lost in the shuffle. We know that the good folks working at Fantagraphics will be responsive to our needs as their customers just as they always have been; we just hope that history proves us all wrong and that Diamond is responsive to theirs.

We wish them the best of luck.

– Christopher Butcher, Manager, The Beguiling

That’s the entirety of what I sent Tom yesterday afternoon, and I’ve been thinking on it since then. In my head, my vision of the comics industry is one where comics are available if not everywhere, than at least everywhere you’d otherwise find printed material. The key to that, in my mind, is more access, and not less. I’m not unaware of economies of scale, of how much cheaper and easier it is to deal with two major distributors than dozens of smaller ones. I just honestly don’t see any smaller store that stocks Fanta/Eros stuff going through the hassle of opening a Diamond account and trying to meet monthly order minimums in order to get something better than a 35% discount when they do a backlist order. I hope there are other options, grandfather clauses, whatever, that keep Fanta’s reach as broad as it ever was. I really do wish them the best.

– Chris

Free Comic Book Day Report at The Beguiling

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Hey everybody! I just posted The Beguiling’s Free Comic Book Day wrap-up at: http://www.beguiling.com/2008/05/free-comic-book-day-2008-wrap-up.html.

We had a good year this year despite some pretty awful weather, and though I don’t have exact figures I’d say that we had at least 600 people through both events over the course of the day, and a lot (at least 200 of them) were under 14. Mission: Accomplished.

Because my site gets way more traffic than The Beguiling’s site, I did want to take the opportunity to send you to visit the online homes of all of our participating artists at this year’s FCBD events. They were really stars, drawing and sketching all day (many of them without any breaks) and sending you to check out their work is the least I can do.

Michael Cho (Transmission-X, Max Finder): http://www.transmission-x.com/ , http://chodrawings.blogspot.com/
Willow Dawson (Violet Miranda): http://www.willowdawson.com/
J. Korim (Neozoic): http://www.jkorim.ca/main.htm
Jessie Lam (Neozoic): http://axl99.net/
Steve Manale (Superslackers, You Crack Me Up): http://www.superslackers.com/
Nick Mandaag (Artist): no website!
Tyrone McCarthy (Corduroy High): http://www.corduroyhigh.com/
Alana McCarthy (Illustrator): http://www.alanaland.com/
Brian McLachlan (Princess Planet): http://www.theprincessplanet.com/, http://www.transmission-x.com/
Tara Tallan (Galaxion): http://www.girlamatic.com/comics/galaxion.php
Jeremy Tankard (Grumpy Bird, Me Hungry): http://www.jeremytankard.com/
Chip Zdarsky (Monster Cops): http://chipzdarsky.livejournal.com/

Hope you all had a great Free Comic Book Day!

– Christopher
(Photo: Jeremy Tankard talks about his very first home-made comics to a group of rapt youngsters and their parents at Free Comics For Kids Day)

Free Comic Book Day: Toronto

Are you in Toronto? Know people who are? The Beguiling/TCAF have put together two pretty-amazing Free Comic Book Day events. For one we partnered with the Toronto Public Library and a number of other organizations to do book launches for three Toronto authors who have new material for kids, and we’re tying that into kid-oriented FCBD activities. For the other, we’re doing some solid outreach efforts featuring Toronto comics creators.

Hope to see you there!

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More at: http://www.beguiling.com/2008/04/reminder-free-comics-for-kids-day-this.html

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More at http://www.beguiling.com

– Chris

Reminder: Junko Mizuno is Awesome

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I was out wandering the various Asian malls that make up Toronto and surrounding areas, and was reminded by this poster just how awesome Junko Mizuno is. Mizuno is a mangaka whose work has sporadically been published in English, primarily as part of the defunct Pulp line by Viz. Her three fairy-tale inspired graphic novels, Cinderalla, Hansel & Gretel, and Princess Mermaid mix her trademark cute-grotesque style of art with an end-of-the-millennium Japanese cultural mania and inject them into classic and seemingly comforting tails. In addition to the triumverate of colour fairy-tale manga, Mizuno has also had two black and white manga translated into English; Pure Trance and The Life of Momongo (which appeared in the out of print anthology Secret Comics Japan). Pure Trance is probably Mizuno’s masterpiece, a sprawling and depraved journey through the end of the world and the breakdown of society, as viewed through a sort of Kabuki-cho-Powerpuff-Girl lens, though Momongo is probably my favourite for its distillation of Mizuno’s themes and style down to a short, sharp story.

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As you can see above, that top illustration is just a small part of this larger poster, the art of which inspired these plush toys from the PostPet line… I didn’t end up buying the toys, sadly, though I could’ve got the pair for $40! Maybe they’d have thrown in the poster too? Anyway, if anyone loves me as much as $40, now you know what I’d like for my birthday.

Back to our subject… Mizuno has always been a solid illustrator, and recently she’s been moving more and more into the illustration/high-end vinyl toy/fine art world, much to comics’ loss (though there are still many volumes of her work that remain untranslated… I’ve got 3 myself!). In addition to these plush toys, there’ve been a ton of great vinyl adaptations of her work and you can see more at her blog (linked below). An outstanding collection of Mizuno’s illustration is on display in the Mizuno art book Hell Babies, as notable for all of the great illustration it contains as it is for its superlative presentation; puffy, sparkly vinyl covers house die-cut rounded pages and multiple paper stocks. Published in North America by Last Gasp, Hell Babies is out of print at the moment but fret not! A new edition of Hell Babies was released in Japan last year with an additional 16 pages, and I’ve been led to believe we’ll see an English edition sooner than we think…

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Of course, for those of who can’t wait, The Japanese edition is currently in stock at The Beguiling, thanks to a trip to Japan… It’s pretty awesome, and looks lovely as part of my little Junko Mizuno collection. If you want one drop us a line at mail at beguiling dot com, but they should be available everywhere by the end of the year.

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Oo! Look! Extra pages with the shiny paper! How can you resist?

For more information on Junko Mizuno, here’re a few links:

jaPRESS (Mizuno’s North American Agents): http://www.japress.com/
Junko Mizuno @ Wikipedia: http://en.wikipedia.org/wiki/Junko_Mizuno
Junko Mizuno @ Viz: http://www.viz.com/products/products.php?series_id=86
Junko Mizuno Website (Under Construction): http://www.h4.dion.ne.jp/~mjdotcom/
Junko Mizuno’s Blog: http://jmnews.exblog.jp/

– Christopher

Linkblogging: Hot in Hamlet, What’s up with FCBD?, Toronto News…

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+ Flight contributor and graphic novelist Neil Babra recently completed an adaptation of Shakespeare’s Hamlet for the “No Fear Shakespeare” line of graphic novels published by an arm of B&N. The “No Fear” line basically “translates” Shakespearian English into more direct or contemporary English, to make the stories more approachable for young readers. I have a complex array of feelings on the idea of changing the language of Shakespeare without a full modernization, particularly because I don’t think the plot of Shakespeare is as important as the actual language… But that said, I think there’s still value to this approach, both as a study guide and additional learning tool for readers who need a way “into” the works. Luckily Neil has lots of ideas on adaptation, translation, and Shakespeare’s language as well, and he addresses them all on the just completed information page on the No Fear: Shakespeare graphic novel adaptation of Hamlet. It’s really wonderful reading.

Also, I have included a more literal adaptation of my own to My reading of the classic; Neil draws Horatio hot all the way through the book.

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+ Has anyone noticed that the new colours on the remastered hardcover edition of Batman: The Killing Joke are kind of boring? Check out this side-by-side comparison of the original colours and the new edition over at PopCultureShock. I think my problem with it is that while artist Brian Boland brings a high degree of craft to the new colouring, he’s drained all of the emotion and… art… out of the work. Little touches like the cast-shadows on the cuffs of the Joker’s sleeves, for example, added more personality and depth to the art than all of the soft airbrush modelling in the world could hope to accomplish. At work my opinion is in the minority, with the majority of customers loving the hell out of the new look. Enh.

+ I’m really glad that Johanna Draper-Carlson put the leg-work in to try and peel away some of the secrecy surrounding comics’ only national holiday (or outreach event…), Free Comic Book Day. I’ve never understood the lack of transparency or accountability that surrounds this event, and I find it incredibly frustrating every single time it rolls around. This time out? The organisation mandated that all books had to be all-ages appropriate, thus reflecting a vision of the industry that doesn’t actually exist. They disallowed the participation of a publisher and then apparently lied about the reasoning (see the comments section). Getting answers is like pulling teeth. They stopped answering. And then somewhat mysteriously retailer Joe Field, the founder of FCBD (before turning it over whole-hog to Diamond), a man who has made very specific mention in the past of his arm’s-length from FCBD, ends up responding to questions that were sent to Diamond.

I’m not one to critisize without putting the work in myself; I do lots of comics outreach. But I think you can do it without the secrecy and misdirection, and a damn site better than what’s gone on. And if Mr. Field wants to ask me for suggestions that generally aren’t followed up on, again, here’s one: Name the people and organizations on the FCBD comittee. Who’s making the decisions, specifically? I’d feel better about the organization and more inclined to support it if decisions weren’t being made behind closed doors, and without any more general consultation of the direct market.

+ My friend Mr. Bryan Lee O’Malley was interviewed on NPR’s “Fair Game” last week about Scott Pilgrim. It’s a fun little interview and it’s the last segment, so fast-forward until there’s about 10 minutes left in the program.

+ The New York Times’ “Papercuts” blog offers up The 7 Deadly Sins of Book Reviewing. In keeping with the form, the 7 sins are particular words that are overused by reviewers and critics to the point of uselessness… Are the standards in comics criticism high enough that something like over-use of word “poignant” is something we have to worry about? I mean, how often are we likely to see the word “lyrical” in the latest plot-recap of last week’s Avengers? Or am I just being a bitch? Or both?

+ At Gay Pop Culture Website AfterElton.com, prominent gay comics fan/writer Lyle Masaki has been covering comics and geek culture turning on the broader gay audience to all that’s gay in comics (though mostly the superhero and Buffy set). “Six Gay Geeks Who’ve Improved Popular Culture” is a recent piece from Lyle that tags comics mainstays like Phil Jimmenez and Andy Mangels for their comics-centric contributions to geek culture. It’s a solid read.

+ roance-cut.jpgI found myself needing to write a short history of comics in North America recently, and found the website The History of Romance Comics to be a really useful compendium of knowledge on some of the most popular and bestselling comics North America has ever seen. Who knew that they also feature a great collection of romance comics reprints as well? Check out their fantastic collection of pre-code romance comics and history articles.

+ Thank you John Jakala for pointing out that Paul Levitz isn’t so hot at the math. Unfortunately, the platform for Mr. Levitz’ creative accounting is the blog & Newsarama, and the comments section there is such a fucking pit that any legitimate criticism of the facts presented in the column is likely to get drowned out by mouth-breathers still angry that every DC comic doesn’t come with bound-in $50 bills. Le Sigh.

+ Finally, though it isn’t specifically about comics I wanted to talk a little bit about bookstore culture… Here in Toronto the bookstore landscape is a-changing. Our neighbors at Ballenford Books on Architecture will be closing their doors in the next few months. They’re currently working to liquidate inventory which means some nice sales on some beautiful books… I really like this store and bookstores in general. It’s always sad when one decides to close their doors.

Meanwhile, one of my favourite indy bookshops is closing as well, but with a happier ending. “This Ain’t The Rosedale Library” will be closing their 22 year old spot in Toronto’s Gay Village, and moving to a smaller (and likely much cheaper) space in Kensington Market. They’re also having a pretty amazing sale right now, with 50% off of the already low prices on remaindered books. I’m going to try to get over there first thing tomorrow…

And that’s it for this post. Thanks for reading!

– Christopher

More on Michel…

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image04.jpgJust a quick note that Michel Rabagliati got a very nice interview in The National Post today, in advance of his appearance in Toronto this weekend:

It must be cathartic, however, for Rabagliati to tackle some of the issues he does: For instance, Paul Goes Fishing follows Paul and his partner, Lucie, as they try to start a family. The book deals with the multiple miscarriages they faced, but Rabagliati says his partner was OK with him discussing such matters in a public forum.

“It was tough,” he says. “When you start drawing it, and you start drawing the blood … it really puts you back in this particular context. It’s pretty sad sometimes. I must confess, sometimes I get a little bit depressed or I cry a bit when I [draw] that.

“I like drawing these stories about real life. [But] that’s the problem with it: I have to deal with that.”

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I heard the event got a nice little mention in Xtra Magazine here in Toronto as well (Xtra.ca) but it’s not online, so you’ll have to go out and pick up a copy if you’re in the Toronto area. Thanks for putting up with my constant pimping of this event by the by, I’m quite excited about it and the books are among my favourites published by D&Q.
– Christopher

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Art from Top: Paul in the Metro, French edition cover for Paul Goes Fishing, a musical panel from Paul Moves Out, and a moment of regret from Paul Moves Out. He looks so cute in his Y-Fronts.Â